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'The NME mattered to all those generations who grew up with music at the centre of their universe. The NME never had a truer chronicler than Pat Long.' Tony Parsons Since it was founded in 1952, the New Musical Express has played a central part in the British love affair with pop music. Snotty, confrontational, enthusiastic, sarcastic: the NME landing on the doormat every Wednesday was the high point of any music fan’s week, whether they were listening to The Beatles, Bowie or Blur. The Sex Pistols sang about it, Nick Hornby claims he regrets not working for it and a whole host of household names – Tony Parsons and Julie Burchill, Nick Kent and Mick Farren, Steve Lamacq and Stuart Maconie – started their career writing for it. This authoritative history, written by former assistant editor, Pat Long, is an insider's account of the high times and low lives of the world's most famous, and most influential, music magazine. The fights, the bands, the brawls, the haircuts, the egos and much more. This is the definitive – and first – book about the infamous NME.
The recent passing of Eddie Van Halen marked the somber end to one of rock 'n' roll's greatest eras. The iconic and innovative guitar wizard and his rowdy bandmates were synonymous with hard rock from the late 1970s through the 1990s, churning out hits like "Runnin' With the Devil," "Jump" and "Why Can't This Be Love" through a variety of lineups. From the breakout years headed by flamboyant lead singer David Lee Roth to the decade with the boisterous Sammy Hagar up front, Van Halen maintained a perpetual appeal with fans and critics. This LIFE special issue explores the turbulent history and massive popularity of the mercurial band and their legendary music.
A delirious collection of short stories from the Latin American master of micro-fiction. A delirious collection of short stories from the Latin American master of microfiction, César Aira–the author of at least eighty novels, most of them barely one hundred pages long–The Musical Brain & Other Stories comprises twenty tales about oddballs, freaks, and loonies. Aira, with his fuga hacia adelante or "flight forward" into the unknown, gives us imponderables to ponder and bizarre and seemingly out-of-context plot lines, as well as thoughtful and passionate takes on everyday reality. The title story, first published in the New Yorker, is the creme de la creme of this exhilarating collection.
We are happy to embrace you with our rich new edition. Undoubtedly, one of the most negatively-affected elements of the coronavirus precautions is the musical events. Maybe the concerts had to be cancelled but artists continued to reach us thanks to the digital platforms. We enhanced our souls with the power of music. We are appreciated for all of these artists. You are going to notice that, in this edition apart from Turkey there are also precious music producers from Iran, Greece, Netherlands and Canada. Introducing you various musical colours from different regions of the world and witnessing that our periodical is one of the worldwide ones in its field is an additonal satisfaction. Music is an energy source for a nation. We fervently emphasise the necessity of supporting these labourers who produce music and assisting them with solid steps. Having the belief that we have overtaken the hard times, we wish all of you fresh and healthy summers with plenty of music.