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It is often thought that the French Reformer John Calvin (1509-1564) had a negative attitude towards the arts, particularly visual art. However, in Calvinism and the Arts: A Re-assessment, Dr. Joby argues that in Calvin's writings and in the development of the Reformed tradition more generally, it is possible to discern a more positive attitude than has hitherto been recognized. He makes a start by examining exactly what type of visual art Calvin rejected and what type he affirmed. He goes on to consider how Calvin's epistemology and eschatology can be used to argue for the placing of certain types of art, notably histories and landscape paintings, within Reformed churches and then devotes separate chapters to reflecting on how music, architecture and church decoration within the Reformed tradition provide further arguments for the use of these works of art. In the final section, he looks at specific histories and landscapes from the Dutch Golden Age and considers how the form and content of both of these types of art provide us with further ontological and epistemological arguments which inevitably lead to the conclusion that their continued exclusion from Reformed churches is no longer tenable.
This book is a reproduction of David Kane's 2008 doctoral thesis on puthi-poṛa, a Bengali tradition of book and manuscript reading. Kane's thesis pursues two central aims. The first is ethnographic: to provide a documentation and description of puthi-poṛa as it was performed in Sylhet, Bangladesh, in 2005. The second is historical: to shed light on a historical mystery-how Islam spread so rapidly and pervasively in Bengal from the sixteenth century. Kane's hypothesis is that puthi-poṛa was used in this process.
This book explores how the Olympic industry has shaped hegemonic concepts of sporting masculinities and femininities for its own profit and image-making ends, examining its continuing marginalization of athletes on account of their race, ethnicity, gender, sexuality and class.
The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.
First published in 1946, A Dictionary of International Affairs is virtually an encyclopaedia. This highly useful reference work is indispensable to all who desire to be well-informed about the world in which they live. The scope of this book is unusually wide. It deals with such varied subjects of the Chaco Dispute, Ogpu, Syndicalism, Freedom of the Seas, Balfour Declaration, etc. It also contains statistics about minerals, agricultural produce, and industrial products. In addition, it provides essential information about erstwhile colonies, islands, and nations. It brings together – in a precise style and compact form – a vast amount of basic and interesting information on almost every conceivable aspect of international affairs. Chief emphasis is given to developments since World War I – particularly to those agreements, concepts, agencies, problems, areas and resources which are of continuing importance.
Vinci produced a string of operas during a brief career of little more than a decade. He died mysteriously. He was hailed by connoisseurs of the later 18th century as one of the originators of the classical style.