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Settle in for a juicy and well-wrought historical mystery in J. Meade Falkner's The Nebuly Coat. Edward Westray, a young architect, is dispatched to a remote village in southwest England to work on a complex restoration project. In the course of his work, he learns about a vast inheritance that has as yet gone unclaimed. When the purported heir makes an appearance, Westray has his doubts. Is his suspicion merited? Read The Nebuly Coat to find out.
"The Nebuly Coat" is a suspense novel by J. Meade Falkner about the experiences of a young architect, Edward Westray, who travels to the remote town of Cullerne for restoration works. The small town turned out to be full of large secrets, and the central element of all the mystery is the Nebuly Coat on the coat of arms of the local aristocrat Lord Blandamer.
Three brilliant novels of mystery and adventure in one special edition John Meade Falkner was not a full time professional writer. In fact, during the First World War he became chairman of Armstrong Whitworth, the huge British arms manufacturer responsible for the construction of airplanes, cars, ships and more. Although he wrote some non-fiction (mostly travel guides), Falkner is primarily remembered for his classic of adventure fiction, the often dramatised 'Moonfleet'. Set in mid-eighteenth century England, the novel is a grippingly told smuggling tale that is now regarded as a classic. 'Moonfleet' is joined in this unique Leonaur edition by Falkner's two other novels. Aficionados of the ghostly tale will find much to reward them in the pages of the 'Lost Stradivarius'. Lauded as the novel that could potentially have been written by the master of the literary supernatural short story, M.R. James, the plot centres around the violin of the title which is said to conjure the spirit of its former owner. 'The Nebuly Coat' is another gripping mystery set in Dorset, in which young architect Edward Westray, the principal character, must unravel the secrets of the suspicious Blandamers, whose coat of arms features the 'nebuly'-a distinctive heraldic band device. This three-in-one Leonaur edition provides an excellent opportunity for both enthusiasts and newcomers to Falkner's work to read or reread his highly regarded novels in a single satisfying and substantial volume. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.
Reproduction of the original: The Nebuly Coat by John Meade Falkner
Moonfleet is an 1898 novel written by English writer J. Meade Falkner. The plot is an adventure tale of smuggling, treasure, and shipwreck set in 18th-century England.
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.