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Poetry. Literary Criticism. A wide-ranging gathering of 34 brief essays and 66 prose poems by distinguished practitioners, THE ROSE METAL PRESS FIELD GUIDE TO PROSE POETRY is as personal and provocative, accessible and idiosyncratic as the genre itself. The essayists discuss their craft, influences, and experiences, all while pondering larger questions: What is prose poetry? Why write prose poems? With its pioneering introduction, this collection provides a history of the development of the prose poem up to its current widespread appeal. Half critical study and half anthology, THE FIELD GUIDE TO PROSE POETRY is a not-to-be-missed companion for readers and writers of poetry, as well as students and teachers of creative writing.
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
Poetry. "I love this book so much. A work of meticulous craft and profound originality, Mary Biddinger's newest collection of prose poems is one of the best books I've read on our historical moment and the decades that led to it. PARTIAL GENIUS reads like a dossier of the psychological landscape of late capitalist America and the end of empire. In the tradition of John Ashbery, but wholly original in her own vision and voice, Biddinger draws from a deep well of poetic intellect and wit to illuminate the existential threats and imaginative possibilities of our collective self-destruction. In 'The Subject Pool' the speaker watches a man tattoo AU COURANT around her thigh. The tattoo artist has no idea. Every poem is chock-full of revelations in every detail. Reading this book felt like sitting by the fire in some secret location with a double agent, smoking her pipe telling tales of all that went down right in front of our faces, while we were all driven to distraction by outrage. To paraphrase Kim Gordon of Sonic Youth, She's got it all in this book."--Heather Derr-Smith "'How many days since you began your last panic...?' Mary Biddinger asks in her latest collection. Quirky, imaginative, and wry in tone, PARTIAL GENIUS is a book that thwarts expectation, turns convention on its head, surprises and delights. Within a narrative scaffolded like a twisting stairway or maze-like hall, these fascinating poems feature high school reunions, job interviews, broken dioramas, and birth control pills; they showcase apologies, parlor games, and consolation prizes, intricacies, illusions, and tricks. Comfort is found in a bar of bathroom soap. An assistant manager wonders why a blazer is named for fire. A radio is implanted in the chest as a companion to the heart. Spheres of uncertainty juxtaposed against landscapes of failure create the book's complex beauty and dangerous edge, as Biddinger claims, 'The best part of figure skating was getting cut.' PARTIAL GENIUS comes to us as both a study of despair and a gleaming beacon of hope."--Jennifer Militello
'A wonderful book - an invigorating revelation ... An essential collection of prose poems from across the globe, by old masters and new, reveals the form's astonishing range' Kate Kellaway, Observer 'A superb anthology . . . it is hard to know how it could possibly be bettered' Daily Telegraph This is the prose poem: a 'genre with an oxymoron for a name', one of literature's great open secrets, and the home for over 150 years of extraordinary work by many of the world's most beloved writers. This uniquely wide-ranging anthology gathers essential pieces of writing from every stage of the form's evolution, beginning with the great flowering of recent years before moving in reverse order through the international experiments of the 20th century and concluding with the prose poem's beginnings in 19th-century France. Edited with an introduction by Jeremy Noel-Tod
This is a collection of prose poems that when collected tell the tale of a young man and his cross country travels.
Between 1855 and his death in 1867, Charles Baudelaire inaugurated a new—and in his own words "dangerous"—hybrid form in a series of prose poems known as Paris Spleen. Important and provocative, these fifty poems take the reader on a tour of 1850s Paris, through gleaming cafes and filthy side streets, revealing a metropolis on the eve of great change. In its deliberate fragmentation and merging of the lyrical with the sardonic, Le Spleen de Paris may be regarded as one of the earliest and most successful examples of a specifically urban writing, the textual equivalent of the city scenes of the Impressionists. In this compelling new translation, Keith Waldrop delivers the companion to his innovative translation of The Flowers of Evil. Here, Waldrop's perfectly modulated mix releases the music, intensity, and dissonance in Baudelaire's prose. The result is a powerful new re-imagining that is closer to Baudelaire's own poetry than any previous English translation.
The inventor of the speculum, J. Marion Sims, is celebrated as the "father of modern gynecology," and a memorial at his birthplace honors "his service to suffering women, empress and slave alike." These tributes whitewash the fact that Sims achieved his surgical breakthroughs by experimenting on eleven enslaved African American women. Lent to Sims by their owners, these women were forced to undergo operations without their consent. Today, the names of all but three of these women are lost. In Mend: Poems, Kwoya Fagin Maples gives voice to the enslaved women named in Sims's autobiography: Anarcha, Betsey, and Lucy. In poems exploring imagined memories and experiences relayed from hospital beds, the speakers challenge Sims's lies, mourn their trampled dignity, name their suffering in spirit, and speak of their bodies as "bruised fruit." At the same time, they are more than his victims, and the poems celebrate their humanity, their feelings, their memories, and their selves. A finalist for the Association of Writers and Writing Programs Donald Hall Prize for Poetry, this debut collection illuminates a complex and disturbing chapter of the African American experience.
Kaleidoscope: Turns of Prose and Poetry is a collection of literature from The Carnegie Writers, Inc. Adult Writing Workshop. Through poetry, prose, and play-writing, each writer involved brought their own voice to the page. Everyone sees something different in a kaleidoscope, but to communicate that vision is something else entirely. These writers beautifully depict the shifting shapes and colors of everyday life. Writing Facilitators Heather Hickox and Brian Smith would like to thank the participants of the Adult Writing Workshop for their hard work and commitment to this project. Kaleidoscope is a wonderful achievement, a true monument to creative expression, and we hope it will be enjoyed and explored for ages. The Carnegie Writers, Inc. is a community-based non-profit organization focused on writing education and collaboration. The Carnegie Writers provides positive and productive support for writers of all ages, also offering publications, writing events, and professional conferences. The organization was founded by Oluwakemi Elufiede in August 2013.
In these 37 prose-poems, ranging in density from short lists to treatises on poetics and philosophy, Anderson begins with a deceptively simple voice that breaks into dark hilarity: "No, you shall not be hurt. You may depart at once. All that is required is that you wear this placard reading, I am an ugly thing because I am superfluous."