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MIDNIGHT IN SAVANNAH… It's a city of beauty, history…hauntings. And one of the most haunted places in Savannah is a tavern called The Dragonslayer, built in the 1750s. The current owner, Gus Anderson, is a descendant of the original innkeeper and his pirate brother, Blue. Gus summons his granddaughter, Abigail, home from Virginia, where she's studying at the FBI Academy. When she arrives, she's devastated to find him dead. Murdered. But Abby soon learns that Gus isn't the only one to meet a brutal and untimely end; there've been at least two other victims. Then Captain Blue Anderson starts making ghostly appearances, and the FBI's paranormal investigation unit, the Krewe of Hunters, sends in Agent Malachi Gordon. Abby and Malachi have a similar ability to connect with the dead…and a similar stubbornness. Sparks immediately begin to fly—sparks of attraction and discord. But as the death toll rises, they have to trust each other or they, too, might find themselves among the dead haunting old Savannah!
Tommy's not a bad man; he's getting by. Renting a run-down room in his Uncle Maurice's house, just about keeping his ex-wife and kids at arm's length, and rolling from one get-rich-quick scheme to the other with his pal Doc. Then one day he comes to the aid of Aimee, who's not had it easy herself, struggling through life the only way she knows how. Their past won't let go easily, but together there's a glimmer of hope that they could make something more of their lives. Something extraordinary. Perhaps. With inimitable warmth, style and craft, Conor McPherson's THE NIGHT ALIVE deftly mines the humanity to be found in the most unlikely of situations.
The toys of Pleasantville, where parents don't talk with other parents and children don't play together, come alive one night and have a party. When it becomes time to go home they return to the wrong houses. In trying to get the right toys back to the right children the parents find they have to talk to each other and discover that they are all very nice people indeed!
In his latest soul-chilling novel, bestselling author Peter Straub tells of a famous children’s book author who, in the wake of a grotesque accident, realizes that the most basic facts of her existence, including her existence itself, have come into question. Willy Patrick, the respected author of the award-winning young-adult novel In the Night Room, thinks she is losing her mind–again. One day, she is drawn helplessly into the parking lot of a warehouse. She knows somehow that her daughter, Holly, is being held in the building, and she has an overwhelming need to rescue her. But what Willy knows is impossible, for her daughter is dead. On the same day, author Timothy Underhill, who has been struggling with a new book about a troubled young woman, is confronted with the ghost of his nine-year-old sister, April. Soon after, he begins to receive eerie, fragmented e-mails that he finally realizes are from people he knew in his youth–people now dead. Like his sister, they want urgently to tell him something. When Willy and Timothy meet, the frightening parallels between Willy’s tragic loss and the story in Tim’s manuscript suggest that they must join forces to confront the evils surrounding them.
Stranded in the middle of nowhere, you have to fight to survive! When the members of Junior Action News Team crash land in the Alaskan backwoods, one thing is clear: not everyone is going to survive. No cell phones. No internet. Their supplies are limited, as is their knowledge of the wilderness. Part of the group wants to wait it out. Other wants to search for help. But above all they must stay alive!
Eerie Elementary is one scary school! This series is part of Scholastic's early chapter book line called Branches, which is aimed at newly independent readers. With easy-to-read text, high-interest content, fast-paced plots, and illustrations on every page, these books will boost reading confidence and stamina. Branches books help readers grow!In this first book in the series, Sam Graves discovers that his elementary school is ALIVE! Sam finds this out on his first day as the school hall monitor. Sam must defend himself and his fellow students against the evil school! Is Sam up to the challenge? He'll find out soon enough: the class play is just around the corner. Sam teams up with friends Lucy and Antonio to stop this scary school before it's too late!
THE NUMBER ONE SUNDAY TIMES BESTSELLER WHAT DOES IT MEAN TO FEEL TRULY ALIVE? Aged 24, Matt Haig's world caved in. He could see no way to go on living. This is the true story of how he came through crisis, triumphed over an illness that almost destroyed him and learned to live again. A moving, funny and joyous exploration of how to live better, love better and feel more alive, Reasons to Stay Alive is more than a memoir. It is a book about making the most of your time on earth. 'I wrote this book because the oldest clichés remain the truest. Time heals. The bottom of the valley never provides the clearest view. The tunnel does have light at the end of it, even if we haven't been able to see it . . . Words, just sometimes, really can set you free.'
Coral sees the world around her through a rainbow of colours not visible to others - a day full of adventure is Treasure Island Gold but one with a maths test is Stormy Canyon Grey. When her beloved grandma dies, Coral can't find the colour to match how heartbroken she is. She makes a bargain with a ghostly boy - she'll stop an evil spirit from breaking the spell imprisoning him in a graveyard and he'll find a way for her to say goodbye properly to Grandma.
Staying Alive: A Survival Manual for the Liberal Arts fiercely defends the liberal arts in and from an age of neoliberal capital and techno-corporatization run amok, arguing that the public university’s purpose is not vocational training, but rather the cultivation of what Fradenburg calls “artfulness,” including the art of making knowledge. In addition to sustained critical and creative thinking, the humanities develop the mind’s capacities for real-time improvisational communication and interpretation, without which we can neither thrive nor survive. Humanist pedagogy and research use play, experimentation and intersubjective exchange to foster forms of artfulness critical to the future of our species. From perception to reality-testing to concept-formation and logic, the arts and humanities teach us to see, hear and respond more keenly, and to imagine, or “model,” new futures and possibilities. Innovation of all kinds, technological or artistic, depends on the enhancement of the skills proper to staying alive