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For most people on earth crossing national borders is risky, perilous, often lethal This is the first anthology to explore the diverse intellectual, methodological, ethical, and political frameworks for an archaeology of forced and undocumented migration in the present.
It can be suggested that today we live in a new nomadic age, an age of global movement and migration. For the majority of people on earth, however, especially from the global south, crossing national borders and moving from the global south to the global north is risky, perilous, often lethal. Many are forced or compelled to migrate due to war, persecution, or the structural violence of poverty and deprivation. The phenomenon of forced and undocumented migration is one of the defining features of our era. And while the topic is at the centre of attention and study in many scholarly fields, the materiality of the phenomenon and its sensorial and mnemonic dimensions are barely understood and analysed. In this regard, contemporary archaeology can make an immense contribution. This book, the first archaeological anthology on the topic, takes up the challenge and explores the diverse intellectual, methodological, ethical, and political frameworks for an archaeology of forced and undocumented migration in the present. Matters of historical depth, theory, method, ethics and politics as well as heritage value and public representation are investigated and analysed, adopting a variety of perspectives. The book contains both short reflections and more substantive treatments and case studies from around the world, from the Mexico-USA border to Australia, and utilizes a diversity of narrative formats, including several photographic essays.
There have been edited books on the archaeology of nomadism in various regions, and there have been individual archaeological and anthropological monographs, but nothing with the kind of coverage provided in this volume. Its strength and importance lies in the fact that it brings together a worldwide collection of studies of the archaeology of mobility. This book provides a ready-made reference to this worldwide phenomenon and is unique in that it tries to redefine pastoralism within a larger context by the term mobility. It presents many new ideas and thoughtful approaches, especially in the Central Asian region.
This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.
We have lost the plot when it comes to migration. In our collective consciousness, the term 'migration' conjures up images of hordes of refugees fleeing 'their' country, escaping on rafts and coming to invade 'ours'. When we think of migration, we think of (largely unwanted) immigration and its ills. We've got it all wrong. Far from being abnormal, the act of going in search of a better life is at the core of the human experience. And now a new kind of nomad is emerging. What used to be a movement largely from east to west, south to north, developing to developed country is becoming more of a multilateral phenomenon with each passing day. Young people from everywhere are moving everywhere. Or rather, they are moving to where they expect to improve their lives and are turning the world into a beauty contest of cities and regions and companies vying to attract them. They are doing so because movement has become a key to their emancipation. After centuries of becoming sedentary, the future of humanity and the key to its enlightenment in the 21st century lies in re-embracing nomadism. Migration fosters the qualities that will allow our children to flourish and succeed. Our times require more migration, not less. Part memoir, part generational manifesto, The New Nomad is both the chronicle of this revolution and a call to embrace it.
This book discusses the archaeology and heritage of the German military presence in Finnish Lapland during the Second World War, framing this northern, overlooked WWII material legacy from the nearly forgotten Arctic front as ‘dark heritage’ – a concrete reminder of Finns siding with the Nazis, often seen as polluting ‘war junk’ that ruins the ‘pristine natural beauty’ of Lapland’s wilderness. The scholarship herein provides fresh perspectives to contemporary discussions on heritage perception and ownership, indigenous rights, community empowerment, relational ontologies and also the ongoing worldwide refugee crisis.
This open access book is a nuanced introduction to Forced Migration Studies and a toolkit for faculty and undergraduate students, with a special emphasis on community-engaged learning. Experts from the social sciences, humanities, arts, and experimental sciences offer interdisciplinary perspectives to translate critical analysis into concrete action. The collection highlights activists, artists, and educators who have initiated projects in cooperation with and for the benefit of populations affected by migration and displacement. Together, these contributions powerfully articulate the relevance of the liberal arts and social sciences in preparing students to meet increasingly interconnected global challenges such as forced migration, climate change, and Covid-19.
Post-Millennial Palestine: Literature, Memory, Resistance confronts how Palestinians have recently felt obliged to re-think memory and resistance in response to dynamic political and regional changes in the twenty-first century; prolonged spatial and temporal dispossession; and the continued deterioration of the peace process. Insofar as the articulation of memory in (post)colonial contexts can be viewed as an integral component of a continuing anti-colonial struggle for self-determination, in tracing the dynamics of conveying the memory of ongoing, chronic trauma, this collection negotiates the urgency for Palestinians to reclaim and retain their heritage in a continually unstable and fretful present. The collection offers a distinctive contribution to the field of existing scholarship on Palestine, charting new ways of thinking about the critical paradigms of memory and resistance as they are produced and represented in literary works published within the post-millennial period. Reflecting on the potential for the Palestinian narrative to recreate reality in ways that both document it and resist its brutality, the critical essays in this collection show how Palestinian writers in the twenty-first century critically and creatively consider the possible future(s) of their nation.
Design, Displacement, Migration: Spatial and Material Histories gathers a collection of scholarly and creative voices—spanning design, art, and architectural history; design studies; curation; poetry; activism; and social sciences––to interrogate the intersections of design and displacement. The contributors foreground objects, spaces, visual, and material practices and consider design’s role in the empire, the state, and various colonizing regimes in controlling the mass movement of people, things, and ideas across borders, as well as in social acts that resist forced mobility and immobility, or enact new possibilities. By consciously surfacing echoes, rhymes, and dissonances among varied histories, this volume highlights local specificity while also accounting for the vectors of displacement and design across borders and histories. Design, Displacement, Migration: Spatial and Material Histories shows displacement to be a lens for understanding space and materiality and vice versa, particularly within the context of modernity and colonialism. This book will be of interest to scholars working in design history, design studies, architectural history, art history, urban studies, and migration studies.