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This volume is a contribution to the comparative study of religions. It is an endeavor to present in a critically correct light some of the fundamental conceptions which are found in the native beliefs of the tribes of America. Contents: Preface. Chapter I. - Introductory. Chapter II. The Hero-Gods Of The Algonkins And Iroquois. §1. The Algonkin Myth Of Michabo. §2. The Iroquois Myth Of Ioskeha. Chapter III. - The Hero-God Of The Aztec Tribes. §1. The Two Antagonists. §2. Quetzalcoatl The God. §3. Quetzalcoatl, The Hero Of Tula. §4. Quetzalcoatl As Lord Of The Winds. §5. The Return Of Quetzalcoatl. Chapter IV. - The Hero-Gods Of The Mayas. §1. The Culture Hero, Itzamná. §2. The Culture Hero, Kukulcan. Chapter V. - The Quichua Hero-God Viracocha. Chapter VI. - The Extension And Influence Of The Typical Hero-Myth. Daniel Garrison Brinton – His Life
One of the most extraordinary works of the human imagination and the most important text in the native languages of the Americas, Popul Vuh: The Mayan Book of the Dawn of Life was first made accessible to the public 10 years ago. This new edition retains the quality of the original translation, has been enriched, and includes 20 new illustrations, maps, drawings, and photos.
This work is essential for anyone doing research in rock art and petroglyphs. Col. Garrick Mallery's report on the picture-writing of the American Indians is one of the most significant of all the early reports of the Bureau of Ethnology of the Smithsonian Institution. Besides a special section on petroglyphs, most of the specimens are roughly contemporary with the report's writing and were collected by ethnologists, explorers, and expeditions to reservations. The focus is on the significance of the pictures and the dissimilarities between the styles of picture-writing of the various tribes. Col. Mallery's report is the fundamental study of North American Indian picture-writing for anthropologists, sociologists, historians, or artists. Since most of the samples were collected by peers while picturing was still a vital method of communication, the ethnologists were often helped by the Indians themselves in interpreting the pictographs and uncovering the wealth of information they conveyed. The report consists of almost 1,300 pictures and 54 plates illustrating the samples which Col. Mallery describes.