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Founded in 2010, the Montreal International Poetry Prize has established itself as a major event in contemporary poetry, both in Canada and around the world. The Montreal Prize Anthology 2020 explodes with talent, combining radiant vision with striking invention in form. The loss of a father finds equivalence in a tornado's blowing an apartment open to the night sky. Sacred and profane images of a mother pile up in couplets, making a heap of gold. Family memory stirs in the dreamy measures of a sestina. Racial injustice is defied and reversed in the unflinching mirror of a palindromic poem. A doctor confesses her life work to be a striving to right the wrong done her father. These poems, a handful of the thousands submitted to the 2020 competition, were chosen for the lone virtue of their speaking directly to the reader, with conviction and with art. In 2019, the founder of the Montreal Prize, Asa Boxer, transferred it to the Department of English at McGill University. A team of dedicated faculty and graduate students recruited a distinguished international jury, headed by Pulitzer-prize-winner Yusef Komunyakaa, to judge the entries. This book is the result.
Entries juried by Cameron Awkward-Rich, Martin Breul, Heather Christle, Nabina Das, Liz Howard, Joanne Limburg, Conor O'Callaghan, Tanure Ojaide, Michael Prior, Medrie Purdham, Mark Tredinnick, and Rhian Williams Finalists judged by Lorna Goodison Founded in 2010, the Montreal International Poetry Prize has established itself as a major event in contemporary poetry, both in Canada and around the world. The 2022 anthology continues the work of its predecessors, building the community of contemporary poetry on the twin principles of aesthetics and accessibility. Under this banner - poetry is for everyone - these poems speak of historic desolation and everyday bravery. Their images grip and hold. Here common experience crystallizes into stanzaic form, lending dignity to life in a ravaged world; here poetry melts into a rising, increasingly acidic ocean of prose that weeps for a prior earth. From thousands of entries, these sixty poems were chosen for the virtue of their speaking to the reader, artfully and clearly. Lorna Goodison, winner of the Queen's Gold Medal for Poetry, then judged the finalists, selecting the one poem - included here - to take the $20,000 prize. From Canada, Australia, the Caribbean, India, Ireland, New Zealand, Romania, Tunisia, the United Kingdom, the United States, and elsewhere, these lyrics voice a reality that you will recognize as strangely yours.
A hometown is a data centre / where the past is stored From a darkly humorous perspective, this book charts a young person’s navigation of narrow definitions of faith, femininity, and family. Confronting addiction, compulsions, and anxieties, Full Moon of Afraid and Craving explores the strange combination of wonder and longing that makes a life. Across settings rural and urban, Melanie Power’s poems commemorate ordinary moments and everyday characters: a roadside shopkeeper, a neighbourhood linden tree, a great-uncle’s hooch. Interrogating lineage and inheritance, she traces the unsettling shadows that border joy. A series of ambivalent odes pay a winking, Proustian homage to the sense memories of a Roman Catholic millennial upbringing in Newfoundland. The long poem “The Fever and the Fret,” written during pandemic lockdown in Montreal, considers how we re-examine and consolidate our personal and civic pasts in times of crisis, drawing timely parallels to John Keats’s confinement due to illness exactly two centuries prior. At times wry and lighthearted, at others elegiac and plaintive, the voices in these poems are controlled and confident. Just as the stars in the sky are best viewed at night, this collection embraces darkness to illuminate rays of moonlight.
The long-awaited second collection from the winner of the 2015 Arts Queensland Thomas Shapcott Poetry Prize. In his stunning collection of new poetry, Stuart Barnes reimagines the poetic form and fearlessly explores topics of illness, death, rape, remembrance, ecology and love. Like To The Lark is Stuart Barnes's accumulation of lifetime fascinations with music and sound, form and transformation. Beginning with an apparition of a doomed world brooding over itself and ending with a kvelling globe, this collection plunges into seas, scoots across countries and hurtles towards space.
Medrie Purdham's Little Housewolf delves deeply into the world of domestic miniatures, a realm where thimbles, baby teeth, push pins, keyholes, teacups, and wedding rings become meticulously realized scale models of one's terrors and joys. Purdham uses the fine-grained signatures of her poetry--close observation, exact detail, precise sounds--not only to examine childhood and its fascination with size and scale, but also to measure herself against the larger, untamed landscapes she feels increasingly alienated from ("It is all anachronism, / grasses vintage wild"). Marked by bold emotion and arresting imagery, Little Housewolf is a brilliant debut.
Poetry. By turns mystical and realist, Mary Gilliland's intensely musical poems consider global apocalypse--'our course set for the destitute sunset'--but also celebrate the generative power of creativity. With preternatural empathy, she enters fascinating sensibilities--Virginia Woolf, Nikola Tesla--and sings 'the troubled music' of history. Gilliland's sinewy, nuanced poems understand earth--and consciousness--as gardens that no walls or enchantments can protect. Her vision is profound, enduring.--Alice Fulton Mary Gilliland's THE RUINED WALLED CASTLE GARDEN casts a sidelong glance at the human comedy in various times and places. Here a 'stubbled saint' stumbles into our contemporary world; the rush of life stops with a milennial 'where-were-you party.' Marked by compression, surprise, originality of language, a confident and eloquent voice cuts to the essential.--Mary Crow Like the apothecarist Keats, Mary Gilliland's poetry wells up from the healing force of unheard melodies. Her tensile lyric and fluent narrative grasp the sweet otherness in life, which is 'Eve's radical helplessness' to endure and bear intimate witness to both change and permanence. THE RUINED WALLED CASTLE GARDEN is a radiant testimony--and a triumph--of an unerring ear I deeply cherish.--Ishion Hutchinson
This collection of poetry, portrayed as eighteen interviews with employees at a resort development, examine the effect of the tourism industry on Bahamian identity. Created with text extracted from interviews run through a voice recognition software, the resulting distorted and fragmented language used to talk about building a resort development in The Bahamas felt closer to lived reality than any accurate transcription. This is a work of satire. Names, characters, businesses, places, events, locales, and incidents are either the products of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
Poetry. PRESENT TENSE COMPLEX by Suphil Lee Park won the third annual Marystina Santiestevan First Book Prize awarded by Conduit Books & Ephemera. Bob Hicok, the final judge, offered: "Suphil Lee Park's poems investigate, tear at, and adore physical and emotional dislocations, separations, and losses. She has a way of combining tones that should never fit together --lush austerity, calm fury --even peaceful unrest. I'd even say that she seems at ease...with unease, in large part because she recognizes her own nature and is not afraid to give her poems over to it."
Memory--how we retrieve and replenish it--is at the heart of Nectarine, Chad Campbell's visionary second collection. Figures, cities, and landscapes from the author's life shift in and out of these dreamlike poems that explore the unaccountable, uncountable ways in which our past keeps speaking to us: through objects, through paintings, through colours, and through the spectre of places that map themselves over the places we live in. Subtle, unsettling, compressed, and full of incandescently beautiful language, Nectarine is about lost things, stranded moments, and traces preserved in time like a glass of frozen nectarine halves / on a table made of ice.