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These legends of the Haida people of British Columbia feature the wise and enterprising Mouse Woman, a narnauk -- a supernatural human/animal shape-shifter. Taking the form of both a mouse and a grandmother, Mouse Woman's role is to keep order between other narnauks and humans. Both a teacher and a nurturer, the ever-watchful Mouse Woman keeps a particularly close eye on the princesses of the great clans of the Northwest Coast, who carry the royal blood line. From them all future chiefs would descend. Though well protected, these princesses are sometimes lured away and spirited off by such diverse things as a bear, a magic plume, and gigantic snails. Mouse Woman must use tact and her own forms of trickery to set things right. This reissue of the original 1976 text features the striking black-and-white line drawings of Douglas Tait. With a new and more contemporary look, these compelling stories appeal to both longtime Christie Harris fans and new readers, young and old.
This edition covers the history of the suffragist movement from its beginnings to 1885. It was written and edited by Elizabeth Cady Stanton, Susan B. Anthony and Matilda Joslyn Gage. Anthony had for years saved letters, newspapers clippings, and similar materials of historical value to the women's suffrage movement. Therefore, in addition to chronicling the movement's activities, this 3 volumes include reminiscences of movement leaders and analyses of the historical causes of the condition of women. They also contain a variety of primary materials, including letters, newspaper clippings, speeches, court transcripts and decisions, and conference reports. Volume 3 includes essays by local women's rights activists who provided details about the history of the movement at the state level. Elizabeth Cady Stanton (1815–1902) was an American suffragist, social activist, abolitionist and leading figure of the early women's rights movement. Susan B. Anthony (1820–1906) was an American suffragist, social reformer and women's rights activist. Born into a Quaker family she became the New York state agent for the American Anti-Slavery Society. Anthony was also a close friend and confidant of Elizabeth Stanton. Harriot Stanton Blatch (1856-1940) was a suffragist and daughter of Stanton who contributed a chapter on the brief history of AWSA (American Woman Suffrage Association) Matilda Gage (1826–1898) was a suffragist, a Native American rights activist, an abolitionist and a freethinker.
This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.
Creatures, Monsters, and Madmen... who’s a woman to trust? Fearing for her freedom and life, Helena escaped her estate in San Francisco. Branded a witch, her neighbors and peers turned on her with torches and pitchforks. To hell with them all. Now in the air, she is driven to find any clues that lead to her parents. Her only hope the mysterious Mister Nobody and The Draco Society. Unfortunately, unnamed forces purse across North America. Russians stalk her every move. Many false friends have fallen. Can she trust new comrades? Will Helena find safety? Read the second trilogy in the Helena Brandywine series, The Draco Society now.
In his latest iconoclastic work, Douglas Brode—the only academic author/scholar who dares to defend Disney entertainment—argues that "Uncle Walt's" output of films, television shows, theme parks, and spin-off items promoted diversity decades before such a concept gained popular currency in the 1990s. Fully understood, It's a Small World—one of the most popular attractions at the Disney theme parks—encapsulates Disney's prophetic vision of an appealingly varied world, each race respecting the uniqueness of all the others while simultaneously celebrating a common human core. In this pioneering volume, Brode makes a compelling case that Disney's consistently positive presentation of "difference"—whether it be race, gender, sexual orientation, ideology, or spirituality—provided the key paradigm for an eventual emergence of multiculturalism in our society. Using examples from dozens of films and TV programs, Brode demonstrates that Disney entertainment has consistently portrayed Native Americans, African Americans, women, gays, individual acceptance of one's sexual orientation, and alternatives to Judeo-Christian religious values in a highly positive light. Assuming a contrarian stance, Brode refutes the overwhelming body of "serious" criticism that dismisses Disney entertainment as racist and sexist. Instead, he reveals through close textual analysis how Disney introduced audiences to such politically correct principles as mainstream feminism. In so doing, Brode challenges the popular perception of Disney fare as a bland diet of programming that people around the world either uncritically deem acceptable for their children or angrily revile as reactionary pabulum for the masses. Providing a long overdue and thoroughly detailed alternative, Brode makes a highly convincing argument that with an unwavering commitment to racial diversity and sexual difference, coupled with a vast global popularity, Disney entertainment enabled those successive generations of impressionable youth who experienced it to create today's aura of multiculturalism and our politically correct value system.
Meet the women who wrote. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. We know many of their names—Austen and Alcott, Brontë and Browning, Wheatley and Woolf—though some may be less familiar. They are here, waiting to introduce themselves. They marched through the world one by one or in small sisterhoods, speaking to each other and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote and an arsenal of words to inspire us. They walk with us as we forge our own paths forward. These women wrote to change the world. The perfect keepsake gift for the reader in your life Anthology of stories and poems Book length: approximately 90,000 words
This critical guide to Canadian children's literature in English has been largely rewritten to take account of the enormous output of Canadian children's books since 1975. There is new emphasis on realistic fiction, fantasy, and picture-books.
Dodo Trilogy is composed of three novels by E.F. Benson. His very first novel, Dodo: A Detail of the Day (1893), which featured a portrait of the composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales) was back then fashionably controversial and became an instant success. He repeated the success of Dodo, with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires. Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories. Table of contents: Dodo; A Detail of the Day Dodo's Daughter or Dodo the Second Dodo Wonders
Dodo Trilogy is composed of three novels by E.F. Benson. His very first novel, Dodo: A Detail of the Day (1893), which featured a portrait of the composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales) was back then fashionably controversial and became an instant success. He repeated the success of Dodo, with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires. Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories. Table of contents: Dodo; A Detail of the Day Dodo's Daughter or Dodo the Second Dodo Wonders
This book provides teachers, librarians, and other educators, parents and relatives, and students with a comprehensive and detailed examination of Canadian children's books. Each of the 133 entries on authors and illustrators presents factual and critical information along multiple dimensions. In addition to authors and illustrators of historical and contemporary importance in the English mainstream, creators of ethnic, Aboriginal, and French-Canadian origin also are included. There are representatives of regions--the North, the East, the West, and the rest between--and of all genres: retold folktales and myths, mystery, science fiction, fantasy, sports, wilderness adventure, animal epic, chapter books, picture books, poetry, stories for reluctant readers. Appendices list the winners of the major English-Canadian children's book awards and sources for further reading.