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Looking for an engaging and emotionally resonant read from a novelist who was inspired by the works of both Charles Dickens and Charlotte Bronte? Elizabeth Gaskell's 1850 short novel The Moorland Cottage offers up a unflinching slice of nineteenth-century family life, with a particular focus on family dynamics in an era where sons were openly favored.
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Elizabeth Cleghorn Gaskell, (29 September 1810 - 12 November 1865), often referred to as Mrs. Gaskell, was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Brontë. Some of Gaskell's best-known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865).
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - It is a great thing for a lad when he is first turned into the independence of lodgings. I do not think I ever was so satisfied and proud in my life as when, at seventeen, I sate down in a little three-cornered room above a pastry-cook's shop in the county town of Eltham. My father had left me that afternoon, after delivering himself of a few plain precepts, strongly expressed, for my guidance in the new course of life on which I was entering. I was to be a clerk under the engineer who had undertaken to make the little branch line from Eltham to Hornby. My father had got me this situation, which was in a position rather above his own in life; or perhaps I should say, above the station in which he was born and bred; for he was raising himself every year in men's consideration and respect. He was a mechanic by trade, but he had some inventive genius, and a great deal of perseverance, and had devised several valuable improvements in railway machinery. He did not do this for profit, though, as was reasonable, what came in the natural course of things was acceptable; he worked out his ideas, because, as he said, 'until he could put them into shape, they plagued him by night and by day.' But this is enough about my dear father; it is a good thing for a country where there are many like him. He was a sturdy Independent by descent and conviction; and this it was, I believe, which made him place me in the lodgings at the pastry-cook's.
The story of Elizabeth Gaskell's novella The Moorland Cottage takes place in a modest cottage near the town of Combehurst where Mrs. Browne lives with her two children, Edward and Maggie, along with their servant, Nancy. In her description of their daily life, Gaskell mainly insists on showing how the mother unfairly favors the boy over the girl. While she overtly spoils Edward, she keeps on treating Maggie in a very harsh way, never showing her any motherly love or tenderness. Gaskell also shows how Maggie is pushed to accept this inequality in the family and how she even starts to justify it and explain it. Near the Brownes' cottage lives the Bruxton family in a big and luxurious house. Mr. Bruxton and his good-hearted wife behave in a very humane way with their neighbors. They equally have a son and a niece, Frank and Erminia, who attempt to befriend Edward and Maggie. Yet, the Bruxtons soon discover the huge difference in character and behavior between the brother and the sister. While falling in love with Maggie's goodness and light personality, they are struck by Edward's rudeness and selfishness. Nonetheless, with time, the two families get closer and their life and future become connected. As the two families' children grow older, the readers see the impact of their childhood education on their adult personality. Maggie's interaction with the Bruxtons makes her look at things in a different way and see the faults in her brother's and mother's characters.
If you take the turn to the left, after you pass the lyke-gate at Combehurst Church, you will come to the wooden bridge over the brook; keep along the field-path which mounts higher and higher, and, in half a mile or so, you will be in a breezy upland field, almost large enough to be called a down, where sheep pasture on the short, fine, elastic turf. You look down on Combehurst and its beautiful church-spire. After the field is crossed, you come to a common, richly colored with the golden gorse and the purple heather, which in summer-time send out their warm scents into the quiet air.
The Moorland Cottage by Elizabeth GaskellThe Moorland Cottage (1850)A Classic NovellaElizabeth Cleghorn Gaskell, (n�e Stevenson, 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Bronte, published in 1857, was the first biography about Bront�. Some of Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865).
'I believe the art of telling a story is born with some people, and these have it to perfection.'Elizabeth Gaskell was a consummate storyteller, and in this selection of one short novel and eight stories she encompasses an extraordinary range of narrative voices, settings, and genres. She herself acknowledged, 'you know I can tell stories better than any other way of expressing myself'. Herwork shows her compulsion to express herself on the many subjects relevant to her experience as a Victorian, and Mancunian, a Unitarian, a social observer, and a woman. Above all, however, she writes about love.Love is the common thread which runs through the stories collected here. Gaskell recognizes that it can give rise to selfishness as well as self-sacrifice, unhappiness as well as joy. Writing with passion and shrewdness, irony and sympathy, she explores these paradoxes through humour, pathos,tragedy, the extraordinary, and the everyday.