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Explores the designs of twenty-six recently built town homes by such architects as Tod Williams, Dan Solomon, Mark Mack, and Dirk Lohan.
In this abundantly illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores a spectacular array of diverse town house designs (often referred to by different terms in different parts of the country) that carry this familiar symbol of architectural innovation and refinement into the twenty-first century. Creating the New American Town House features cutting-edge town houses that each draw from architectural tradition while achieving originality by both breaking from and adhering to the limitations of the town house form. Within the typical five-story frame and two parallel walls presented here are ingenious and exquisite and, above all, extremely livable design solutions to the constraints of this classic housing type. Ranging from sites in New York, San Francisco, Seattle, Los Angeles, and Washington, DC, each of the buildings featured in Creating the New American Town House represents an eloquent contribution to the form and is designed by such celebrated architects as Steven Ehrlich, Hugh Newell Jacobson, Reed Krakoff, Stanley Saitowitz, and 1100 Architect. Each project is extensively illustrated with full-color photography that showcases the interior design as well as plans and drawings. Alexander Gorlin's insightful text continues the discourse begun in his The New American Town House, surveying the adaptation of this beloved urban dwelling to the demands of a new century.
A systematic approach is used to cover the many facets of terraced and townhouses – a style of building which has been in use since the Roman era and is still useful today. The whole range of this style of housing is covered from interior design and construction methods, to more social factors like the issues of parking and street configurations. Alongside over 150 diagrams and eighty photos, Avi Friedman creates a book which will be a valuable resource for all those involved in the planning, design and creation of terraced and town houses.
Howard Van Doren Shaw designed stately country houses in and around Chicago—from affluent Lake Forest, Illinois, and Lake Geneva, Wisconsin, to Iowa, Minnesota, Ohio, and Indiana—from 1894 to 1926, a period in American architecture that spanned the Gilded Age, the adoption of Beaux-Arts classicism as the ideal for civic architecture, the invention of the skyscraper, and the beginning of modernism. Born in 1869, he worked for the leading industrialists of that period, including Reuben H. Donnelley of printing fame, newspaper giant Joseph Medill Patterson, Edward Forster Swift, the meatpacking king, and Edward L. Ryerson of Ryerson Steel. A contemporary of Frank Lloyd Wright, Shaw explored many of the same ideas as the Prairie School Architects within the forms of traditional architecture. Though he was recognized as one of the leading country house architects of the early twentieth century, his name was largely forgotten after his death. Like many traditional architects practicing today, Shaw was skilled at adapting historic precedents to suit contemporary living, in particular the easy flow of interior space that became a design hallmark of the period for traditionalists and modernists alike. For the new and fashionable suburb of Lake Forest, Shaw created Market Square, the town center, which was lauded for its design as both a unique town green and the first American shopping center designed to accommodate automobiles. This timely reappraisal of Howard Van Doren Shaw’s work features many previously unpublished images from the Shaw Archive in the Burnham and Ryerson Library at the Art Institute of Chicago and the Chicago History Museum, rare construction drawings, and new color photography as well as a catalogue of Shaw’s residential work. His legacy includes substantial houses in prosperous communities, many of which are still standing—including Ragdale, once Shaw’s own summer house in Lake Forest, now home to the prestigious artists’ community; the Becker Estate on Chicago’s North Shore; and The Hermann House overlooking Lake Michigan.