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Adapted for television in France, the fourth of the Nicolas Le Floch mysteries sees the protagonist accused of murdering a socialite - with whom he was about to end a stormy affair. 'Parot succeeds brilliantly in his reconstruction of pre-revolutionary Paris' The Times Paris, 1774. Commissioner Le Floch's stormy love affair with socialite Julie de Lasterieux has run its course. But before Nicolas can formally end the relationship, Julie is found murdered in her bed, a victim of poisoning. For now, he retains the confidence of even the King, who sends him on a secret intelligence mission. But a plot is afoot to implicate Nicolas in Julie's death, and he is soon fighting to uncover the perpetrators and clear his name.
Paris, 1774. Commissioner Le Floch's stormy love affair with socialite Julie de Lasterieux has run its course. But before Nicolas can formally end the relationship, Julie is found murdered in her bed, a victim of poisoning. For now, he retains the confidence of even the King, who sends him on a secret intelligence mission. But a plot is afoot to implicate Nicolas in Julie's death, and he is soon fighting to uncover the perpetrators and clear his name."
Paris, February 1761. A police officer disappears and Nicolas Le Floch, a young Breton police recruit is instructed to find him ...
The Cambridge Handbook of Applied Psychological Ethics is a valuable resource for psychologists and graduate students hoping to further develop their ethical decision making beyond more introductory ethics texts. The book offers real-world ethical vignettes and considerations. Chapters cover a wide range of practice settings, populations, and topics, and are written by scholars in these settings. Chapters focus on the application of ethics to the ethical dilemmas in which mental health and other psychology professionals sometimes find themselves. Each chapter introduces a setting and gives readers a brief understanding of some of the potential ethical issues at hand, before delving deeper into the multiple ethical issues that must be addressed and the ethical principles and standards involved. No other book on the market captures the breadth of ethical issues found in daily practice and focuses entirely on applied ethics in psychology.
What draws us towards a shop window display? What drives us to grab a special offer, to enter the privileged circle of premium newspaper subscribers, to peruse the pages of an enticing magazine? Without doubt, it is curiosity - that essential force of everyday action which invites us to break from our habits and to become transported beyond our very selves. Curiosity (whether healthy or unhealthy) is one of the favourite tricks of market seduction. Capturing a public - attracting the attention of a reader, seducing a customer, meeting the expectations of a user, persuading a voter ... - often requires the construction of a set of technical devices that can play upon people's inner motivations. Cochoy invites us to take a sociological trip into these cabinets of curiosity, accompanied throughout by Bluebeard, a fairy tale that is both a model of the genre and a pure curiosity machine. At once a work of history and economic anthropology, the book meticulously analyses the devices designed by markets to arouse, excite, and sustain curiosity: a window display, practices of 'teasing', packaging, bus shelters, mobile internet technologies, to name but a few. In the Bettencourt and Strauss-Kahn affairs and the Wikileaks controversy, Cochoy also uncovers the work of investigative journalism and its attention-grabbing 'scoops', revealing the secrets of the revealers of secrets. Available in English for the first time, this major work will arouse readers' curiosity over the course of its unusual and colourful journey. By the end, now better informed and more cautious, they will be able to identify the traps of which they are the target. So long as curiosity is kept at bay, at least!
Adapted for television in France, the first of the Nicolas Le Floch mysteries tells the story of murder against the backdrop of the glittering court of Louis XV. 'Has all the twists, turns and surprises the genre demands' Independent on Sunday It's France, 1761. Beyond the glittering court of Louis XV and Madame de Pompadour at Versailles, lies Paris, a capital in the grip of crime and immorality ... A police officer disappears and Nicolas Le Floch, a young recruit to the force, is instructed to find him. When unidentified human remains suddenly come to light, he seems to have a murder investigation on his hands. As the city descends into Carnival debauchery, Le Floch will need all his skill, courage and integrity to unravel a mystery which threatens to implicate the highest in the land. This is the first in a series of six historical crime novels which has sold in excess of 400,000 copies in French. The author brings eighteenth-century Paris vividly to life and the story features real-life characters Madame de Pompadour and Louis XV as well as engaging hero Nicolas le Floch.
2nd Nicolas Le Floch investigation - a sinister death at the opera reveals something rotten at the French court.
From the author of The Red Notebook, described as 'Parisian perfection' by HRH The Duchess of Cornwall, Red is My Heart is a stunning collection of words and images in collaboration with Parisian street artist, Le Sonneur, about how to mend a broken heart. 'Enchanting' Washington Post How can you mend a broken heart? Do you write a letter to the woman who left you – and post it to an imaginary address? Buy a new watch, to reset your life? Or get rid of the jacket you wore every time you argued, because it was in some way … responsible? Combining the wry musings of a rejected lover with playful drawings in just three colours – red, black and white – bestselling author of The Red Notebook, Antoine Laurain, and renowned street artist Le Sonneur have created a striking addition to the literature of unrequited love. Sharp, yet warm, whimsical and deeply Parisian, this is a must for all Antoine Laurain fans.
Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
Adapted for television in France, the third of the Nicolas Le Floch mysteries sees the protagonist investigate the death of a maid in the house of the King's minister. 'It's the superb Parisian detail and atmosphere that truly beguiles' Sunday Times These are difficult times for Nicolas Le Floch: Louis XV is dead and Nicolas's boss Sartine has been promoted to Minister of State for the Navy. Le Noir, Sartine's successor as Lieutenant General of Police, distrusts Le Floch. Monsieur de Saint-Florentin, the King's new minister, entrusts Commissioner Le Floch with the investigation into the murder of a chambermaid whose throat was cut in unusual circumstances at Saint-Florentin's home. His inquiry takes place both in Paris and Versailles, where he secures his position alongside the King and must confront the mysteries of the Trianon and the horrors of Bicetre. This fifth exciting adventure for Nicolas Le Floch has it all: serial crimes and a bizarre murder weapon, as well as debauchery, espionage, and the follies of a young court where ancient rivalries and grudges still linger.