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Excerpt from The New-York Cries in Rhyme New-york is built on the south end of the Island of Manhattan, now called new-york Island. The noble River Hudson, or North River, flows along its north west side, while the East River, which unites with the majestic Long Island Sound, waters the south-east border. It is thought that no place in the world, embraces so many natural advantages for commerce and trade, as the port of new-york. None, perhaps, is in a more flourishing condition, than it is at this time. A great many buildings have been recently erected, and we may behold whole squares and magnificent structures going up in various parts of the city. Vessels from almost every commercial country, may be seen in its port; and the steamboats, m the summer are numerous, and ply in every direction. By great labor and expense, the numerous hills in that part of the Island on which the city is building, have been leveled, and valleys and swamps have been filled up. Only a few years ago, there was a lake of fresh water, called the Collect, in the middle of the city, which is now firm land; and spacious streets and stately buildings, now occupy a place where the boys of new-york formerly spent many hours in skating! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A reproduction of a nineteenth-century collection of New York City street cries accompanied by commentary and illustrated with woodcuts.
With their rakish characters, sensationalist plots, improbable adventures and objectionable language (like swell and golly), dime novels in their heyday were widely considered a threat to the morals of impressionable youth. Roundly criticized by church leaders and educators of the time, these short, quick-moving, pocket-sized publications were also, inevitably, wildly popular with readers of all ages. This work looks at the evolution of the dime novel and at the authors, publishers, illustrators, and subject matter of the genre. Also discussed are related types of children's literature, such as story papers, chapbooks, broadsides, serial books, pulp magazines, comic books and today's paperback books. The author shows how these works reveal much about early American life and thought and how they reflect cultural nationalism through their ideological teachings in personal morality and ethics, humanitarian reform and political thought. Overall, this book is a thoughtful consideration of the dime novel's contribution to the genre of children's literature. Eight appendices provide a wealth of information, offering an annotated bibliography of dime novels and listing series books, story paper periodicals, characters, authors and their pseudonyms, and more. A reference section, index and illustrations are all included.
Offers readers a view of the quality and diversity of nineteenth-century American children's poetry. Complemented by period illustrations, this collection includes work by poets from all geographical regions, as well as rarely seen poems by immigrant and ethnic writers and by children themselves.
Before the Civil War, a new idea of womanhood took shape in America in general and in the Northeast in particular. Women of the propertied classes assumed the mantle of moral guardians of their families and the nation. Laboring women, by contrast, continued to suffer from the oppressions of sex and class. In fact, their very existence troubled their more prosperous sisters, for the impoverished female worker violated dearly held genteel precepts of 'woman's nature' and 'woman's place.' City of Women delves into the misfortunes that New York City's laboring women suffered and the problems that resulted. Looking at how and why a community of women workers came into existence, Christine Stansell analyzes the social conflicts surrounding laboring women and they social pressure these conflicts brought to bear on others. The result is a fascinating journey into economic relations and cultural forms that influenced working women's lives--one that reveals at last the female city concealed within America's first great metropolis.