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Explores the literary connection between Katherine Mansfield and Elizabeth von ArnimElizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work.By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.
Frederick Delius is among the most celebrated English composers of the 20th century. Widely studied and performed, his works are considered models of the British impressionist school and continue to fascinate students and scholars centuries later. This research guide serves as a ready reference for students and scholars, but will also be interesting to read and useful for anyone who wants to know where to begin to learn more about this important composer.
Introduction by George WoodcockIt would not be an exaggeration to describe this book as the central work of Kropotkin's writing career. In one way or another, it occupied more than twenty years of his life. It is a work of argument and suggestion rather than dogmatic statement, and the very tentativeness of this great book make its perceptions all the more relevant.With at one time Kropotkin's view of our future might have been regarded as a Utopian dream, today, as a result of the growing realization that the world's resources of energy and raw materials are finite, that food is our most precious commodity and that people's working lives are futile and stultifying, the lessons of this book, for both the rich world and the poor, are topical and hopeful.In addition to a general introduction to the most significant aspects of Kropotkin's life and thought, George Woodcock has prepared a comprehensive afterword to each essay, allowing the reader to fully see Kropotkin's ideas in the context of the world a century later.Is the 9th volume of the The Collected Works of Peter Kropotkin.Table of contentsEditor's IntroductionPreface to the Second EditionPreface to the First EditionChapter 1The Decentralization of IndustriesEditor's Afterword to Chapter 1Chapter 2The Possibilities of AgricultureEditor's Afterword to Chapter 2Chapter 3Small Industries and Industrial VillagesEditor's Afterword to Chapter 3Chapter 4Brain Work and Manual WorkEditor's Afterword to Chapter 4Chapter 5ConclusionEditor's Epilogue1994: 255 pages, index
Havelock Ellis' reputation has been in free fall since his death in 1939. Though still acknowledged as a pioneer in the study of human sexuality, he now evokes hostility from those he would have considered his natural heirs. Feminist authors have been particularly critical, identifying him as the kind of friend women would have done well to ignore. While there is no need to put Ellis back on his pedestal, it is clear that recent interpretations underestimate his significance for progressive politics on both sides of the Atlantic. This book examines the many areas to which he contributed (preventive medicine, progressive penology, internationalism, the championing of Ibsen and Nietzsche, as well as feminism and human sexuality) and argues that the vision unifying his endeavors was rooted in the radical generational movement which swept through London in the late nineteenth century. This approach offers both appreciation of Ellis and a richer, more realistic view of the progressive tradition itself.
A biography—thoughtful and playful—of the man who founded New Directions and transformed American publishing James Laughlin—poet, publisher, world-class skier—was the man behind some of the most daring, revolutionary works in verse and prose of the twentieth century. As the founder of New Directions, he published Ezra Pound's The Cantos and William Carlos Williams's Paterson; he brought Hermann Hesse and Jorge Luis Borges to an American audience. Throughout his life, this tall, charismatic intellectual, athlete, and entrepreneur preferred to stay hidden. But no longer—in "Literchoor Is My Beat": A Life of James Laughlin, Publisher of New Directions, Ian S. MacNiven has given us a sensitive and revealing portrait of this visionary and the understory of the last century of American letters. Laughlin—or J, as MacNiven calls him—emerges as an impressive and complex figure: energetic, idealistic, and hardworking, but also plagued by doubts—not about his ability to identify and nurture talent but about his own worth as a writer. Haunted by his father's struggles with bipolar disorder, J threw himself into a flurry of activity, pulling together the first New Directions anthology before he'd graduated from Harvard and purchasing and managing a ski resort in Utah. MacNiven's portrait is comprehensive and vital, spiced with Ezra Pound's eccentric letters, J's romantic foibles, and anecdotes from a seat-of-your-pants era of publishing now gone by. A story about the struggle to publish only the best, it is itself an example of literary biography at its finest.
A controversial figure of the interwar period, with an enthusiasm for hiking, nudism, folk dancing and voluntary labour camps, Rolf Gardiner, organic farming pioneer and co-founder of the Soil Association, believed in ever closer union with Britain's 'kin folk, kin tongued' neighbours in Germany, The Netherlands and Scandinavia. Whilst Gardiner's activities of the 1920s appeared harmless to many, by the late-1930s his continued engagement with Germany was to have altogether darker connotations.
From interpretations of the Holocaust to fascist thought and anti-fascists' responses, this book tackles topics which are rarely studied in conjunction. This is a unique collection of essays on a wide variety of subjects, which contributes to understanding the roots and consequences of mid-twentieth-century Europe's great catastrophe.
This is a collection of essays on The Cantos by Poundian scholars of international standing. Their wide variety of approaches to Pound contain much new material and raise fundamental issues for a more accurate and richer appreciation of Pound's work. This collection brings together many contrasting and stimulating analyses of The Cantos and will be of interest to all who wish to increase their knowledge of Pound's poetry.