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“If you can't get to the High Line. . . this is the next best thing.” —The Washington Post Before it was restored, the High Line was an untouched, abandoned landscape overgrown with wildflowers. Today it’s a central plaza, a cultural center, a walkway, and a green retreat in a bustling city that is free for all to enjoy. This beautiful, dynamic garden was designed by Piet Oudolf, one of the world’s most extraordinary garden designers. Gardens of the High Line, by Piet Oudolf and Rick Darke, offers an in-depth view into the planting designs, plant palette, and maintenance of this landmark achievement. It reveals a four-season garden that is filled with native and exotic plants, drought-tol­erant perennials, and grasses that thrive and spread. It also offers inspiration and advice on recreating its iconic, naturalistic style. Featuring stunning photographs by Rick Darke and an introduction by Robert Hammond, the founder of the Friends of the High Line, this large-trim, photo-driven book is a must-have gem of nature of design.
Magnificent Trees celebrates the 30,000 specimens that adorn the landscape of The New York Botanical Garden, a National Historic Landmark. This new visual tribute features lavish photographs by Larry Lederman accompanied by descriptions by Todd Forrest, Vice President for Horticulture and Living Collections at the Garden. Trees evoke wonder in all who observe them. They are at once visions of majesty, and symbols of shelter and peace. The beauty inherent in trees is both perennial and ever-changing; their shapes and colors transform in every change of season, in every sunrise and sunset. The New York Botanical Garden is recognized throughout the world for stewardship and connoisseurship of its vast collections, some in forests, some in groves, and some standing in solitary majesty. An authority on the diverse species present in the garden, Todd Forrest writes vividly about the Garden’s past, detailing the incredible histories of the trees in the collection—from their vital role in Native American life and culture, to their wartime function as neutral territory during the Revolutionary War. Each tree has a story to tell, and just as Forrest gives their collective past words, Lederman captures their grandeur in hundreds of stunning images. He portrays the diversity of this collection with photographs that reveal the trees in a myriad of fascinating perspectives: in landscape views that convey the Garden’s genius loci; portraits illustrating the architecture and profound visual impact of selected trees; remarkable details of flowers, fruit, bark and leaves; and impressionistic images, abstract in character but beautiful in composition.
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality. Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today. Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere. Table of Contents: Introduction 1. Gardening in Eden 2. The Woodland Garden 3. The Enclosed Garden 4. The "Garden in the Brain" 5. Gardening with Emily Dickinson Louise Carter Epilogue: The Gardener in Her Seasons Appendix: Flowers and Plants Grown by Emily Dickinson Abbreviations Notes Acknowledgments Index of Poems Cited Index Reviews of this book: In this first major study of our beloved poet Dickinson's devotion to gardening, Farr shows us that like poetry, gardening was her daily passion, her spiritual sustenance, and her literary inspiration...Rather than speaking generally about Dickinson's gardening habits, as other articles on the subject have done, Farr immerses the reader in a stimulating and detailed discussion of the flowers Dickinson grew, collected, and eulogized...The result is an intimate study of Dickinson that invites readers to imagine the floral landscapes that she saw, both in and out of doors, and to re-create those landscapes by growing the same flowers (the final chapter is chock-full of practical gardening tips). --Maria Kochis, Library Journal Reviews of this book: This is a beautiful book on heavy white paper with rich reproductions of Emily Dickinson's favorite flowers, including sheets from the herbarium she kept as a young girl. But which came first, the flowers or the poems? So intertwined are Dickinson's verses with her life in flowers that they seem to be the lens through which she saw the world. In her day (1830-86), many people spoke 'the language of flowers.' Judith Farr shows how closely the poet linked certain flowers with her few and beloved friends: jasmine with editor Samuel Bowles, Crown Imperial with Susan Gilbert, heliotrope with Judge Otis Lord and day lilies with her image of herself. The Belle of Amherst, Mass., spent most of her life on 14 acres behind her father's house on Main Street. Her gardens were full of scented flowers and blossoming trees. She sent notes with nosegays and bouquets to neighbors instead of appearing in the flesh. Flowers were her messengers. Resisting digressions into the world of Dickinson scholarship, Farr stays true to her purpose, even offering a guide to the flowers the poet grew and how to replicate her gardens. --Susan Salter Reynolds, Los Angeles Times Cuttings from the book: "The pansy, like the anemone, was a favorite of Emily Dickinson because it came up early, announcing the longed-for spring, and, as a type of bravery, could withstand cold and even an April snow flurry or two in her Amherst garden. In her poem the pansy announces itself boldly, telling her it has been 'resoluter' than the 'Coward Bumble Bee' that loiters by a warm hearth waiting for May." "She spoke of the written word as a flower, telling Emily Fowler Ford, for example, 'thank you for writing me, one precious little "forget-me-not" to bloom along my way.' She often spoke of a flower when she meant herself: 'You failed to keep your appointment with the apple-blossoms,' she reproached her friend Maria Whitney in June 1883, meaning that Maria had not visited her . . . Sometimes she marked the day or season by alluding to flowers that had or had not bloomed: 'I said I should send some flowers this week . . . [but] my Vale Lily asked me to wait for her.'" "People were also associated with flowers . . . Thus, her loyal, brisk, homemaking sister Lavinia is mentioned in Dickinson's letters in concert with sweet apple blossoms and sturdy chrysanthemums . . . Emily's vivid, ambitious sister-in-law Susan Dickinson is mentioned in the company of cardinal flowers and of that grand member of the fritillaria family, the Crown Imperial."
"The New York Botanical Garden is the setting of one of the city's most celebrated winter traditions: The Holiday Train Show. This exhibition features dozens of locomotives, freight trains, and trolleys zipping through a whimsical landscape populated by more than 150 models of beloved city landmark, composed entirely of leaves, twigs, seeds, pinecones, and other plant parts. Together with his team at Applied Imagination, Paul Busse and the horticulturists at The New York Botanical Garden create this tribute to the beauty of New York's iconic architecture. Behind-the-scenes photographs reveal the process of bringing the exhibition to life, and detailed views of each building reveal the artistry and ingenuity that goes into each architectural element. Essays explore the engineering of the tracks and bridges as well as notable featured trains"--
A guide to the forgotten waterways hidden throughout the five boroughs Beneath the asphalt streets of Manhattan, creeks and streams once flowed freely. The remnants of these once-pristine waterways are all over the Big Apple, hidden in plain sight. Hidden Waters of New York City offers a glimpse at the big city’s forgotten past and ever-changing present, including: Minetta Brook, which ran through today's Greenwich Village Collect Pond in the Financial District, the city's first water source Newtown Creek, separating Brooklyn and Queens Bronx River, still a hotspot for urban canoeing and hiking Filled with eye-opening historical anecdotes and walking tours of all five boroughs, this is a side of New York City you’ve never seen.
"In the 1890s, botanist Nathaniel Lord Britton united New York City's private Gilded Age wealth with the expertise of its increasingly well-respected scientific community to realize his vision of a world-class botanical research institution situated within the landscaped confines of a newly annexed Bronx park. Peter Mickulas chronicles Britton's success in establishing The New York Botanical Garden as a decidedly American place for the practice of New World botany. He mounted a series of expeditions that catalogued the flora of the Western Hemisphere, most significantly the flora of Puerto Rico. Today, thanks to this auspicious beginning, the Botanical Garden ranks among the most important research institutions, both for New York City and the botanical world." -- Description from publisher website.
Twenty beautiful, brilliantly colored prints of rare orchids from the New York Botanical Garden collection housed in a keepsake box to be published in time for the wildly popular annual Orchid Show at the NYBG This elegant box of prints features 20 magnificent reproductions of rare orchid paintings from the NYBG's world-renowned collection. They can be mounted together for a dramatic wall statement or singly for wider range and for gifting. Irresistible for fans of botanical art and orchid lovers in particular and printed on luxurious card stock, they fit both a10 x 12 inch frame or an 11 x 14-inch frame with mat.
New York may be most easily recognized by its trademark skyscrapers and brick tenement buildings, but the truth is that the city is actually teeming with luxurious roof gardens and private courtyard oases. Creative gardeners and architects have risen to meet the unique challenges of the urban landscape, designing spaces that celebrate the city while providing a restful escape. New York City Gardens presents New York's evolving tradition of garden culture through images and discussions of thirty of its most outstanding gardens, from world-famous botanical gardens to richly re-cultivated public urban spaces, luxurious penthouse terraces, and innovative art gardens without soil or plants. Many of the gardens are set against vistas of the quintessential New York--Central Park, the Empire State Building, skyscrapers of Midtown, and the sensational skyline of Lower Manhattan. Other gardens reveal surprising and exotic intimate retreats from the bustle of the city. While most were designed by noted landscape architects, including Dan Kiley, Hideo Sasaki, Ken Smith, and Halsted Wells, many others were created over decades by talented homeowners themselves. As more and more city dwellers in New York and beyond look to cultivate their own kitchen and container gardens and individual outdoor sanctuaries, this book provides hundreds of inspiring images as well as historical background and insight into the practical and imaginative solutions of city garden designers.