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This work consists of an English translation, alongside the Dutch text, of the new law of property, rights and interests and the law of obligations (Book 3), the law of real rights (Book 5), the general part of the law of obligations (Book 6) and the law of special contracts (Book 7) of the Netherlands Antilles Civil Code, which entered into force in the Netherlands Antilles on 1 January 2001 and in Aruba on 1 January 2002. It also contains the transitional law enacted on introduction of this new legislation. It is published in Kluwer Law International's "Series of Legislation in Translation". For the non-Dutch speaking residents of the Netherlands Antilles and Aruba, practitioners advising on Netherlands Antilles law and persons or companies interested in the regulation of civil law this work will be essential. The authors, who are experienced legal translators, are authors of Netherlands Business Legislation , a Kluwer Law International publication, which contains a translation of the corresponding Dutch law and other statutory regulations.
To English-speaking historians, the author of this book, a Dutchman who for many years now finds his base at the University of Florida, became well known when his The Dutch in the Caribbean and on the Wild Coast, 158~I680 was published in 1972. At that time Professor Goslinga, who prior to his academic career in the United States, lived for an extended period in Cura~ao, Netherlands Antilles, had already acquired a solid reputation among Dutch Caribbeanists by his manifold publications on social, political and maritime aspects of Dutch West Indian history. By his training, interests and present position, Dr. Goslinga would seem to me to be singularly well-equipped to write a comprehensive history - geared to an English-speaking university public - of what was once known as the Netherlands West Indies. The present book is the product of this professional equipment and of his long teaching experience. It should go a long way in filling the old and wide gap in historical information on this part of the former Dutch empire, and I hope an equally wide but younger audience will appreciate it.
Information on distribution, habitat, behavioral characteristics, breeding, and population dynamics is included in descriptions of 47 owl species
For abstract see: Caribbean abstracts, no. 1 (1990); p. 121, no. 557; Itinerario, vol. 14, no. 3/4 (1990); p. 52, no. 4574. - For review see: Rosemarijn Hoefte, in European Review of Latin American and Caribbean Studies, 51 (December 1991); p. 150-151; Peter Meel, in New West Indian Guide / Nieuwe West-Indische Gids, vol. 66, no. 3 & 4 (1992); p. 262-265.
Francio Guadeloupe has lived in both the Dutch Antilles and the Netherlands. An anthropologist by vocation, he is a keen observer by honed habit. In his new book, he wields both personal and anthropological observations. Simultaneously memoir and astute exploration, Black Man in the Netherlands charts Guadeloupe’s coming of age and adulthood in a Dutch world and movingly makes a global contribution to the understanding of anti-Black racism. Guadeloupe identifies the intersections among urban popular culture, racism, and multiculturalism in youth culture in the Netherlands and the wider Dutch Kingdom. He probes the degrees to which traditional ethnic division collapses before a rising Dutch polyethnicity. What comes to light, given the ethnic multiplicity that Afro-Antilleans live, is their extraordinarily successful work in forging an anti-racist Dutch identity via urban popular culture. This alternative way of being Dutch welcomes the Black experience as global and increasingly local Black artists find fame and even idolization. Black Man in the Netherlands is a vivid extension of renowned critical race studies by such Marxist theorists as Achille Mbembe, Paul Gilroy, Stuart Hall, and C. L. R. James, and it bears a palpable connection to such Black Atlantic artists as Peter Tosh, Juan Luis Guerra, and KRS-One. Guadeloupe explores the complexities of Black life in the Netherlands and shows that within their means, Afro-Antilleans often effectively contest Dutch racism in civic and work life.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
A first-of-its-kind resource studying the operation of constitutional law across the entire Caribbean, embracing the linguistic, political, and cultural diversity of the region, Each jurisdictional chapter shares a common format and structure to aid comparison between different jurisdictions, Contributors from a variety of different disciplines-law, history, and political science-provide a range of perspectives on the study of the region's constitutions Book jacket.
This pioneering history of the Dutch Empire provides a new comprehensive overview of Dutch colonial expansion from a comparative and global perspective. It also offers a fascinating window into the early modern societies of Asia, Africa and the Americas through their interactions.
Nicknamed the “Island of Lace,” the Caribbean island of Saba is the smallest special municipality in the Netherlands. Folklorist Eric A. Eliason, at the behest of the president of the Saba Lace Ladies’ Foundation and Saba’s director of tourism, traveled to the island with the intent to document the history and patterns of Saba lace. Born out of his research, The Island of Lace tells the story of lacework’s central role in Saba’s culture, economy, and history. Accompanied by over three hundred of Scott Squire’s intimate photographs of lace workers and their extraordinary island society, this volume brings together in one place an as-complete-as-possible catalog of the rich designs worked by Saban women. For 130 years, the practice of drawn threadwork—also known as Spanish work, fancy work, lacework, or Saba lace—has shaped the lives of Saban women. And yet, as the younger generation moves away from the island, it still survives. Sabans use drawn threadwork to symbolize the uniqueness of their island and express the ingenuity, diligence, bold inventiveness, pride in workmanship, love of beauty, and respect for tradition that define the Saban spirit. Along with recording and honoring the creative legacy of generations of Saban women, this book serves as a guide to folk-art lace patterns from Saba so that practitioners can reference and perhaps re-create this work. The Island of Lace is the most comprehensive volume on this singular tradition ever published.