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Perfect for kids in the first through third grade, this heart-warming tale has entertained countless children and helped many others overcome their fear of monsters.
They're baa-ack! Make way for the bestselling children's series of all time! With a fresh new look, GOOSEBUMPS is set to scare a whole new generation of kids. So reader beware--you're in for a scare! Read it and scream! A famous horror writer. That's what Zack Beauchamp wants to be. He's writing a story about a giant blob monster. A pink slimy creature who eats up an entire town! Then Zack finds the typewriter. In a burned-down antiques store. He takes it home and starts typing. But there's something really odd about that typewriter. Something really dangerous. Because now every word Zack writes is starting to come true. . .
Michael and Norman have started sprouting pods that soon grow into sock-eating plants that their parents have forbidden.
Michael and his brother have a time trying to convince their parents to keep the plant with the peculiar appetite.
Mom discovers what happens to all the socks! Find out for yourself by following the journey of one girl into the world of Sock Monster Hill! Join in the fun and search for your own Sock Monster!
A movie company has rolled into town and they need some unusual plants to make Carter Swamp look creepier. Plants Stanley and Fluffy are perfect.
Lost ate my life!' is the collective cry from the hardened fanbase of this massively popular TV series. Split into two halves, this digest of the show demonstrates, first, how it was the first show to combine the artists and patrons of the programme by sponsoring the largest independent discussion forum in history; and second, an examination of the plot itself interwoven with the story of the fandom. Begs the question, 'What is it about Lost that so captures the imagination?' This is a tour de force look into a truly tour de force show.'
Build students' creativity while implementing standards-based instruction! This resource helps teachers learn how to merge teaching the standards and creative-thinking strategies in order to help students solve problems, think effectively, and be innovative. This unique resource includes classroom management ideas, lesson examples, and assessment information
The internationally acclaimed author of The Dream Life of Sukhanov now returns to gift us with Forty Rooms, which outshines even that prizewinning novel. Totally original in conception and magnificently executed, Forty Rooms is mysterious, withholding, and ultimately emotionally devastating. Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.