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On the frontispiece of this tract is a woodcut, representing the name of God irradiated; below it a hand is placing a nail on a wall (of Norwich Cathedral?), and a second hand turning a double-wheel, with eyes in the rim. The frontispiece woodcut to "The Nail hit on the head" represents three columns, to the central one of which are attached, on the left, as on nails, a crown, an hour-glass (preaching-glass), a pulley; and, on the right, crossed keys, a hat, holy-water sprinkler (?), and a pitcher; to the sides of the column, on the left of the centre, a robe, a girdle (of the High Priest), and two other objects; on the pillar to the right hang a flagon, a vessel of another form, and a pair of bellows. Below is inscribed "Fideliter Ser-" This woodcut is repeated on page 49 of the sermon. On the title page of "The Nail hit on the head : and driven into the city and cathedral wall of Norwich" is a woodcut of a broad-headed nail. The text is a sermon on the verse, "And I wil fasten him a nail in a sure place; and he shal be for a glorious throne to his fathers house. Esa, 22, 23".
Do you ever find that the earth stills and you suddenly feel acutely alive? Have you ever looked into an animal's eyes and felt the pull of a more primal world? Do you sometimes feel panic rise, or isolation sink upon you, or simply feel out of kilter with the modern world? 'Inside my cauldron is a thick fistful of paper, old diary entries, work "to do" lists, notes I wrote while I was in a bad place and feeling trapped in a life that was keeping my mind small and narrow; thoughts and feelings that are holding me back, keeping me tied to a time I want to let go of. These papers are flashes of lightning across a darkened room and I want them gone. As they curl and burn, twisting in their black spirals like the farewell flourish of a travelling cloak, a sense of calm sweeps through my chest and shoulders. I feel it so strongly, like a blast of ice to my system, shivering out the old thoughts. I'm burning a path for something new to come in.' One winter, Jennifer Lane reached breaking point in her fast-paced office life. In the year that followed her stress-related illness, she set out to rediscover the solace and purpose that witchcraft had given her as a teenager. The Wheel is an immersive, engaging read - exploring the life-long draw of witchcraft and our vulnerability to toxic working environments and digital demands. In her year-long journey Jennifer explores ancient festivals and rituals, and visits fellow pagans and wild landscapes, in search of wisdom and peace. For those who are sick at heart of noise, anger and disconnection, The Wheel is full of wise words, crackling rituals and natural beauty. This is a quest to discover how to live fully connected to the natural world while firmly in the twenty-first century.
There are some who say that the Lady Fortune has a wheel, and all men are fixed upon it. The wheel turns, and the men rise, or fall, with the turning of the wheel. Birle has agreed to be wed to the huntsman Muir as an escape from the drudgery of life at her father’s inn—but the moment she looks into the bellflower blue eyes of the man she comes upon stealing one of her father’s boats, Birle knows she cannot marry Muir. Even after she discovers the mysterious stranger is Orien, a Lord and as unreachable to an innkeeper’s daughter as a star, Birle is determined to travel with him as far as he will allow. Their travels take Birle to a world far from home, a world where Lords may become slaves, where Princes rule by fear, and where Fortune’s Wheel turns more swiftly and dangerously than Birle could have imagined. Newberry Medalist Cynthia Voigt’s second novel of the Kingdom, set two generations later than Jackaroo, is a memorable combination of thrilling adventure and heart-stopping romance.
Volume contains: 200 NY 72 (Ackerman v. Ackerman) 200 NY 501 (Aitken v. Young) 200 NY 569 (Aitken v. Young) 200 NY 1 (Carthage Tissue Paper Mills v. Village of Carthage) 200 NY 517 (Funda v. Betts)