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After identifying its anthropological origins in ancient rituals performed by a shaman or wizard, this text traces the development of the Magus through pre-Christian religious and mystic philosophers, medieval sorcerers and alchemists and the 18th and 19th century occult revival.
The Magus, a legendary magician of superhuman powers, is an archetype central to myth and religion across many cultures. Identifying its anthropological origins in ancient rituals performed by a shaman or wizard to ensure the prosperity of his tribe, E. M. Butler goes on to trace its subsequent development in pre-Christian religious and mystic philosophers, in medieval sorcerers and alchemists, and finally in the eighteenth- and nineteenth-century occult revival. From Zoroaster to Solomon, Merlin to Faust, Cagliostro to Rasputin, legends of the Magus are explored and where possible compared with the historical record, in this fascinating account, first published in 1948, of one of the major figures in religious and occult mythology.
Nothing is overdone and not a word is out of place in this auspicious debut," wrote Kirkus in a starred review of Instead of Three Wishes, the first book by Megan Whalen Turner. Her second book more than fulfills that promise. The king's scholar, the magus, believes he knows the site of an ancient treasure. To attain it for his king, he needs a skillful thief, and he selects Gen from the king's prison. The magus is interested only in the theif's abilities. What Gen is interested in is anyone's guess. Their journey toward the treasure is both dangerous and difficult, lightened only imperceptibly by the tales they tell of the old gods and goddesses. Megan Whalen Turner weaves Gen's stories and Gen's story together with style and verve in a novel that is filled with intrigue, adventure, and surprise.
The Faustus myth, before being identified as a myth, was the folktale of a man named Faustus who lived in Germany. Underneath the popularity of this myth lies the basic human instinct to trespass the limits of traditional knowledge in pursuit of self-definition, authentic knowledge and power. This search and transgression also involve the desire to exercise the right of making free authentic choices. Faustus represents universal issues that are relevant for all human beings, which explains the reason why he has acquired mythic stature. Indeed, a most persistent myth has evolved, the appeal of which has led one writer after the other to reshape it. After his story became popular, he reappeared, even in contemporary culture, in different art forms such as literature, both high-brow and popular, including comics, the ballet and the opera. The real historical Faustus came onto the scene as a scholar and persistently reappeared in literature assuming different identities which, however, shared basically the same qualities. This book demonstrates and offers different perspectives to versions of the Faustus myth in literature: Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus, Goethe’s Faust and John Fowles’ The Magus. The Faustus Myth is a cycle which starts and ends in tragic circumstances in Christopher Marlowe’s Renaissance Faustus, in salvation in Johann Wolfgang von Goethe’s Faust, and in meaninglessness, ambiguous collapses in John Fowles’ existentialist Nicholas Urfe.
In this volume, Ian Watt examines the myths of Faust, Don Quixote, Don Juan and Robinson Crusoe, as the distinctive products of modern society. He traces the way the original versions of Faust, Don Quixote and Don Juan - all written within a forty-year period during the Counter Reformation - presented unflattering portrayals of the three figures, while the Romantic period two centuries later recreated them as admirable and even heroic. The twentieth century retained their prestige as mythical figures, but with a new note of criticism. Robinson Crusoe came much later than the other three, but his fate can be seen as representative of the new religious, economic and social attitudes which succeeded the Counter-Reformation. The four figures help to reveal problems of individualism in the modern period: solitude, narcissism, and the claims of the self versus the claims of society. They all pursue their own view of what they should be, raising strong questions about their heroes' character and the societies whose ideals they reflect.
Some of the oldest and most famous stories in the worldýthe adventures of Perseus, the labors of Heracles, the voyage of Jason and the Argonautsýare vividly retold in this single, connected narrative of the Heroic Age, from the coming of the Immortals to the first fall of Troy. With fresh dialogue and a brisk pace, the myths of this version are enthrallingly vivid.Rick Riordan is the author of the New York Times bestselling Percy Jackson and the Olympians series.
When United Airlines workers reported a UFO at O'Hare Airport in November 2006, it was met with the typical denials and hush-up that usually accompany such sightings. But when a related story broke the record for hits at the Chicago Tribune's website, it was clear that such unexplained objects continued to occupy the minds of fascinated readers. Why, wonders Thomas Bullard, don't such persistent sightings command more urgent attention from scientists, scholars, and mainstream journalists? The answer, in part, lies in Bullard's wide-ranging magisterial survey of the mysterious, frustrating, and ever-evolving phenomenon that refuses to go away and our collective efforts to understand it. In his trailblazing book, Bullard views those efforts through the lens of mythmaking, discovering what UFO accounts tell us about ourselves, our beliefs, and the possibility of visitors from beyond. Bullard shows how ongoing grassroots interest in UFOs stems both from actual personal experiences and from a cultural mythology that defines such encounters as somehow "alien"-and how it views relentless official denial as a part of conspiracy to hide the truth. He also describes how UFOs have catalyzed the evolution of a new but highly fractured belief system that borrows heavily from the human past and mythic themes and which UFO witnesses and researchers use to make sense of such phenomena and our place in the cosmos. Bullard's book takes in the whole spectrum of speculations on alien visitations and abductions, magically advanced technologies, governmental conspiracies, varieties of religious salvation, apocalyptic fears, and other paranormal experiences. Along the way, Bullard investigates how UFOs have inspired books, movies, and television series; blurred the boundaries between science, science fiction, and religion; and crowded the Internet with websites and discussion groups. From the patches of this crazy quilt, he posits evidence that a genuine phenomenon seems to exist outside the myth. Enormously erudite and endlessly engaging, Bullard's study is a sky watcher's guide to the studies, stories, and debates that this elusive subject has inspired. It shows that, despite all the competing interests and errors clouding the subject, there is substance beneath the clutter, a genuinely mysterious phenomenon that deserves attention as more than a myth.
Over twenty years in the writing, the three books in The Legend of The Secret Saga series evolved to be an fascinating magical story unlike any other, as they poetically weave together a strange epic tale. THE AUTHOR, Estee Shoesmyth, is a tangible figment of her own unbridled paradoxical imagination and the fantasy fiction pseudonym of eclectic American artist, Suzanne T. Dietz. The Legend Of The Secret Saga is the complete epic trilogy in one colorful volume. There is no other story like it in The Real World! The fantastical epic tale opens in Book One, which is When Begin Began. Celestial Scribe, Angel Daria pens the following words: "To Whom It May Concern: When this immense historical accounting commenced, I surely did not anticipate that the nature of this story would ever veer off the straight and narrow path. Instead, it proceeded to travel along the strangest winding ways. And so, I followed it most dutifully — with my pen in hand. Once upon a time, an anonymous philosopher on The Ultimate Earth aptly intellectualized, 'There are always three sides to every story: your side, the other side, and the truth.' The story presented to you here may seem like nothing more than a collection of my own fantastical delusions. Surely, it could not be that which I, myself, have ever witnessed! In that case, it would certainly not make it to be truth. However, it is ... by my best accounting ... the strange but true enough telling of a deliberately long-lost story from somewhere far out on the other side of Who-Knows-Where." That's just the beginning! In Book Two, The Murky Middle, the story dims to very, very dark with the introduction of a terribly wicked magician's sorcery. Through magic, he enters into a spirit world and adamantly decided to stay there. From that secret domain he meets another and the two, in cahoots, do some deliberately evil damage that stretches out from that invisible place right into the unsuspecting folks who live day to day in The Real World. Those folks do not stand a chance to escape being affected by the magician's insidious determination to capture them all. Eventually, Adam and Eve are reincarnated into The Real World on a specific mission, years beyond the peak of that magician's vicious reign. By then, the worse had evidently devolved into the worst that ultimately leads through to Book Three, The End Of The End. This story is utterly fascinating. Its twisting and turning through that which may be somewhat recognizable is more tangled up into the fantastical that is addictive to read onward to find out what happens next. All throughout there is mystery, magic, love, hate, obsessiveness, rejection, maliciousness, brilliance, stupidity, sickness, healing, forgiveness, revenge, romance, weirdness, wonderment, heavy heartedness, humor, life, death, and reincarnation. All along, there is that concept of eternity being a time lasting for Forever. Which, according to all reports in The Real World, Forever is a long, long time. The Legend Of The Secret Saga is the complete epic trilogy in one colorful volume. There is no other story like it in The Real World. Not from When Begin Began, throughout The Murky Middle, and all the way to The End Of The End. It is a story that is a Fairytale and a Fantasy. Magical and Mythical. Poetic and Artistic. The Legend Of The Secret Saga is fantastical and not as expected it might be!
Das Thema des in englischer Sprache verfassten The Myth of the State – dem letzten Werk, das Cassirer vor seinem Tod im Manuskript zum Abschluss bringen konnte – ist die Wiederkehr des politischen Totalitarismus, dem er selbst nur durch Emigration entkam. Der Text belegt, dass die in der Philosophie der symbolischen Formen entwickelte »Kritik der Kultur« auch den Rahmen für eine Theorie des Politischen absteckt und dazu nötigt, auf anthropologischer Ebene die Einheit von »animal symbolicum« und »zoon politikon« zu denken. Cassirer beginnt mit einer Analyse der destruktiven Macht des mythischen Denkens. Er untersucht seine Struktur, seine Beziehung zur Sprache, seinen affektiven Charakter und seine soziale Funktion. Im Anschluss beschreibt Cassirer in einem ideengeschichtlichen Aufriß die Hauptlinien der politischen Theorien von Platon bis zum frühen 19. Jahrhundert, um dann im letzten Teil die Wiedergeburt des Mythos im 20. Jahrhundert zu behandeln. Cassirer schließt, dass der politische Mythos nicht endgültig überwunden, sondern nur »gezähmt« werden kann. Dazu kann die Philosophie beitragen, jedoch nicht, indem sie ihn argumentativ zu widerlegen versucht, sondern indem sie ihn verstehen und so bekämpfen hilft. Eine deutsche Übersetzung – Vom Mythus des Staates – ist in der Philosophischen Bibliothek (Band 541) lieferbar.