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The buying and selling of human beings for the worldwide sex industry is organized crime’s fastest-growing business with up to two million people globally—mostly women and children—being trafficked into the sex trade every year. In The Natashas, leading investigate journalist Victor Malarek details the tragic lives of the women and girls ensnared in the most recent wave of this brutal trade. He unearths evidence of training centers in Serbia where teenage girls from Ukraine, Moldova and Romania are viciously indoctrinated into the world of prostitution. He travels to war-torn countries such as Kosovo and Bosnia where he exposes corruption involving United Nations peacekeepers. And he uncovers scandalous situations throughout Europe, Israel and North America where the trafficking trade continues to flourish. Shocking stories of corrupt cops, complicit government officials and complacent politicians combine to form a powerful truth—one that Malarek hopes will not be ignored.
Béatrice, a solitary young jazz singer from a genteel Parisian suburb, meets a mysterious woman named Polina. Polina visits her at night and whispers in her ear: 'There are people who leave their bodies and their bodies go on living without them. These people are named Natasha.'César, a lonely Mexican actor working in a call centre, receives the opportunity of a lifetime: a role as a serial killer on a French TV series. But as he prepares for the audition, he starts falling in love with the psychopath he is to play. Béatrice and César are drawn deeper into a city populated with visions and warnings, taunted by the chorusing of a group of young women, trapped in a windowless room, who all share the same name ... Natasha.A startlingly original novel that recalls the unsettling visual worlds of Cindy Sherman and David Lynch and the writing of Angela Carter and Haruki Murakami, The Natashas establishes Yelena Moskovich as one of the most exciting young writers of her generation.
A blistering, eye-opening look at the horrific global phenomenon of sexual trafficking... This is 21st century slavery.
History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.
"Read it, weep, and begin to humanize the idea that 'masculinity' requires dominance and humiliation."--Gloria...
Natasha's story is set against the background of the Russian Revolution as she and her family flee persecution. Her story is dramatically and cleverly linked with the present as her heirs search for her will. The will can only be found through a trail of literary clues from classic children's books.
Natasha's Not My Name introduces readers to the complex underground of the strip club industry from the perspective of a sixteen-year-old. Groomed by her cousin, supported by older dancers, and paid by strangers for lap dances, the memoir follows Isabella Grosso's adolescence and young adult years as she struggles, succeeds, and ultimately survives as a child-turned-adult with a double life. ?Natasha's Not My Name dives deep into the dark pockets of sexual abuse, suicide, drug use, exploitation, and the inner strength it takes for a wounded child to grow up to be a strong woman, and what ultimately saves her: a love for dance and the arts, and a desire to share her story to help girls in equally vulnerable situations.?Introspective, unapologetic, and brave, Natasha's Not My Name is inspirational reading for all women.
Longlisted for the Swansea University Dylan Thomas Prize 2020 'A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song ... Moskovich writes sentences that lilt and slink, her plots developing as a slow seduction and then clouding like a smoke-filled room.' Guardian Zorka. She had eyebrows like her name. 1980s Prague. For Jana, childhood means ration queues and the smell of boiled potatoes on the grey winter air. But just before Jana's seventh birthday, a new family moves in to their building: a bird-eyed mamka in a fox-fur coat, a stubble-faced papka - and a raven-haired girl named Zorka. As the first cracks begin to appear in the communist regime, Zorka teaches Jana to look beyond their building, beyond Prague, beyond Czechoslovakia ... and then, Zorka just disappears. Jana, now an interpreter in Paris for a Czech medical supply company, hasn't seen her in a decade. As Jana and Zorka's stories slowly circle across the surreal fluctuations of the past and present, the streets of 1980s Prague, the suburbs of 1990s Wisconsin and the lesbian bars of present-day Paris, they lead inexorably to a mysterious door on the Rue de Prague ... Written with the dramatic tension of Euripidean tragedy and the dreamlike quality of a David Lynch film, Virtuoso is an audacious, mesmerising novel of love in the post-communist diaspora.
This is the story of ITN reporter Michael Nicholson's rescue of Natasha, a nine-year-old orphan from war-torn Sarajevo. The book tells of Michael's encounter with 200 children in an orphanage, the bond he developed with Natasha and their escape to England.