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This is the first book to place Russia's 'long' eighteenth century squarely in its European context. The conceptual framework is set out in an opening critique of modernisation which, while rejecting its linear implications, maintains its focus on the relationship between government, economy and society. Following a chronological introduction, a series of thematic chapters (covering topics such as finance and taxation, society, government and politics, culture, ideology, and economy) emphasise the ways in which Russia's international ambitions as an emerging great power provoked administrative and fiscal reforms with wide-ranging (and often unanticipated) social consequences. This thematic analysis allows Simon Dixon to demonstrate that the more the tsars tried to modernise their state, the more backward their empire became. A chronology and critical bibliography are also provided to allow students to discover more about this colourful period of Russian history.
This clear and focused text provides an introduction to imperial Russian and Soviet history from the crowning of Mikhail Romanov in 1613 to Vladimir Putin’s new term. Through a consistent chronological narrative, Kees Boterbloem considers the political, military, economic, social, religious, and cultural developments and crucial turning points that led Russia from an exotic backwater to superpower stature in the twentieth century. The author assesses the tremendous price paid by those who made Russia and the Soviet Union into such a hegemonic power, both locally and globally. He considers the complex and varied interactions between Russians and non-Russians and investigates the reasons for the remarkable longevity of this last of the colonial powers, whose dependencies were not granted independence until 1991. He explores the ongoing legacies of this fraught decolonization process on the Russian Federation itself and on the other states that succeeded the Soviet Union. The only text designed and written specifically for a one-semester course on this four-hundred-year period, it will appeal to all readers interested in learning more about the history of the people who have inhabited one-sixth of the earth’s landmass for centuries.
This book focuses on the city of St Petersburg, the capital of the Russian empire from the early eighteenth century until the fall of the Romanov dynasty in 1917. It uses the Russian court as a prism through which to view the various cultural changes that were introduced in the city during the eighteenth century.
The reign of Alexander I was a pivotal moment in the construction of Russia's national mythology. This work examines this crucial period focusing on the place of the Russian nobility in relation to their ruler, and the accompanying debate between reform and the status quo, between a Russia old and new, and between different visions of what Russia could become. Drawing on extensive archival research and placing a long-neglected emphasis on this aspect of Alexander I's reign, this book is an important work for students and scholars of imperial Russia, as well as the wider Napoleonic and post-Napoleonic period in Europe.
Peter the Great (1672–1725), tsar of Russia for forty-three years, was a dramatic, appealing, and unconventional character. This book provides a vivid sense of the dynamics of his life—both public and private—and his reign. Drawing on his letters and papers, as well as on other contemporary accounts, the book provides new insights into Peter’s complex character, giving information on his actions, deliberations, possessions, and significant fantasy world--his many disguises and pseudonyms, his interest in dwarfs, his clowning and vandalism. It also sheds fresh light on his relationships with individuals such as his second wife Catherine and his favorite, Alexander Menshikov. The book includes discussions of Peter’s image in painting and sculpture, and there are two final chapters on his legacy and posthumous reputation up to the present.
A new series of bespoke, full-coverage resources developed for the AQA 2015 A/AS Level History. Written for the AQA A/AS Level History specifications for first teaching from 2015, this print Student Book provides full coverage of the Russia in the Age of Absolutism and Enlightenment, 1682-1796 Breadth component. Completely matched to the new AQA specification, this full-colour Student Book provides valuable background information to contextualise the period of study. Supporting students in developing their critical thinking, research and written communication skills, it also encourages them to make links between different time periods, topics and historical themes.
During the French Revolutionary and Napoleonic Wars, Samuel Bentham influenced both the technology and the administrative ideas employed in the management of the British navy. His influence stemmed from his passion for science, from his desire to achieve improvements based on a belief in the principle of Utility, and from experience gained over eleven years in Russia, a large part in the service of Catherine the Great and Prince Potemkin. Having travelled extensively throughout the north and south of Russia, Poland and Siberia, he managed Potemkin’s industries at Krichev, built fast river galleys, armed the Russian flotilla of small craft at Kherson and served with the flotilla that defeated the Turks in the Black Sea. His main ambition was to open river communication in Siberia and develop trade into the Pacific. However he returned to England and in 1796 became Inspector General of Naval Works, a post in which he fought for innovations in the technology and management of the British royal dockyards. Regarded then by the Navy Board as a dangerous maverick, this book reveals the experiences, creativity and thinking that made him a major figure in British naval development.
Now in its third edition, this leading reader has been updated to make it even more relevant to the study of contemporary Latin America. This edition includes an entirely new chapter, 'The New Left Turn,' and the globalization chapter has been thoroughly revised to reflect the rapid pace of change over the past five years. The book continues to offer a rich variety of materials that can be tailored to the needs of individual instructors. The reader's unique and successful chapter organization provides a thematic complement to narrative accounts of modern Latin American history. By focusing each chapter on a single concept or interpretive 'problem'-such as nationalism, women's rights, or social revolution-the text engages students in the analysis of historical sources and, at the same time, introduces them to the twists and turns of historiography. In addition, the book includes several 'reading images' sections that call on students to evaluate visual materials. With its innovative combination of primary and secondary sources and editorial analysis, this text is designed specifically to stimulate critical thinking in a wide range of courses on Latin American history since independence.
Chronicles the history of the Russian Empire from the Mongol Invasion, through the Bolshevik Revolution, to the aftereffects of the Cold War.
Winner of the Heldt Prize for Best Book in Slavic, East European, and Eurasian Women's and Gender Studies 2021 There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia's Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Alexander Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art.