Download Free The Monuments And Inscriptions Of Tikal The Carved Monuments Book in PDF and EPUB Free Download. You can read online The Monuments And Inscriptions Of Tikal The Carved Monuments and write the review.

This study treats the entire corpus of stone and wood monuments from the Maya site of Tikal and lesser periphery locations. Each description includes details of provenience and condition. Every carved surface is illustrated by a standardized scale drawing, supplemented in almost every case by photographs.
Copán, one of the most important Classic Maya sites, is renowned for the artistry of its high-relief stelae and altars and for the wealth of detail on its freestanding and architectural sculpture. In Maya Sculpture of Copán: The Iconography, internationally known Mayanist Claude-François Baudez provides a masterful survey of these elaborate and intriguing carved images. In Part I, Baudez identifies and deciphers the specific motifs on each monument and shows how the elements were combined to produce meaningful iconographic messages. The architectural sculpture expresses the meaning and function of the buildings and complexes, many designed to represent the sky, earth, and underworld and to serve as stages for rituals. Photographs and drawings clarify the intricate forms. Part II relates the iconography to the religion and politics of the city-state. Baudez traces the evolution of the motifs in relation to the history of Copán and the multiple functions of the king—his cosmic role, the continuous reference to his ancestors, and the dynastic cycles. Sacrifice—bloodletting by the king and the sacrifice of captives—is of paramount importance. Growth and rebirth required constant offerings of blood to the earth and to the sun, to ensure its rebirth at dawn after its nocturnal journey through the underworld. The monuments give a coherent picture of Maya cosmology.
Established in 1887, the University of Pennsylvania Museum of Archaeology and Anthropology is one of the oldest institutions of its kind in the nation. With quotations from letters, journals, and field notes, and numerous archival photographs, this handsome, oversized volume is not only a history of an influential institution but an important contribution to the history of archaeological and anthropological research.
The contents of this issue are: “Between Creation and Destruction,” by Finbarr Barry Flood and Zoë Sara Strother; “People Have Three Eyes: Ephemeral Art and the Archive in Southeastern Nigeria,” by Sarah Adams; “Beyond Monument Lies Empire: Mapping Songhay Space in Tenth- to Sixteenth-Century West Africa,” by Kristina Van Dyke; “Censorship and Iconoclasm—Unsettling Monuments,” by John Peffer; “Recycling Icons and Bodies in Chinese Anti-Buddhist Persecutions,” by Eric Reinders; “Modifications of Ancient Maya Sculpture,” by Bryan R. Just; “Roman Oscilla: An Assessment,” by Rabun Taylor; “Turning Tale into Vision: Time and Image in the Divina Commedia,” by Gervase Rosser; “Building outside Time in Alberti’s De re aedificatoria,” by Marvin Trachtenberg; and “Restoration as Re-creation at the Sainte-Chapelle,” by Meredith Cohen; and the documents and discussions “The Constitution of Pleasure: François-Joseph Belanger and the Chateau de Bagatelle,” by Taha Al-Douri; “Composing Vinteuil: Proust’s Unheard Music,” by Mauro Carbone; “Diskotel 1967: Israel and the Western Wall in the Aftermath of the Six Day War,” by Daniel Bertrand Monk; “The ‘Kulturbolschewiken’ I: Fluxus, the Abolition of Art, the Soviet Union, and ‘Pure Amusement,’” by Cuauhtémoc Medina; and “Aby Warburg in America Again: With an Edition of His Unpublished Correspondence with Edwin R. A. Seligman (1927–1928),” by Davide Stimilli.
The Great Maya center of Tikal in Guatemala is famous for its well-preserved architecture. This book presents detailed descriptions of a selection of unexcavated standing structures in the forests around the site center that complement the Museum's Architectural Survey conducted from 1960 to 1970. The survey produced measured drawings—plans, sections, elevations, and details—supplemented by descriptive text and quantitative tables for each structure. All structures are vaulted, and some are major works. TR 23 A is the primary record of important parts of Tikal's urban landscape, with clear, precise, and usable architectural analyses for Mayanists, archaeologists, art historians, architectural historians, urbanists, and those interested in construction techniques and in uses of Maya buildings. University Museum Monograph, 114
All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain?s 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever ?finished?, or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs. In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.