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This book examines the varied influences and accomplishments of the Indian Ladies’ Magazine, the first Indian magazine established and edited by an Indian woman—Kamala Satthianadhan—in English, written by women, for women. Influences include Victorian, Edwardian, and Modern literature and culture as well as traditional Indian literature and culture during the late colonial, pre-independence period. More than a literary journal, this publication also addressed social reforms, from “ladies’ philanthropy” to “women’s mission to women”; the emergence of Indian “identity politics” in response to the nationalist and independence movements; the Indian Woman Question in the context of female education debates and shifting concepts of “womanliness”; cultural exchanges recorded by Indian travelers to America; and the emergence of Indian nationalism, between World Wars I and II, leading to independence. This publication recorded and participated in the most pivotal moment in modern Indian history and did so by appealing to both the conservative and progressive socio-political urges marking the era.
The first major study of one of the most influential periodicals of the eighteenth and nineteenth centuries In December 1840, Charlotte Brontë wrote in a letter to Hartley Coleridge that she wished 'with all [her] heart' that she 'had been born in time to contribute to the Lady's magazine'. Nearly two centuries later, the cultural and literary importance of a monthly publication that for six decades championed women's reading and women's writing has yet to be documented. This book offers the first sustained account of The Lady's Magazine. Across six chapters devoted to the publication's eclectic and evolving contents, as well as its readers and contributors, The Lady's Magazine (1770-1832) and the Making of Literary History illuminates the periodical's achievements and influence, and reveals what this vital period of literary history looks like when we see it anew through the lens of one of its most long-lived and popular publications. Jennie Batchelor is Professor of Eighteenth-Century Studies at the University of Kent.
Rachel Johnson takes on the challenge of saving The Lady, Britain's oldest women's weekly, in her hilarious diary, A Diary of The Lady: My First Year and a Half as Editor. 'The whole place seemed completely bonkers: dusty, tatty, disorganized and impossibly old-fashioned, set in an age of doilies and flag-waving patriotism and jam still for tea, some sunny day.' Appointed editor of The Lady - the oldest women's weekly in the world - Rachel Johnson faced the challenge of a lifetime. For a start, how do you become an editor when you've never, well, edited? How do you turn a venerable title, full of ads for walk-in baths, during the worst recession ever? And forget doubling the circulation in a year - what on earth do you wear to work when you've spent the last fifteen years at home in sweatpants? Will Rachel save The Lady - or sink it? 'Action-packed, entertaining, marvellously indiscreet. Johnson is everything you want in a diarist and has a compulsive habit of saying the wrong thing' Sunday Times 'She's a loose cannon. All she thinks of is sex. You can't get her away from a penis' Mrs Julia Budworth, co-owner, The Lady 'A total romp, wonderfully readable, unflinchingly described' Guardian 'HYSTERICAL. For the first time, everyone is talking about The Lady for reasons other than nannies' Piers Morgan Rachel Johnson is a journalist who has written two previous novels and two volumes of diaries. The Mummy Diaries, Notting Hell, Shire Hell and A Diary of The Lady are all available now from Penguin.
This book integrates new material, using sources from the eighteenth and nineteenth century periodical press, research with contemporary readers, the authors' critical reading of past and present magazines, and a clear discussion of theoretical approaches from literary criticism. The development of the genre, and its part in the historical process of forging modern definitions of gender, class and race are analysed through critical readings and a discussion of readers' negotiations with the contradictory pleasures of the magazine, and its constricting ideal of femininity.
From 1954 to 1981, Maeve Brennan wrote for The New Yorker's "Talk of the Town" department under the pen name "The Long–Winded Lady." Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the "most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human of cities." First published in 1969, The Long–Winded Lady is a celebration of one of The New Yorker's finest writers.
A study of the more than fifty US and International glossy publications for women. This analysis focuses on the strategies by which the commercial structure shapes the cultural content, the magazines' repetitive attempts to secure a consensus about the feminine that is grounded in consumerism, and the contradictory semiotic structures at work within and between purchased ads, covert ads, and editorial features.
“Characters as rich and indelible as the life they endure . . . A phenomenal read.” —Internationally Bestselling Author Davis Bunn Five a.m.: Amanda Mallorie wakes to the knowledge that her son Robbie is gone. And a new chapter of her own life must begin. She has spent four years as her son’s only support, desperately trying to understand the actions that landed him on death row and to change his fate. Now Amanda faces an even more difficult task—finding a way, and a reason, to move forward with her own life. Before the tragedy that unfolded in a South Dakota mall, Robbie was just like other people’s sons or daughters. Sometimes troubled, but sweet and full of goodness too. That’s the little boy Amanda remembers as she packs up his childhood treasures and progress reports, and discovers a class ring she’s never seen before. Who does it belong to and why did Robbie have it in his possession? So begins a journey that will remind her not only of who Robbie used to be, but of a time when she wasn’t afraid—to talk to strangers, to help those in need, to reach out. Robbie’s choices can never be unmade, but there may still be time for forgiveness and trust to grow again. For a future as wide as the sky.
The darkly funny memoir of Sarah Ramey’s years-long battle with a mysterious illness that doctors thought was all in her head—but wasn’t. In her harrowing, darkly funny, and unforgettable memoir, Sarah Ramey recounts the decade-long saga of how a seemingly minor illness in her senior year of college turned into a prolonged and elusive condition that destroyed her health but that doctors couldn't diagnose or treat. Worse, as they failed to cure her, they hinted that her devastating symptoms were psychological. The Lady's Handbook for Her Mysterious Illness is a memoir with a mission: to help the millions of (mostly) women who suffer from unnamed or misunderstood conditions—autoimmune illnesses, fibromyalgia and chronic fatigue syndrome, chronic Lyme disease, chronic pain, and many more. Ramey's pursuit of a diagnosis and cure for her own mysterious illness becomes a page-turning medical mystery that reveals a new understanding of today's chronic illnesses as ecological in nature, driven by modern changes to the basic foundations of health, from the quality of our sleep, diet, and social connections to the state of our microbiomes. Her book will open eyes, change lives, and, ultimately, change medicine. The Lady's Handbook for Her Mysterious Illness is a revelation and an inspiration for millions of women whose legitimate health complaints are ignored.