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The story of ‘The Mountains Within’ is prototypical of the people who grew into first-ever consciousness of their own identities from the obscurity of innumerable socio-cultural microcosms that had existed at the subterranean level for centuries and millennia over the length and breadth of India before the Independence. The story moves from present to past to future with the main protagonist’s grand-daughter setting out to reconstruct the life story of her grand-father she admires. The story is contemporary and relevant to a whole lot of Indians who finished their journeys of existence at the beginning of the new millennium. As they sit back, vacuous and dazed after the ‘retirement’, they cannot help ruminating over the past vis-à-vis their own lives. No matter how objective their self-appraisal, they cannot escape being dubbed a generation of ineffectual crusaders who fell from grace by succumbing to hypocrisies both personal and collective. They cannot exonerate themselves from the stigma of making a mess of a newly liberated country through moral turpitude and lack of individual will. They cannot face up to the younger generation of today and convince them they had no role to play in the fabrication of myths such ‘Mera Bharat Mahaan’. There are no Nuremberg Trials for the crimes we commit within our minds and souls. However, if history is continuity between the past and the present, then ‘The Mountains Within’ does leave some doors open for Nuremberg Trials of the mind and the souls for these Indians.
The story of an Albanian mountain girl.
Neal Murphy has built himself a nice life. He has a nice home in the 'burbs, he has season tickets for all the local sports teams, he travels to both coasts frequently, and he gets invited to all the important social events. Losing his wife unexpectedly interrupted his plans and his life. Now, after a year of pouring himself into work and avoiding nosy friends and family, Neal escapes to the mountains of northern New Mexico for his annual week of volunteer work for a rustic, scenic railroad. Our past has a way of finding us, no matter how hard we try to hide. Neal is reminded of this after his chance meeting of a married woman challenges him to face the choices he has made.A wry tale of relationship endings and beginnings, End of Standard Gauge will the keep the reader entertained and guessing to the end.
Our First Dog is a fictionalized account of the domestication of the wolf and its profound impact, first on a small settlement of Stone Age hunters and gatherers, and then on the course of human history. Tork the Bison Butcher, a clever observer of animals, is fascinated by the behavior of a young female wolf which has been rejected by her pack. He brings her home to his family. Initially terrified, his children and their mother are soon enchanted by the animal which they name Star and welcome into the clan, never anticipating the dramatic consequences of their action. Within a brief period, Stars sentry duties and hunting skills provide the family with unprecedented wealth and security. Her contributions alter the established primitive trading patterns in the valley, unleashing jealousy and retribution between competing settlement leadersand within Torks own family. Torks philosophical ponderings on the inter-relationship of all living things prepare the reader for the inevitable clash of forces between competing settlements and reveal that early humans share with us the same aspirations and fundamental questions about life.
In this carefully curated collection of essays, editors Jamie Dopp and Angie Abdou go beyond their first collection, Writing the Body in Motion, to engage with the meaning of sport found in Canadian sport literature. How does “sport” differ from physically risky recreational activities that require strength and skill? Does sport demand that someone win? At what point does a sport become an art? With the aim of prompting reflections on and discussions of the boundaries of sport, contributors explore how literature engages with sport as a metaphor, as a language, and as bodily expression. Instead of a focus on what is often described as Canada’s national pastime, contributors examine sports in Canadian literature that are decidedly not hockey. From skateboarding and parkour to fly fishing and curling, these essays engage with Canadian histories and broader societal understandings through sports on the margin. Interspersed with original reflections by iconic Canadian literary figures such as Steven Heighton, Aritha Van Herk, Thomas Wharton, and Timothy Taylor, this volume is fresh and intriguing and offers new ways of reading the body.
In 'Out with Gun and Camera; or, The Boy Hunters in the Mountains' by Edward Stratemeyer, readers are taken on an adventurous journey with a group of young boys as they explore the wilderness armed only with their wits, guns, and cameras. The book is a thrilling tale of friendship, survival, and exploration, written in a straightforward and action-oriented style typical of adventure literature of the early 20th century. Stratemeyer's vivid descriptions of the natural landscape and the boys' encounters with wildlife add depth to the story, making it a captivating read for both young and adult audiences. Set against the backdrop of the mountainous terrain, the novel offers a glimpse into the challenges and triumphs of outdoor adventures during this time period. Edward Stratemeyer, a prolific writer known for creating popular series such as the Hardy Boys and Nancy Drew, drew inspiration from his own love of nature and outdoor pursuits to craft this exciting and educational novel. 'Out with Gun and Camera' is a must-read for anyone interested in classic adventure stories that celebrate the spirit of exploration and camaraderie in the great outdoors.
This is the Centauri Series, the complete collection. All three books, Centauri Dawn, Centauri Twilight and Centauri Midnight, together in one volume.
A pill that defied the will of the heavens to charge through mountains and rivers. It desired to step onto the peak and destroy the firmament. I also hold the world of pills, fate, fate to empty a field. Was it fate? I don't believe in fate; is it a mission? I will keep my promise. I will try to protect my own, even if it is to be. With a pill in hand, I have everything under Heaven. He was in the limelight, but when he found out that everything he had done was just a chess piece in a conspiracy, where would he go from here? How would he, who had a clear conscience throughout his life, choose? He only said one sentence, it was all based on his own heart. Close]
A comprehensive selection of poems and essays spanning the career of one of China's most celebrated 20th-century poets."You can write poetry and then again you can't. It comes into this world of its own accord, not by the will of the poet."Gu Cheng Gu Cheng (1956-1993) is one of China's most celebrated contemporary poets. His early death ended a literary career that was influenced by the Cultural Revolution and that reawakened the lyricism of Chinese poets during the 1980s. Offering a unique blend of brooding imagism and political innuendo, Gu Cheng's poetry traces complex changes in the poet's lifefamilial, psychological, culturaland also radiates an innocence and a touching melancholy. His poetry began on the farms in Shandong province where his parents were exiled during the Cultural Revolution, and ended on a small island in New Zealand where he took up a Thoreau-like existence before his tragic suicide. His poem "One Generation" became emblematic for the generation coming of age in China in the '60s and '70s. Here for the first time is poetry based on the poet's own personal selections from his work, Sea Basket Blue. There are also prose works, including excerpts of Gu Cheng's novel Ying'er, plus a selection of his essays.
Simpson offers a biography of her mother, one of the first female journalists in New Mexico who was known for her informative, influential, and inspiring writing.