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A translation of Fulcanelli's book on the meaning of heremetic symbols as they relate to the construction of cathedrals.
Sheds new light on the identity of the alchemist Fulcanelli • Provides new understanding of the relationships between the most important figures of the esoteric milieu of Paris in the first half of the 20th century • Includes a wealth of rarely seen documents, photos, and letters Fulcanelli, operative alchemist and author of The Mystery of the Cathedrals and The Dwellings of the Philosophers--two of the most important esoteric works of the twentieth century--remains himself a mystery. The true identity of the man who allegedly succeeded in creating the philosopher’s stone has never been discovered, despite ardent searches by many--even the OSS (the wartime U.S. intelligence agency, later to become the CIA) claimed to have looked for him following the end of World War II. Geneviève Dubois looks at the esoteric milieu of Paris at the turn of the century, a time that witnessed a great revival of the alchemical tradition, and investigates some of its salient personalities. Could one of these have been this enigmatic man, reported to have last appeared in Seville, Spain, in 1952 when he would have been 113 years of age? The trail followed by the author encounters such figures as Papus, René Guénon, Schwaller de Lubicz, Pierre Dujols, Eugene Canseliet, and Jean-Julien Champagne. Working from rare documents, letters, and photos, Dubois suggests that one of these men could have been hiding his activity behind the pseudonym of Fulcanelli or that Fulcanelli may even have been a composite fabricated by several of these individuals working together. Beyond its attempt to reveal the actual identity of Fulcanelli, Fulcanelli and the Alchemical Revival also presents an explanation of the alchemical doctrine and reveals the unsuspected relationships among the important twentieth-century truth seekers it highlights.
Decodes the message held by this enigmatic monument, revealing the alchemical secret of time and the fate of humanity.
When a wealthy Iraqi couple disappear following a concert at Sherebury Cathedral, American Anglophile Dorothy Martin investigates. When Dorothy Martin and her husband Alan meet the wealthy Ahmad family, they are charmed by their courtesy, their perfect English, their delightful children and their commitment to peace. Following a concert at Sherebury Cathedral, the Ahmads offer to host a party afterwards at the Rose and Crown pub. But Mr and Mrs Ahmad don’t show up. Their children are asleep upstairs at the inn, but the parents are nowhere to be found . . . With suspicions of kidnap and even murder being raised, Dorothy and Alan feel compelled to assist the police and MI5 in their efforts to find their new friends, a search that will take them to London and the murky world of big business, politics and even terrorism . . .
This richly illustrated book shows the intricate step-by-step process of an imaginary cathedral's growth.
Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna • Examines the Virgin Mary’s origins in the pagan worship of the Mother Goddess • Identifies Mary with the dominant solar goddess of matriarchal societies The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a Virgo Paritura: a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres’ roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis. Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming.
Written in aid of the crucial restoration work to restore Paris’s great cathedral, Notre-Dame: A Short History of the Meaning of Cathedrals is a moving, short piece of non-fiction celebrating the stunning history of this beloved building, from Ken Follett, author of the multi-million copy selling Kingsbridge series. ‘Two days after Notre Dame burned, I flew to Paris to appear on the TV programme La Grande Librairie for a discussion about cathedrals. The following morning I had breakfast at the Hotel Bristol with my French publisher and she asked me to write a short book about Notre Dame and what it means to all of us. She said she would donate the publisher’s profits to the rebuilding fund and, if I wished, I could do the same with my royalties. Yes, I said; of course, I’d love to.’ – Ken Follett A minimum of 50p per copy on each sale of this book will go to the heritage and restoration charity La Fondation du Patrimoine.