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"Associated families discussed in this book and connected to the Mundens through marriages include Cason, Dixson, Joyner (Joiner), Howell, Parris (Parish), Walker, Kemp, Hill, Wilson, Denison (Dennison), Alexander, Hancock, and Cooper, among others."--Back cover
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DigiCat Publishing presents to you this special edition of "The Silver Thorn: A Book of Stories" by Hugh Walpole. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Reared in isolation by her father on the Western prairie, Mary Dove has been taught to fear only one thing. One sparkling October day it happens. The inevitable stranger rides in off the plains, and Mary Dove does what she had always promised her father she would--she shoots. Yet compassion overcomes Mary's fear. In remorse, she tends to the wounded stranger, and what follows is their tentative discovery of each other and a love story that weaves universal and timeless themes. The mother who died before Mary Dove could know her was African-American. And so completely has Mary Dove's father sheltered her that she cannot begin to comprehend what society would so cruelly teach her. Archetypal in their blamelessness and in how deeply they must suffer for their love, Mary Dove and her cowboy, "Red" Christopher Columbus Jones, are so thoroughly West Texan that they prove Rushing's mastery of character and place. "Get away," she said "Now I ain't gonna hurt you," he said, "and I don't want to know nothing about you that you don't want to tell." He came a step closer. "Stop right now," she said, "or I'll shoot." "You wouldn't," he said. He was so nearly right. She believed what he said--or nearly. But she had been afraid so long. And wasn't it a law of God to do what your father said? She trembled, looking into his smiling blue eyes. It would have been easier if he had been preparing to pounce, like the panther, or striking, like the snake. The rifle barrel dropped, a little. "I knew you wouldn't," he said, taking another step towards her. "I have to," she said, and with a terrible struggle to hold the gun steady, she fired.
More than three decades after the publication of Lionel Munby's seminal work 'The Hertfordshire Landscape', Anne Rowe and Tom Williamson have produced an authoritative new study, based on their own extensive fieldwork and documentary investigations, as well as on the wealth of new research carried out into Hertfordshire specifically and into landscape history and archaeology more generally.