Download Free The New Westerners Book in PDF and EPUB Free Download. You can read online The New Westerners and write the review.

Reconciling explosive growth with often majestic landscape defines New Geographies of the American West. Geographer William Travis examines contemporary land use changes and development patterns from the Mississippi to the Pacific, and assesses the ecological and social outcomes of Western development. Unlike previous "boom" periods dependent on oil or gold, the modern population explosion in the West reflects a sustained passion for living in this specific landscape. But the encroaching exurbs, ranchettes, and ski resorts are slicing away at the very environment that Westerners cherish. Efforts to manage growth in the West are usually stymied at the state and local levels. Is it possible to improve development patterns within the West's traditional anti-planning, pro-growth milieu, or is a new model needed? Can the region develop sustainably, protecting and managing its defining wildness, while benefiting from it, too? Travis takes up the challenge , suggesting that functional and attractive settlement can be embedded in preserved lands, working landscapes, and healthy ecologies.
This work tells the story of Cambodians whose route takes them from refugee camps to California's inner-city and high-tech enclaves. We see these refugees becoming new citizen-subjects through a dual process of being made and self-making, balancing religious salvation and entrepreneurial values.
American moviegoers have long turned to the Hollywood Western for reassurance in times of crisis. During the genre's heyday, the films of John Ford, Howard Hawks and Henry Hathaway reflected a grand patriotism that resonated with audiences at the end of World War II. The tried-and-true Western was questioned by Ford and George Stevens during the Cold War, and in the 1960s directors like Sam Peckinpah and George Roy Hill retooled the genre as a commentary on American ethics during the Vietnam War. Between the mid-1970s and early 1990s, the Western faded from view--until the Gulf War, when Kevin Costner's Dances with Wolves (1990) and Clint Eastwood's Unforgiven (1992) brought it back, with moral complexities. Since 9/11, the Western has seen a resurgence, blending its patriotic narrative with criticism of America's place in the global community. Exploring such films as True Grit (2010) and Brokeback Mountain (2005), along with television series like Deadwood and Firefly, this collection of new essays explores how the Western today captures the dichotomy of our times and remains important to the American psyche.
Lost in the New West investigates a group of writers – John Williams, Cormac McCarthy, Annie Proulx and Thomas McGuane – who have sought to explore the tensions inherent to the Western, where the distinctions between old and new, myth and reality, authenticity and sentimentality are frequently blurred. Collectively these authors demonstrate a deep-seated attachment to the landscape, people and values of the West and offer a critical appraisal of the dialogue between the contemporary West and its legacy. Mark Asquith draws attention to the idealistic young men at the center of such works as Williams's Butcher's Crossing (1960), McCarthy's Blood Meridian (1985) and Border Trilogy, Proulx's Wyoming stories and McGuane's Deadrock novels. For each writer, these characters struggle to come to terms with the difference between the suspect mythology of the West that shapes their identity and the reality that surrounds them. They are, in short, lost in the new West.
Includes material on George Catlin, Francis Parkman, Josiah Gregg, John Butterfield, Theodore Roosevelt, among others.
As with all crafts, they had their big men—the masters, as it were—whose deeds they emulated, whose feats of skill and divination they spoke of with awe, whose names they worshipped. Of such were Kit Carson, Wild Bill, Jim Clarke, Buffalo Bill, Slade, and the three men with whom we have to deal—Jim Buckley, Alfred, and Billy Knapp. Billy Knapp was dark, tall, broad-shouldered, long-haired, wearing a bristly mustache and goatee. A stranger might have remarked his frowning, beetling brow with a little uneasiness, but would have taken heart from the energetic kindliness of the eyes beneath. In fact, eager, autocratic energy was the dominant note in Billy's character. He succeeded because this energy carried him through—with some to spare. Jim Buckley was also tall and large, but he gave one less the idea of nervous force than of a certain static power. He was a mass which moved slowly but irresistibly. His seal-brown beard, his broad forehead, the distance between his wide, steady eyes strengthened this impression. One felt that his decisions would be hardly come at, but stubbornly held. Success was inevitable, but it would be the result of slow thinking, deep purpose, and a quiet tenacity of grip that never let go. As for Alfred—everybody has heard of him. His place in the annals of the West is assured, and his peculiarities of person and character have been many times described. Surely no one is unfamiliar with his short, bandy legs, his narrow, sloping little shoulders, his contracted chest, his queer pink and white face, with its bashful smile, his high bald head. Everybody knows his fear of women. Everybody knows, too, that he never had an opinion of his own on any subject. His speciality was making the best of other people's, no matter how bad they were; and competent judges say he could accomplish a more gloriously perfect best out of some tenderfoot's fool notion than another man with the advice of experts. Some people even maintain that Alfred was the best scout the plains ever produced, only he was so bashful that it took an expert to appreciate the fact.
When Jim Stiles moved west from Kentucky in the 1970s to make Moab, Utah, his home, that corner of the rural West had already endured decades of obscurity, a uranium boom and then a bust, and was facing an identity crisis. What kind of economy would prevent Moab from becoming yet another ghost town? For more than two decades, environmentalists in southeast Utah have had a simple answer to this question: replace extractive industries--mining, timber, and cattle--with an economy catering to "green" tourists with hotels, restaurants, and bars. They feel that if these lands can be spared further degradation by huge industries, the West could begin to thrive on something cleaner and more lucrative. But Stiles sees a downside to this seemingly idyllic vision. Bringing insight based on decades of residence in Moab, he makes a provocative and compelling argument that the economy most environmentalists hail as the solution to the woes of the rural West is in fact creating an unprecedented impact of its own. In recent years, Moab and other rural towns across the West have seen a massive influx of urbanites fleeing crowded cities in search of a simpler life. Yet Stiles also observes that these transplants are often unwilling to accept the isolation and lack of services that characterize genuine rural life. Believing themselves to be liberal, sensitive, enlightened environmentalists, they nevertheless bring with them exactly the type of lifestyle and ecological impact that they sought to leave behind and, in the process, create a community that no longer serves the native inhabitants. With a blend of travelogue, local color, and geography, Stiles engages readers with folksy humor while defending the lifestyle of the "pre-cappuccino rural Westerners" and exposing the paradox that underlies the professed good intentions of liberal newcomers.
In time for Alberta's and Saskatchewan's 100th anniversary of Confederation, political commentator and writer John Conway examines the unique way the West has shaped the rest of Canada. The Riel Rebellions, the Winnipeg General Strike, the founding of the CCF, Social Credit and Reform parties, the struggle for provincial control of resources -- much of the impetus for political, social and economic change in Canada has come from the West. From pre-Confederation to the present, author John Conway, himself a Westerner, tells the story of the colourful and controversial figures who molded the region. His lively history of the West and its peoples offers insight into the experience of Western Canadians and documents their contribution to Canadian economic and political life. The third edition of this popular and successful history describes Stephen Harper's arrival on the political scene, as well as the rise and fall of such figures as Grant Devine, Bill Vander Zalm, Glen Clark, Roy Romanow, and Stockwell Day. It also describes how the West, the cradle of Canadian social democracy, was transformed into the bastion of the right during the last decade.