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This book examines the structure and ideology of all the main leftist groups in Iran. It considers their role in the Revolution, and analyses their relations with Khomeini and his colleagues. It also explains why the majority of the leftist organisations had defected from the Islamic regime by the summer of 1981. A second important theme of the book is the way in which the Soviet Union responded to the treatment of the Left by the Islamic government. Based on extensive analysis of original source material in Farsi and other languages and numerous interviews with leftist leaders and participants, the book provides a detailed portrait of the Left in contemporary Iran.
This book reveals aspects of the rise and fall of the European and Iranian Left, their conceptualization of Marxism and ideological formations. Questions regarding the Left and Marxism within two seemingly different economic, political and intellectual and cultural contexts require comprehensive comparative histories of the two settings. This project investigates the intellectual transformations, which the European and Iranian Left have experienced after the Russian Revolution to the present. It examines the impacts of these transformations on their conceptualizations of history and revolution, domination and ideology, emancipation and universality, democracy and equality. The monograph will appeal to researchers, scholars and graduate students in the fields of political science, Middle Eastern and European studies, political history and comparative politics.
In this book, Ali Gheissari and Vali Nasr look at the political history of Iran in the modern era, and offer an in-depth analysis of the prospects for democracy to flourish there. After having produced the only successful Islamist challenge to the state, a revolution, and an Islamic Republic, Iran is now poised to produce a genuine and indigenous democratic movement in the Muslim world. Democracy in Iran is neither a sudden development nor a western import, and Gheissari and Nasr seek to understand why democracy failed to grow roots and lost ground to an autocratic Iranian state.
"With sure and steady moves, Sai and Hikaru are making a name for Hikaru Shindo as the one who might possibly beat the venerable Akira Toya ... Principals, teachers and Go tournament kids alike are all wondering who this unruly bronco of a Go player is."--Cover.
The Iran depicted in the headlines is a rogue state ruled by ever-more-defiant Islamic fundamentalists. Yet inside the borders, an unheralded transformation of a wholly different political bent is occurring. A "liberal renaissance," as one Iranian thinker terms it, is emerging in Iran, and in this pamphlet, Danny Postel charts the contours of the intellectual upheaval. Reading "Legitimation Crisis" in Tehran examines the conflicted positions of the Left toward Iran since 1979, and, in particular, critically reconsiders Foucault's connection to the Iranian Revolution. Postel explores the various elements of the subtle liberal revolution and proposes a host of potential implications of this transformation for Western liberalism. He examines the appeal of Jürgen Habermas, Hannah Arendt, and Isaiah Berlin among Iranian intellectuals and ponders how their ideas appear back to us when refracted through a Persian prism. Postel closes with a thought-provoking conversation with eminent Iranian philosopher Ramin Jahanbegloo. A provocative and incisive polemic highly relevant to our times, Reading "Legitimation Crisis" in Tehran will be of interest to anyone who wants to get beyond alarmist rhetoric and truly understand contemporary Iran.
In this revised and expanded version of Nikki Keddie's work, Roots of Revolution, the author brings the story of modern Iran to the present day, exploring the political, cultural, and social changes of the past quarter century. Keddie provides insightful commentary on the Iran-Iraq war, the Persian Gulf War, and the effects of 9/11 and Iran's strategic relationship with the US. She also discusses developments in education, health care, the arts and the role of women.
Insightful and informative, Mehdi Moslem's is the first book to provide a detailed account of Iran's post-revolutionary politics. A profound analysis of the diverse political, sociocultural, economic, and foreign policy issues that have engulfed revolutionary Islamic Iran since its inception, this book is not only a must read for those interested in contemporary Iran but also an indispensable book for teachers of contemporary Middle East affairs and scholars of Islamic politics. Since the landslide victory of President Mohammed Khatami in May 1997, the official line of the Islamic Republic of Iran has been a study in contradictions. On one hand, Khatami condemned Iran's past fanaticism, declaring his nation eager to embrace global standards based on mutual respect between nations regardless of ideologies: on the other hand, an opposing faction continues to perpetrate Iran's enmity toward the West, America in particular. These two main factions also present competing versions of current national policies, and consequently the regime appears simultaneously to be practical and ideological—and to outsiders unfathomable.
The fall of the Berlin Wall marked the end of the Cold War but also the rise of a melancholic vision of history as a series of losses. For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of defeat and its emotional overlay of melancholy have characterized the leftist understanding of the political in history and in theoretical critique. Drawing on a vast and diverse archive in theory, testimony, and image and on such thinkers as Karl Marx, Walter Benjamin, Theodor W. Adorno, and others, the intellectual historian Enzo Traverso explores the varying nature of left melancholy as it has manifested in a feeling of guilt for not sufficiently challenging authority, in a fear of surrendering in disarray and resignation, in mourning the human costs of the past, and in a sense of failure for not realizing utopian aspirations. Yet hidden within this melancholic tradition are the resources for a renewed challenge to prevailing regimes of historicity, a passion that has the power to reignite the dialectic of revolutionary thought.
'Iran Modern' offers a timely exploration of the cultural diversity and production of avant-garde art in Iran after World War II and up to the revolution, from 1950 through to 1979.
Iranian artists have been producing some of the world's most thought-provoking and intellectually grounded artworks. In this landmark compendium, renowned art historian Hamid Keshmirshekan provides a thorough review of contemporary art in Iran and shows that the twentieth century was a crucial period in the country's art and culture, when the legacies of tradition and modernism where critically reassessed. Contemporary Iranian Art is an unprecedented introduction to Iran's vibrant art history over the past one hundred years. This fully revised and updated edition features more than 370 colour illustrations by the country's leading artists, including Mahmoud Bakhshi, Shadi Ghadirian, Barbad Golshiri, Marcos Grigorian, Farhad Moshiri, Shirin Neshat, Sohrab Sepehri, Mitra Tabrizian, Parviz Tanavoli and Charles Hossein Zenderoudi.