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In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.
In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.
A study of middle-class culture from the 1820s to World War I
Renowned historian Peter Gay examines the "inner life" of the middle class, depicting a bourgeoisie far more open and far less hypocritical than its critics have maintained. The figures on these pages include Dickens, Flaubert, Delacroix, Millet, Bocklin, George Eliot, William James and more. Photos.
Education of the Senses, the first book of Peter Gay's projected multi-volume study of the European and American middle classes from the 1820s to the outbreak of World War I, re-examines the sexual behavior and attitudes of Victorians
This book revisits the debate over manners and morals that raged in France, Britain and the United States in the late nineteenth century. It was in essence a debate about gender and sexuality, and one of the foremost figures in the transnational discussions was the French writer and lecturer Paul Blouet, alias Max O’Rell (1847–1903). Although largely forgotten today, O’Rell deserves remembrance as a major phenomenon of the fin-de-siècle publishing and entertainment world. A Frenchman living in England but catering primarily to the American market, he disseminated national and gender stereotypes in an unprecedented way. Admired for the wit deployed in his lectures and his many best-selling books, he is a colorful exemplar of the many bourgeois commentators, male and female; most of them with mainstream political, social and cultural views, who engaged in these discussions, producing dense webs of assertion and opinion across countries and even continents. The elegant French salonnière, the independent but trustworthy English girl, the bitter American spinster activist meddling in public affairs: these are just a few examples of the many caricatural representations of women thrust into the debate. Max O’Rell and his fellow observers commented on women’s position in family and society, their partnership in the couple, their education, their sexual fulfilment, their right to paid work, aspects of social etiquette, feminism, domestic abuse, adultery and prostitution. There were frequent disagreements and sometimes hostile exchanges, but this analysis of the debate reveals a fundamentally common outlook among its participants: an agreement on patriarchy as the foundation of bourgeois society, and on the necessity to confine women in carefully stereotyped roles.
Of the thousands of children and young adults who fled Nazi Germany in the years before the Second World War, a remarkable number went on to become trained historians in their adopted homelands. By placing autobiographical testimonies alongside historical analysis and professional reflections, this richly varied collection comprises the first sustained effort to illuminate the role these men and women played in modern historiography. Focusing particularly on those who settled in North America, Great Britain, and Israel, it culminates in a comprehensive, meticulously researched biobibliographic guide that provides a systematic overview of the lives and works of this “second generation.”
This book develops a multi-disciplinary theory of citizenship, exploring the human abilities needed for its practice. It then argues that capitalism impedes the nurturing of these abilities, drawing on the work of a wide range of thinkers.
Draws on newly available primary sources to present an in-depth, accessible profile that offers revisionist assessments of the influential artist's turbulent life and genius works.
A master historian shows us a new side of the Victorian Era--the role of the Bourgeois as reactionaries, revolutionaries, and middle-of-the-roaders in the passage of high culture toward modernism. The Victorians in this richly peopled narrative maneuvered through decades marked by frequent shifts in taste, some seeking safety in traditional styles, others drawn to the avant-garde of artists, composers, and writers. Peter Gay's panoramic survey offers a fresh view of the ideas and sensibilities that dominated Victorian culture.