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Entries juried by Cameron Awkward-Rich, Martin Breul, Heather Christle, Nabina Das, Liz Howard, Joanne Limburg, Conor O'Callaghan, Tanure Ojaide, Michael Prior, Medrie Purdham, Mark Tredinnick, and Rhian Williams Finalists judged by Lorna Goodison Founded in 2010, the Montreal International Poetry Prize has established itself as a major event in contemporary poetry, both in Canada and around the world. The 2022 anthology continues the work of its predecessors, building the community of contemporary poetry on the twin principles of aesthetics and accessibility. Under this banner - poetry is for everyone - these poems speak of historic desolation and everyday bravery. Their images grip and hold. Here common experience crystallizes into stanzaic form, lending dignity to life in a ravaged world; here poetry melts into a rising, increasingly acidic ocean of prose that weeps for a prior earth. From thousands of entries, these sixty poems were chosen for the virtue of their speaking to the reader, artfully and clearly. Lorna Goodison, winner of the Queen's Gold Medal for Poetry, then judged the finalists, selecting the one poem - included here - to take the $20,000 prize. From Canada, Australia, the Caribbean, India, Ireland, New Zealand, Romania, Tunisia, the United Kingdom, the United States, and elsewhere, these lyrics voice a reality that you will recognize as strangely yours.
The prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist. Each year, the best books of poetry published in Canada and internationally in English are honoured with the Griffin Poetry Prize, one of the world’s richest literary awards. Since 2001, this annual prize has spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets.The Griffin Poetry Prize Anthology features the work of extraordinary poets shortlisted for the awards and introduces us to some of the finest poems from their collections. Featuring works from shortlisted poets Sharon Dolin, Gemma Gorga, Douglas Kearney, Ali Kinsella, Dzvinia Orlowsky, Natalka Bilotserkivets, Ed Roberson, David Bradford, Liz Howard, and Tolu Oloruntoba.
Poetry. PRESENT TENSE COMPLEX by Suphil Lee Park won the third annual Marystina Santiestevan First Book Prize awarded by Conduit Books & Ephemera. Bob Hicok, the final judge, offered: "Suphil Lee Park's poems investigate, tear at, and adore physical and emotional dislocations, separations, and losses. She has a way of combining tones that should never fit together --lush austerity, calm fury --even peaceful unrest. I'd even say that she seems at ease...with unease, in large part because she recognizes her own nature and is not afraid to give her poems over to it."
Poetry. By turns mystical and realist, Mary Gilliland's intensely musical poems consider global apocalypse--'our course set for the destitute sunset'--but also celebrate the generative power of creativity. With preternatural empathy, she enters fascinating sensibilities--Virginia Woolf, Nikola Tesla--and sings 'the troubled music' of history. Gilliland's sinewy, nuanced poems understand earth--and consciousness--as gardens that no walls or enchantments can protect. Her vision is profound, enduring.--Alice Fulton Mary Gilliland's THE RUINED WALLED CASTLE GARDEN casts a sidelong glance at the human comedy in various times and places. Here a 'stubbled saint' stumbles into our contemporary world; the rush of life stops with a milennial 'where-were-you party.' Marked by compression, surprise, originality of language, a confident and eloquent voice cuts to the essential.--Mary Crow Like the apothecarist Keats, Mary Gilliland's poetry wells up from the healing force of unheard melodies. Her tensile lyric and fluent narrative grasp the sweet otherness in life, which is 'Eve's radical helplessness' to endure and bear intimate witness to both change and permanence. THE RUINED WALLED CASTLE GARDEN is a radiant testimony--and a triumph--of an unerring ear I deeply cherish.--Ishion Hutchinson
When New Provinces first appeared in 1936, it represented four years of planning, argument, and compromise, and an additional two and a half years of correspondence and editorial preparation. This prolonged effort was brought to a successful end with the publication of a slim collection of verse, the work of six writers, Robert Finch, Leo Kennedy, A.M. Klein, E.J. Pratt, F.R. Scott, and A.J.M. Smith. At the time it was published it received little critical attention and had even less popular appeal; after nearly a year the book had sold only 82 copies, 10 of them to one of the contributors. Only E.K. Brown, writing for University of Toronto Quarterly in 1937, seemed to realize that New Provinces 'marked the emergence ... of a group of poets who may well have a vivifying effect on Canadian poetry.' Since that time this small volume has been recognized as a monument in Canadian literature, a singular event in a literary process which stemmed from the origins of Canadian modernism and its beginnings in Montreal, marking the first collective effort to introduce poets who came to represent the new establishment. Michael Gnarowski's introduction tells the fascinating story of the genesis of the idea for the book and the difficulties that were encountered.
Shortlisted for the Kate O'Brien Award'Powerful and searing' Sunday TimesIn 1990s small-town Ireland, fifteen-year-old Lani Devine falls in love with Leon Brady, whose mother is buried in the cemetery next to Lani's house. Quiet and strange, Leon is haunted by a brutal family tragedy that has left scars much more than skin-deep. As Lani falls deeper and deeper in love with him, old wounds begin to reopen and start to change the shape of their lives forever.
A hometown is a data centre / where the past is stored From a darkly humorous perspective, this book charts a young person’s navigation of narrow definitions of faith, femininity, and family. Confronting addiction, compulsions, and anxieties, Full Moon of Afraid and Craving explores the strange combination of wonder and longing that makes a life. Across settings rural and urban, Melanie Power’s poems commemorate ordinary moments and everyday characters: a roadside shopkeeper, a neighbourhood linden tree, a great-uncle’s hooch. Interrogating lineage and inheritance, she traces the unsettling shadows that border joy. A series of ambivalent odes pay a winking, Proustian homage to the sense memories of a Roman Catholic millennial upbringing in Newfoundland. The long poem “The Fever and the Fret,” written during pandemic lockdown in Montreal, considers how we re-examine and consolidate our personal and civic pasts in times of crisis, drawing timely parallels to John Keats’s confinement due to illness exactly two centuries prior. At times wry and lighthearted, at others elegiac and plaintive, the voices in these poems are controlled and confident. Just as the stars in the sky are best viewed at night, this collection embraces darkness to illuminate rays of moonlight.
Poetry. Literary Nonfiction. Middle Eastern Studies. LGBTQIA Studies. Disability Studies. Bringing together poetry, essay, and letters to "lovers, friends and in-betweens," Eli Tareq Bechelany-Lynch confronts the ways capitalism, fatphobia, ableism, transness, and racializations affect people with chronic pain, illness, and disability. KNOT BODY explores what it means to discover the limits of your body, and contends with what those limitations bring up in the world we live in.
The sixth anthology from acclaimed poet Susan Glickman, this work reveals her, once again, as a truth-teller of the first order. Whether it's a brilliantly sustained elegy to her late father or a gripping and often disquieting sequence on the art of gardening, these new poems are marked by the abiding virtues of her celebrated career--effortless musicality, sparkling mischief, and uncompromising insight.