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The epic history of African American women's pursuit of political power -- and how it transformed America. In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women -- Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more -- who were the vanguard of women's rights, calling on America to realize its best ideals.
Colin Jordan was one of the most influential postwar National Socialists activists and thinkers, with a political career that spanned over 40 years. This book contains the complete six-part study first published by Colin Jordan in his newsletter, Gothic Ripples. It details the author's development of a number of principles, including his understanding that - Democracy is a hoax designed to perpetuate power by society's real controllers; - Participation in party politics is pointless; - Christianity is incompatible with National Socialism; - An alternative method of seizing power outside of the ballot box. Included is a discussion on eugenics and race
Anticolonial struggles of the interwar epoch were haunted by the question of how to construct an educational practice for all future citizens of postcolonial states. In what ways, vanguard intellectuals asked, would citizens from diverse subaltern situations be equally enabled to participate in a nonimperial society and world? In circumstances of cultural and social crisis imposed by colonialism, these vanguards sought to refashion modern structures and technologies of public education by actively relating them to residual indigenous collective forms. In Indigenous Vanguards, Ben Conisbee Baer provides a theoretical and historical account of literary engagements with structures and representations of public teaching and learning by cultural vanguards in the colonial world from the 1920s to the 1940s. He shows how modernizing educative projects existed in complex tension with impulses to indigenize national liberation movements, and how this tension manifests as a central aspect of modernist literary practice. Offering new readings of figures such as Alain Locke, Léopold Senghor, Aimé Césaire, D. H. Lawrence, Rabindranath Tagore, Mahatma Gandhi, and Tarashankar Bandyopadhyay, Baer discloses the limits and openings of modernist representations as they attempt to reach below the fissures of class that produce them. Establishing unexpected connections between languages and regions, Indigenous Vanguards is the first study of modernism and colonialism that encompasses the decisive way public education transformed modernist aesthetics and vanguard politics.
What will you do when they come to take your guns? Earl Turner and his fellow patriots face this question and are forced underground when he U.S. government bans the private possession of firearms and stages the mass Gun Raids to round up suspected gun owners. The hated Equality Police begin hunting them down, hut the patriots fight back with a campaign of sabotage and assassination. An all-out race war occurs as the struggle escalates. Turner and his comrades suffer terribly, hut their ingenuity and boldness in devising and executing new methods of guerrilla warfare lead to a victory of cataclysmic intensity and worldwide scope. The FBI has labeled The Turner Diaries "the bible of the racist right." If the government had the power to ban books, this one would he at the top of its list. The Turner Diaries is the most controversial book in America today-and it's a book unlike any you've ever read!
Imagine Alias combined with Star Trek and you a have the idea behind for VANGUARD, a new concept for Star Trek fiction that takes it in a compelling new direction, presenting a new perspective on the classic Original Series era, with novels running parallel to Kirk's original five-year mission. VANGUARD is a Starfleet space station charged with the exploration and colonization of a region of space that holds a highly coveted, mysterious, and potentially cataclysmic secret - one that the Federation must solve before anyone else. The race is on and at the centre of this intrigue is an eclectic mix of Starfleet and civilian protagonists unlike any crew previously seen in Star Trek. Their turbulent lives aboard the station and on the ships they travel are painted against the backdrop of an evolving storyline that will gain momentum as the series progresses and the layers of ancient mystery are steadily peeled back, one after another.
Vanguard of the New Age unearths a largely ignored dimension of Canadian religious history. Gillian McCann tells the story of a diverse group of occultists, temperance leaguers, and suffragettes who attempted to build a Utopian society based on spiritual principles. Members of the Toronto Theosophical Society were among the first in Canada to apply Eastern philosophy to the social justice issues of the period - from poverty and religious division to the changing role of women in society. Among the most radical and culturally creative movements of their time, the Theosophists called for a new social order based on principles of cooperation and creativity. Intrigued by this compelling vision of a new age, luminaries such as members of the Group of Seven, feminist Flora MacDonald Denison, Emily Stowe, and anarchist Emma Goldman were drawn to the society. Meticulously researched and compellingly written, this careful reconstruction preserves Theosophist founder Albert Smythe's dream of a culturally distinct, egalitarian, and religiously pluralist nation.
In a richly illustrated essay, curator and critic Antwaun Sargent addresses a radical transformation taking place in fashion, art, and the visual vocabulary around beauty and the body. In The New Black Vanguard, fifteen artist portfolios and a series of conversations feature the brightest contemporary fashion photographers. Their images and stories chart the history of inclusion (and exclusion) in the creation of the Black fashion image, while simultaneously proposing a brilliantly reenvisioned future.
The world's first war machines were ships built two millennia before the dawn of the Classical world. Their influence on the course of history cannot be overstated. A wide variety of galleys and other types of warships were built by successive civilisations, each with their own distinctive appearance, capability and utility. The earliest of these were the Punt ships and the war galleys of Egypt which defeated the Sea People in the first known naval battle. Following the fall of these civilisations, the Phoenicians built biremes and other vessels, while in Greece the ships described in detail in the 'Trojan' epics established a tradition of warship building culminating in the pentekonters and triaconters. The warships of the period are abundantly illustrated on pottery and carved seals, and depicted in inscriptions and on bas-reliefs. The subject has been intensively studied for two and a half millennia, culminating in the contemporary works of authoritative scholars such as Morrison, Wallinga, Rodgers and Casson. To date there are no works covering the subject which are accessible and available to non-academics.
"An examination of the far-right roots of mid-twentieth-century conservatism"--
Vanguard of Nazism is the first full history of the Free Corps Movement which arose in Germany after World War I. Robert Waite's closely documented account shows how proto-Nazi thinking developed in this movement, and how the Free Corp contributed to the growth of National Socialism.