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An exploration of Bach's motets in the context of the German motet tradition.
Publisher Description
Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.
This Composer Companion is a unique and definitive guide to the life, music, and legacy of Johann Sebastian Bach. Now available in paperback, it will be an invaluable resource for scholars, students, performers, and all Bach and Baroque-music enthusiasts. With more than 900 entries, arranged in A-Z order for ease of reference, supplemented by illustrations and music examples, and written by more than 40 distinguished contributors, it brings together an unparalleled range of information onone of the greatest composers who has ever lived. It offers detailed information about Bach's life - his family, friends, colleagues, and pupils, his career as a performer, teacher, and composer - and about the historical, cultural, religious, and musical context in which he worked. Individual works are treated at length, as are the genres and conventions from which they grew, and scoring, instrumentation, and performance practice from Bach's day to the present. It also covers the impact Bach's music has had since his death - his growing reputation, famous interpreters of his music, the composers who have been influenced by him, and the festivals devoted to him. The main alphabetical text is supplemented by a map, a family tree, a chronology, a list of works, opening lines of vocal works, and a glossary of specialist terms.
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Johann Sebastian Bach is one of the unfathomable composers in the history of music. This book explains the ideas on which Bach drew, how he worked, how his music is constructed, how it achieves its effects - and what it can tell us about Bach the man.
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.