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From Hero to Servant to Mystic addresses both the initial and ongoing formation of priests by tracing three significant stages in how their spiritual lives unfold. Fr. Scott Detisch offers seminarians, priests, spiritual directors, and clergy personnel directors a way of understanding the whole gamut of spiritual growth and development in priests by focusing on three major clusters of energies within men—the Hero, the Servant, and the Mystic. By recognizing the difficulties that may arise within the inner life and outer world of a priest, Detisch offers helpful methods for navigating through those challenging periods. By applying these energies to their spiritual lives, priests will experience a different form of relationship with the person of Christ—the Hero, who offers his life for Christ; the Servant, who ministers with Christ; and the Mystic, who lives his life in Christ.
One reads not for information, but for inspiration. In his new book, Brother Teasdale presents a powerful daily guide to interspiritual wisdom with 365 quotes from the great religious and spiritual traditions. Teasdale's illuminating commentary follows each passage.
Terrence Malick is the most enigmatic film director currently working. Since the early seventies, his work has won top prizes at film festivals worldwide and brought him wide recognition as the cinematic equivalent of a poet. His life is shrouded in mystery, leaving audiences with rumors, few established facts, and virtual silence from the filmmaker himself following his last published interview in 1979. This has done nothing to dim the luminous quality of his films, from Badlands (1973) and Days of Heaven (1978), to later works such as The Thin Red Line (1998), The Tree of Life (2011), and A Hidden Life (2019). The Magic Hours: The Films and Hidden Life of Terrence Malick is the first true biography of this visionary filmmaker. Through interviews and in-depth research, John Bleasdale reveals the autobiographical grounding of many of Malick's greatest films as well as the development of an experimental form of filmmaking that constantly expands the language of cinema. It is the essential account for anyone wishing to understand Malick and his work.
The magic hour is the name film-makers give the pre-dusk late afternoon, when anything photographed can be bathed in a melancholy golden light. This work anthologizes J. Hoberman's movie reviews, cultural criticism, and political essays, published in The Village Voice, Artforum, and elsewhere during the period bracketed by the fall of the Berlin Wall and the collapse of the World Trade Towers.
This is the second installment of my personal journey, the first being Like Water. Join me as I make my journey on this trip we call life. Some of us “get it” early in life, and some of us have to learn the hard way. I’ve taken the latter. However, in The Magic Hour, I’ve begun to wake up and see that I have been engaging in some magical thinking by assuming that life is going to just drop my dreams into my lap, hoping against hope that my prayers will bring a change to my mother and my life when in reality, the person who needs to change is me. I am to learn this by living through harrowing hidden experiences with my family. Pushed to the limit, what decisions will I make? How will I turn things around? The lessons that I’ve learned as a child, which I thought were a bit archaic and cruel, will serve me well.
Meditation without necessary preparation sometimes leads to frustration and loss of faith for beginners in this grand science of the inner life. Against this background this book provides the readers with a collection of selected essays dealing with different aspects of meditation and other topics related to the life devoted to it. Though these essays do not exhaust all the theoretical and practical aspects of the subject, they will certainly prove to be illuminating and extremely useful for all beginners on this path. Published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math, India.
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.