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A thorough and carefully researched 1937 account of the music of the Sumerians and their immediate predecessors, the Babylonians and Assyrians. On its publication, this book was one of the few studies to concentrate on the music of the ancient civilisations of modern-day Iraq, and is still valued today.
The Sumerians The Sumerians settled in the area known as Mesopotamia, between the Tigris and Euphrates Rivers, around five thousand years ago. They produced many fundamental changes to the way in which human societies developed
“A readable and up-to-date introduction to a most fascinating culture” from a world-renowned Sumerian scholar (American Journal of Archaeology). The Sumerians, the pragmatic and gifted people who preceded the Semites in the land first known as Sumer and later as Babylonia, created what was probably the first high civilization in the history of man, spanning the fifth to the second millenniums B.C. This book is an unparalleled compendium of what is known about them. Professor Kramer communicates his enthusiasm for his subject as he outlines the history of the Sumerian civilization and describes their cities, religion, literature, education, scientific achievements, social structure, and psychology. Finally, he considers the legacy of Sumer to the ancient and modern world. “An uncontested authority on the civilization of Sumer, Professor Kramer writes with grace and urbanity.” —Library Journal
Describes the civilization of the Sumerians, who inhabited the land which today is Iraq, in the beginning of the fourth millennium B.C.
Sumerian is the oldest written language of ancient Iraq, first written down some 5,000 years ago. Its literature, encompassing narrative myths, lyrical hymns, proverbs and love poetry, provides a stimulating insight into the world's first urban civilization. This is a comprehensive collection.
A legendary civilization vanished under the Fertile Crescent and escaped a fate worse than death until Sumerologists questioned widely accepted truths. The Sumerians reemerged onto the extraordinary timeline of human history. Their tales of kings and gods, including the Epic of Gilgamesh, and their fearless trade in distant lands, during the remarkable Bronze Age, centered in the world’s first city-states that chronicled ancient rivalries and their enduring impact. Inside you will read about... ✓ How We Know What We Know About Sumerians ✓ The Bronze Age – Sumer And Its Contemporaries ✓ How Did The Sumerians Become Civilized? ✓ How Long Were They Around ✓ Primer Of Impact Of Sumerian Ancient Civilization On Our World ✓ What Did They Look Like? ✓ What Shaped Their Worldview? And much more! Our journey relies on excavated and historical evidence to explore their productive fascinations with order and man’s place in the universe. Their application of impressive knowledge helps us unfold their mysterious civilization.
'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
This work reviews the social and technological developments in Mesopotamia from 3800 to 2000 BC.
This volume analyses eight cuneiform texts of Ancient Near-Eastern Music theory, essential to the understanding of Ancient Semitic Music, to a level never achieved before. The author explains why previous interpretations had been misapprehended because they were analysed with Western musicological methods, and addresses these problems.