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Volume 7 Number 6 of The Mystery Fancier, November-December 1983, contains: "A Few Kind Words for Ashton-Kirk," by Bob Sampson, "The Violent World of Mike Hammer," by Jim Traylor, "The Old Man in the Corner," by Earl F. Bargainnier and "C. B. Greenfield: The Metaphor is the Man," by Jane S. Bakerman.
For the fourth volume of this series, Robert Sampson has selected more than fifty magazine series characters to illustrate the development of the character of the detective. Included here are both the amateur and professional detective, female investigators, deducting doctors, brilliant amateurs, and equally brilliant professional police. There are private detectives reflecting Holmes and hard-boiled cops from the parallel traditions of realism and melodramatic fantasy. Characters include Brady and Riordan, Terry Trimble, Glamorous Nan Russell, J. G. Reeder, plus many others.
The Mystery Fancier, Volume Seven Number One, January-February 1983, contains: "Captain Joseph T. Shaw's Black Mask Scrapbook," by E. R. Hagemann, "Detection by Other Means," by Bob Sampson, "Joe Orton's and Tom Stoppard's Burlesques of the Detective Genre," by Earl F. Bargainnier, "Bloody Balaclava: Charlotte MacLeod's Campus Comedy Mysteries," by Jane S. Bakerman and "Spy Series Characters in Hardback, Part XIII," by Barry Van Tilburg.
This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.
Presents by subject the same titles that are listed by author and title in Forthcoming books.
In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.
At the height of her celebrity, Madeleine Carroll (1906-1987) was the world's highest-paid actress. She worked alongside such greats as Laurence Olivier and Charles Laughton, British directors Victor Saville and Alfred Hitchcock, and Hollywood directors John Ford and Otto Preminger. She also did radio and television shows--all of which she abandoned to become a Red Cross worker. Piecing together long-lost facts, the author describes Carroll's almost indescribable life, narrating her personal highs and lows, as well as her fervent commitment to helping others--particularly child victims of war.