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"The Music of The Statler Brothers: An Anthology is an in-depth look at the musical career of The Statler Brothers' forty-year reign as country music's premier group. Lead singer, Don Reid, writes about each song ever recorded by the Grammy Award-winning foursome and gives backstage insight to the writings and the selections of each composition. A songwriter with two-hundred-fifty recordings of music by his own hand and a member of both the Country Music and Gospel Music Halls of Fame, Reid gives meaningful and often humorous insight into the day-to-day workings and trials of the music industry. There has been no other book by someone in the recording business that compares with this song-by-song chronicle. Unique in its content and style, this anthology offers anyone with an interest in the entertainment business more than a glimpse behind the curtain. Covering forty-five albums of original music, this is a must-read for all Statler Brothers fans and lovers of country and gospel music alike"--
Traces the long and successful career of the award-winning country music group, from their early years in the late 1950s until their retirement in 2000.
Cal, Harlan, and Buddy grow up together in a small Virginia town in the years before the second World War. United by age, proximity, and temperament, they get into—and out of—all the trouble that boys manage to find. They even earn a nickname from a local restaurateur who gives the boys their first jobs and plenty of friendly advice. “Uncle” Vic calls them the Mulligans, because they always seem to find a way through a thicket of trouble—family problems, girls, college, war—to success. Cal and Harlan and Buddy have been blessed with second chances. Now it’s 1959, and police lieutenant Buddy receives an early-morning phone call: his friend Harlan, a store owner, has been shot in a break-in. Cal, now a preacher, meets Buddy at the hospital, and together, as professionals and as friends, they begin to unravel what might have happened to Harlan.
Beginning with Grant and guitarist Luther Perkins's initial introductions to Johnny Cash and the jam sessions that followed, readers will marvel at how their musical inabilities drove these three men to musical greatness. From Grant's humorous story of placing adhesive tape on his bass to learn the notes prior to landing their Sun Records recording contract and witnessing Johnny write I Walk the Line, to his experience of playing with Cash at Folsom Prison, readers are taken backstage into Cash's inner circle.
Presents an overview of music in all the world's culture from prehistoric times to the present day.
The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet, Doris Day, Willie Nelson, and Linda Ronstadt. In more recent years, these songs have been reinterpreted by Rod Stewart, Harry Connick, Jr., Carly Simon, Lady GaGa, K.D. Laing, Paul McCartney, and, most recently, Bob Dylan. As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the "talkie" revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung.
1500 illustrations and superb photographs, original memorabilia, newspaper features together with a detailed chronology of the world's greatest rock band.
I Love You a Thousand Ways is the story of one of the most loved, respected, and imitated singer/songwriters in the history of country music, a man whose songs touched the lives of millions of people. Lefty Frizzell’s relaxed style of singing proved to be a huge influence on a wide variety of country and pop music stars such as Merle Haggard, Willie Nelson, Roy Orbison, George Jones, John Fogerty, George Strait, and Tim McGraw. In addition to his incredible vocal talents, Lefty was widely recognized for his songwriting skills. He had four songs in the country top ten at the same time in 1951—a feat that would only be repeated one more time on any chart, when The Beatles had five songs on the pop chart in 1964. Among Lefty’s many hits are: “If You’ve Got the Money, I’ve Got the Time,” “Mom and Dad’s Waltz,” “The Long Black Veil,” and “Saginaw, Michigan.” Willie Nelson’s 1977 album, To Lefty From Willie, was a tribute to Frizzell and consisted entirely of cover versions of Frizzell songs. Fellow Texan Roy Orbison was also a devout fan of Frizzell’s sound. In 1988, as a part of the Traveling Wilburys, Orbison chose the name “Lefty Wilbury” in honor of his musical hero. Lefty was inducted into the Songwriters Hall of Fame in 1972 and the Country Music Hall of Fame in 1982. He has a star on the Hollywood Walk of Fame and is a member of the Rockabilly Hall of Fame. I Love You a Thousand Ways is a long overdue, beautiful tribute to one of the most underrated musicians of all time, a man whose music continues to influence new generations of musicians and music fans.
The best and most luxurious history of country music ever published, this 70th-anniversary tribute to the Grand Ole Opry has been selected by this beloved institution as its chief souvenir. The complete history of the Opry is given, from the early days of Roy Acuff and the Carter Family through Dolly Parton and Minnie Pearl to Garth Brooks and Reba McIntire--all illustrated with more than 225 photos, many in full color.