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The nine essays in this volume, written by leading international scholars in New Testament studies, examine in new depth the method of comparison so frequently deployed in the study of the New Testament. They raise and reflect on deep questions on the possibility and validity of such comparative exercise, on the methods that are most effective and intellectually defensible, on the purpose of such comparison, and on the perils and pitfalls in such exercises. Addressing these questions at both a theoretical, hermeneutical level, and through case-studies of actual examples, the book provides a much needed and up-to-date methodological resource for the numerous comparative projects spawned by New Testament studies throughout the world.
Compares the work of the evangelists to the development of biography in the Graeco-Roman world
A renewed interest in textual criticism has created an unfortunate proliferation of myths, mistakes, and misinformation about this technical area of biblical studies. Elijah Hixson and Peter Gurry, along with a team of New Testament textual critics, offer up-to-date, accurate information on the history and current state of the New Testament text that will serve apologists and offer a self-corrective to evangelical excesses.
Why are there differences in the stories of the Gospels? Licona turns to Greek classicist Plutarch for an answer, assessing differences that appeared when Plutarch told the same story more than once in his Lives. He suggests the differences in the Gospels often resulted from their authors employing the same compositional devices used by Plutarch.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
Four Four Bible experts make a case for using the modern English translation of Scripture he personally prefers; Douglas Moo (NIV 2011), Wayne Grudem (English Standard Version), Ray Clendenen (Holman Christian Standard Bible), and Philip Comfort (New Living Translation).
Reproduction of the original: A Harmony of the Gospels For Students of the Life of Christ by A.T Robertson
Three approaches to questions about the theological connection between the Old and New Testaments. The relationship between the Testaments is not as simple and straightforward as it sometimes appears. When New Testament authors appeal to Old Testament texts to support their arguments, what is the relationship between their meanings and what was originally intended by their Old Testament forebears? Leading biblical scholars Walter Kaiser, Darrel Bock, and Peter Enns present their answers to questions about the use of the Old Testament in the New Testament, addressing elements such as: Divine and human authorial intent. Context of passages. Historical and cultural considerations. The theological grounds for different interpretive methods. Each author applies his framework to specific texts so that readers can see how their methods work out in practice. Each contributor also receives a thorough critique from the other two authors. Three Views on the New Testament Use of Old Testament gives readers the tools they need to develop their own views on the meaning, contexts, and goals behind the New Testament citations of the Old. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E