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First published in 1999, The Nenets’ Song is the first book-length study of the epic song tradition that survives among the Nenets nation of Northern Eurasia, an area which is also the homeland of such widely known epics as the Finnish Kalevala and Yakut Olonkho. The book considers the Nenets’ song tradition within its historical, cultural, social and political contexts, and focuses on its melodic system viewed as a manifestation of musical thought and knowledge. Alla Abramovich-Gomon provides a description of the Nenets’ way of life and their song performances which she has observed while carrying out her field research. The book unravels the epic song’s ties with the Nenets’ shamanistic past and elaborates on a number of cross-disciplinary theories involved in shaping a holistic interpretation of the song tradition. The study concludes that the Nenets’ song tradition embodies the whole of their traditional ‘mother culture’ and has contributed to the people’s survival and adaptation.
Versification describes the marriage of language and poetic form through which poetry is produced. Formal principles, such as metre, alliteration, rhyme, or parallelism, take precedence over syntax and prosody, resulting in expressions becoming organised as verse rather than prose. The aesthetic appeal of poetry is often linked to the potential for this process to seem mysterious or almost magical, not to mention the interplay of particular expressions with forms and expectations. The dynamics of versification thus draw a general interest for everyone, from enthusiasts of poetry or forms of verbal art to researchers of folklore, ethnomusicology, linguistics, literature, philology, and more. The authors of the works in the present volume explore versification from a variety of angles and in diverse cultural milieus. The focus is on metrics in practice, meaning that the authors concentrate not so much on the analysis of the metrical systems per se as on the ways that metres are used and varied in performance by individual poets and in relationship to language.
This collection of thirteen chapters answers new questions about rhyme, with views from folklore, ethnopoetics, the history of literature, literary criticism and music criticism, psychology and linguistics. The book examines rhyme as practiced or as understood in English, Old English and Old Norse, German, Swedish, Norwegian, Finnish and Karelian, Estonian, Medieval Latin, Arabic, and the Central Australian language Kaytetye. Some authors examine written poetry, including modernist poetry, and others focus on various kinds of sung poetry, including rap, which now has a pioneering role in taking rhyme into new traditions. Some authors consider the relation of rhyme to other types of form, notably alliteration. An introductory chapter discusses approaches to rhyme, and ends with a list of languages whose literatures or song traditions are known to have rhyme.
No detailed description available for "Popular Beliefs and Folklore Tradition in Siberia".
This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux
The book is centred on a fascinating personality, a Western Siberian indigenous poet, reindeer herder and ecological activist, who, in his 40s, made the choice to live in the forest with reindeer. There, he struggled with oil giant LUKoil to ensure his reindeer the possibility to live. A series of essays reflect on his awareness and construction of self and culture, his complex relations with the oil industry, and his native spirituality. It presents insights into what it means to be an indigenous intellectual in post-Soviet Russia at the beginning of the 21st century. Yuri Vella (1948-2013) is not an ordinary representative of his people, but he shows one of the possible forms indigenous leadership could take in Russia, if it aims at giving indigenous peoples the possibility in the near and far future to shape a sustainable relation to nature and their neighbours.
""This work is a masterpiece already as it stands now! It presents an unusually rich ethnography of a part of a community in Europe's farthest Arctic Northeast, with a focus on an extremely difficult topic to do fieldwork on: the conversion of a so-far hardly known group of reindeer nomads to radical evangelical Baptism / Pentecostalism." - Florian Stammler, author of Reindeer Nomads Meet the Market: Culture, Property and Globalisation at the "End of the Land" "Although not working from within the subdiscipline of linguistic anthropology, Vallikivi foregrounds speaking and communication in his analysis of the transformation from "pagan" to Christian. He finds a complex interweaving of speaking and refraining from speaking is key to Nenets personhood, and demonstrates how we have to understand cultural ways of speaking in order to understand Nenets Baptists and Pentecostals. [...] I have been reviewing book manuscripts for two decades for over a dozen presses, and this is by far the most polished and impressive manuscript I have read." - Alexander D. King, author of Living with Koryak Traditions: Playing with Culture in Siberia Words and Silences tells the story of an extraordinary group of independent Nenets reindeer herders in the northwest Russian Arctic. Under socialism these nomads managed to avoid the Soviet state and its institutions of collectivization but soon after the atheist regime collapsed, while some staunchly resisted, many of them became fervent fundamentalist Christians. By exploring differing concepts of how traditional and convert Nenets use and define words, and of the meanings they ascribe to the withholding of speech, Vallikivi shows how a local form of global Christianity has emerged through intricate negotiations of self, sociality, and cosmology. Moving beyond studies of modernization and globalization that have all-too-predictable outcomes for indigenous peoples, Words and Silences invites us to view not only religious devotees, but words themselves, as agents of a complex and ongoing transformation"--
Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.