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The San Francisco Exploratorium squeezed between the covers of a book! The "pages" reflect, magnify, or grow as you follow the instructions. Seven subjects are covered, including light wave craziness, ouchless physics, and hair dryer science.
The official catalogue for the 2021 New Museum Triennial, a global survey of today's up-and-coming artists. The New Museum's Triennial, curated by Jamilla James and Margot Norton, is a signature survey of emerging artists from around the world. In this moment of profound change, where structures once thought to be stable have been revealed to be precarious, the 2021 Triennial showcases 40 artists and collectives reimagining traditional models, materials, and techniques beyond established institutional paradigms. Their works explore states of transformation, calling attention to the malleability of structures and the fluid and adaptable potential of both technological and organic media.00Exhibition: New Museum, New York, USA (10.07.2021 - 01.23.2022).
Rich with archival detail and compelling characters, Life on Display uses the history of biological exhibitions to analyze museums’ shifting roles in twentieth-century American science and society. Karen A. Rader and Victoria E. M. Cain chronicle profound changes in these exhibitions—and the institutions that housed them—between 1910 and 1990, ultimately offering new perspectives on the history of museums, science, and science education. Rader and Cain explain why science and natural history museums began to welcome new audiences between the 1900s and the 1920s and chronicle the turmoil that resulted from the introduction of new kinds of biological displays. They describe how these displays of life changed dramatically once again in the 1930s and 1940s, as museums negotiated changing, often conflicting interests of scientists, educators, and visitors. The authors then reveal how museum staffs, facing intense public and scientific scrutiny, experimented with wildly different definitions of life science and life science education from the 1950s through the 1980s. The book concludes with a discussion of the influence that corporate sponsorship and blockbuster economics wielded over science and natural history museums in the century’s last decades. A vivid, entertaining study of the ways science and natural history museums shaped and were shaped by understandings of science and public education in the twentieth-century United States, Life on Display will appeal to historians, sociologists, and ethnographers of American science and culture, as well as museum practitioners and general readers.
Today, after mountains of time have passed, the story of dinosaurs in what is now Texas is being reconstructed, footprint by footprint, bone by bone. Lone Star Dinosaurs tells that story, along with the exciting tale of the discoveries that have opened a peephole into the past. Behind each fossil find, there is not just a dinosaur but a person - sometimes a child - whose spark of curiosity lights the picture of prehistory. This is a thrilling story, engagingly written and beautifully illustrated, through which young and old alike can enter the world of the dinosaurs and the world of the dinosaur hunters. Dinosaurs like Pleurocoelus, Alamosaurus, Chasmosaurus, Tyrannosaurus, and Tenontosaurus are a Texas legacy from worlds long past. Texas boasts of every basic group of dinosaurs - a remarkable diversity that samples nearly the entire range of dinosaurian development over an immense expanse of time. In fact, the three dinosaur-bearing areas within the state - the Panhandle, Central Texas, and Big Bend - yield treasures of vastly different ages, from the beginning of the Mesozoic Era more than 200 million years ago to the time of the big extinction some 66 million years ago. These dinosaurs lived in such different arrangements of the continents and oceans that they may as well have lived in different worlds. Their stories offer a compelling picture of the history of life on our planet.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
A window into cultures of scientific practice drawing on the collection of the Whipple Museum of the History of Science. This title is also available as Open Access on Cambridge Core.
In his introduction, author Jay Pridmore relates how the Museum was founded by Chicago businessman and philanthropist Julius Rosenwald and how it was installed in the imposing Palace of Fine Arts, an architectural monument from the World's Columbian Exposition of 1893. Then, he leads an entertaining and informative tour of the Museum, featuring the incredibly diverse exhibits in five "zones" - Energy, Transportation, Space and Defense, The Human Body and Communications. Discussed and illustrated are such dramatic "icons" of the Museum's early years as the Coal Mine, a complete working mine operation installed in the basement, and the U-505, a German submarine captured during World War II. Among the many other highlights are a full-size Boeing 727 airliner; the Apollo 8 spacecraft, which circled the Moon in 1968; an early display on the prenatal development of a human baby; and the nation's first permanent exhibit on AIDS.
The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it—an institution of expert knowledge built to inform a lay public—was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum's walls. Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history.
Bringing demonstrations of the principles of nature into the living room, Tyson writes in a lucid, easygoing style that finally makes scientific literacy possible for enthusiasts and those with math and science phobias alike.