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In this book, Mehmet-Ali Ataç argues that the palace reliefs of the Neo-Assyrian Empire hold a meaning deeper than simple imperial propaganda.
An insider's look at the iconography and history of Assyrian reliefs and the West's fascination with these ancient monuments
A Companion to Assyria is a collection of original essays on ancient Assyria written by key international scholars. These new scholarly contributions have substantially reshaped contemporary understanding of society and life in this ancient civilization. The only detailed up-to-date introduction providing a scholarly overview of ancient Assyria in English within the last fifty years Original essays written and edited by a team of respected Assyriology scholars from around the world An in-depth exploration of Assyrian society and life, including the latest thought on cities, art, religion, literature, economy, and technology, and political and military history
This volume examines the state ideology of Assyria in the Early Neo-Assyrian period (934-745 BCE) focusing on how power relations between the Mesopotamian deities, the Assyrian king, and foreign lands are described and depicted. It undertakes a close reading of delimited royal inscriptions and iconography making use of postcolonial and gender theory, and addresses such topics as royal deification, “religious imperialism”, ethnicity and empire, and gendered imagery. The important contribution of this study lies especially in its identification of patterns of ideological continuity and variation within the reigns of individual rulers, between various localities, and between the different rulers of this period, and in its discussion of the place of Early Neo-Assyrian state ideology in the overall development of Assyrian propaganda. It includes several indexed appendices, which list all primary sources, present all divine and royal epithets, and provide all of the “royal visual representations,” and incorporates numerous illustrations, such as maps, plans, and royal iconography.
Exemplars of Kingship conveys the astonishing life of the art of the Akkadian kings by assessing ancient and modern responses to its dynamic forms and transformative ideologies of kingship.
Far from being a Judeo-Christian invention, apocalyptic thought had its roots in the ancient Near East and was expressed in its art.
Backed by an unparalleled military force, Sargon II outwitted and outfought powerful competitors to extend Assyrian territory and secure his throne. As Sarah C. Melville shows through a detailed analysis of each of his campaigns, the king used his army not just to conquer but also to ensure regional security, manage his empire’s resources, and support his political agenda. Under his leadership, skilled chariotry, cavalry, and infantry excelled in all types of terrain against an array of culturally diverse enemies. This book represents the first in-depth military study of the great Assyrian king. Drawing extensively from original sources, including cuneiform inscriptions, the letters of Sargon and his officials, archival documents, and monumental art, Melville presents Sargon’s achievements as king, diplomat, and conqueror. Contrary to the stereotype of the brutal Assyrian despot, Sargon applied force selectively, with deliberate economy, and as only one of several possible ways to deal with external threat or to exploit opportunity. The Campaigns of Sargon II demonstrates how Sargon changed the geopolitical dynamics in the Near East, inspired a period of cultural florescence, established long-lasting Assyrian supremacy, and became one of the most influential kings of the ancient world.
Neo-Assyrian and Greek Divination in War focuses on all divinatory practices which were used in the ancient Near East and Greece in time of war. Divination was a practical way of discovering the will of the gods, and enabled human contact with the divine. Divinatory practices were crucial to decision-taking. The results of divination were especially important during war. This book concentrates on the methods used to obtain all possible information from the divine world which could impact on the results of war. Knowledge of divine plans, verdicts and favors would ensure victory, power and eternal glory. This book is also about the convergence of the ancient Near East and Greek divinatory systems, methods and practices. Step by step, it points out that the Greeks treated divination in a very similar way to the Mesopotamians, and presents the possible routes of transmission of this divine knowledge, which was practiced in both cultures by a group of well-trained professionals.
"In this study, Peter Altmann addresses the difficult question of why the Hebrew Bible prohibits consumption of certain birds by placing these birds within the overall appearance of birds in the archaeology, texts, and iconography of the Ancient Near East and within the Bible itself." --
This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.