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Winner of the 2024 Rakuten Kobo Emerging Writer Prize • One of Harper Bazaar's Best Books of 2023 Three writers, two marriages, one affair—infinite sides to the story. A beguiling nesting doll of a novel about husbands and wives, the battles between creative ambition and love, and the timeless question of who owns a story. Named a best book of the summer by the New York Times, the Boston Globe, Shondaland, Harper's Bazaar, ELLE, Bustle, and Literary Hub. Sal Cannon is a struggling magazine writer, dealing with the professional humiliation of being conned by a serial liar. She’s close to rock-bottom when she reads a short story by Martin Keller, the much older author she met at a literary event years ago. Much to her surprise, the piece is about her and their brief encounter. Desperate to read more of the unpublished novel from which the story is taken, she is shocked to learn that Martin has died. But as her own life and relationships fall apart, Sal makes a rash decision: she will seek out Martin’s widow, Moira, and convince her to let Sal read the rest of Martin’s novel. Her novel. Over a single summer, Sal will insert herself into Moira’s life. Or is it the other way around? As Sal sifts through Martin’s papers and learns more about Moira, she discovers the larger, ever-shifting story of not just one marriage but two, as she unravels the secret histories of those closest to Martin Keller. The Mythmakers is a seductive nesting doll of a book that grapples with perspective and memory, as well as the battles between creative ambition and love. It’s a novel about the trials and tribulations of finding out who you are, and those moments when the trajectories of our lives are forever altered.
"... impressive work of scholarship..." -- Exceptional Human Experience
From New York Times bestselling, award-winning creator John Hendrix comes The Mythmakers, a graphic novel biography of two literary lions—C.S. Lewis and J.R.R. Tolkien—following the remarkable story of their friendship and creative fellowship, and how each came to write their masterworks Through narrative and comic panels, Hendrix chronicles Lewis and Tolkien’s near-idyllic childhoods, then moves on to both men’s horrific tour of the trenches of World War I to their first meeting at Oxford in 1929, and then the foreshadowing, action, and aftermath of World War II. He reveals the shared story of their friendship, in all its ups and downs, that gave them confidence to venture beyond academic concerns (fantasy wasn’t considered suitable for adult reading, but the domain of children), shaped major story/theme ideas, and shifted their ideas about the potential of mythology and faith. The Mythmakers also shows the camaraderie and the importance of the social/literary circle of friends called the Inklings, and how the friendship of these two great men fell apart and came together again. Hendrix concludes describing how the writings of C.S. Lewis and J.R.R. Tolkien had re-enchanted the 20th century, after two World Wars. In writing aimed at scholars, adults, and young people, these two tweedy academics altered the course of storytelling and embraced the concept that fantasy writing for an adult audience was an accepted form of literature. The format is similar to The Faithful Spy: prose interspersed with images and narrative comics. The narration is often conversations between a knowledgeable wizard and a comical lion. Through brisk conversation between these two friends, they explain some of the bigger ideas in an approachable and entertaining way. Throughout the story, there are “gateways” that lead readers to the back matter where certain themes, such as how myth/fantasy evolved or the art of world-building, are discussed more fully. This device keeps the main story flowing quickly and smoothly for those readers not interested in the more academic ideas behind the narrative. Among the ideas covered in the narrative and back matter: ‑ Tolkien’s world-building ‑ The “Theology of Creation” linking their faith to their writings ‑ The meaning of real friendship ‑ Notions of modernity and mythology ‑ The value of fantasy ‑ The power of a creative community ‑ An exploration of the different kinds of storytelling in Narnia and The Lord of the Rings, both relying on “the Myth” as a storytelling device, but differing in the use of allegory vs. symbolism ‑ The creative differences of Lewis and Tolkien: the high standards of Tolkien’s fiction and the faster and more immediate approach of Lewis’s ‑ Logos vs. Mythos: Lewis created from images, Tolkien created from language ‑ The mixing of mythologies Also included are an author’s note, endnotes, bibliography and index.
The author presents new arguments which support the view that Paul, not Jesus, was the founder of Christianity. He argues that Jesus and also his immediate disciples James and Peter were life-long adherents of Pharisaic Judaism. Paul, however, was not, as he claimed, a native-born Jew of Pharisee upbringing, but came in fact from a Gentile background. He maintains that it was Paul alone who created a new religion by his vision of Jesus as a Divine Saviour who died to save humanity. This concept, which went far beyond the messianic claims of Jesus, was an amalgamation of ideas derived from Hellenistic religion, especially from Gnosticism and the mystery cults. Paul played a devious and adventurous political game with Jesus' followers of the so-called Jerusalem Church, who eventually disowned him. The conclusions of this historical and psychological study will come as a shock to many readers, but it is nevertheless a book which cannot be ignored by anyone concerned with the foundations of our culture and society. -- Book jacket.
Plunge into the soul of Lewis's Space Trilogy, L'Engle's A Wrinkle in Time, and Tolkien's The Lord of the Rings. Dwarves, elves, princes and princesses, dark powers, unlikely heroes and fantastic places open up to us in this excellent introduction to Christian mythopoeia. This overview of the major Christian mythmakers explores how they influenced and inspired one another, and identifies the symbols and emblems in their works. Rediscover the characters and worlds of authors such as C. S. Lewis, George MacDonald, G. K. Chesterton, J. R. R. Tolkien, John Bunyan, Madeleine L'Engle, Charles Williams, Walter Wangerin
This unique collection brings together various scholars of sociology and political science to explore the status and activities of the intellectuals and the intelligentsia past, present and future. The intellectuals and intelligentsia perform a social role as well as a mental function and are products of their age and country. Their role in various parts of the globe and in different historical periods is compared and contrasted. Long-range historical perspective is provided by an essay on the sociology of intellectual creativity in the axial period of human history. In addition, the role of the intellectual and intelligentsia and its implications for the future development of Third World nations is considered.
This hard-hitting critique of media culture examines not only the ways in which the public is deceived, but the media's role in propagating those deceptions. Illustrations.
A visual analysis of the New York School painter, which examines the structure of Rothko's paintings while arguing that they implement traces of certain basic, symbolically charged pictorial conventions.