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Disputing the claim that Algerian writing during the struggle against French colonial rule dealt almost exclusively with revolutionary themes, The Algerian New Novel shows how Algerian authors writing in French actively contributed to the experimental forms of the period, expressing a new age literarily as well as politically and culturally. Looking at canonical Algerian literature as part of the larger literary production in French during decolonization, Valérie K. Orlando considers how novels by Rachid Boudjedra, Mohammed Dib, Assia Djebar, Nabile Farès, Yamina Mechakra, and Kateb Yacine both influenced and were reflectors of the sociopolitical and cultural transformation that took place during this period in Algeria. Although their themes were rooted in Algeria, the avant-garde writing styles of these authors were influenced by early twentieth-century American modernists, the New Novelists of 1940s–50s France, and African American authors of the 1950s–60s. This complex mix of influences led Algerian writers to develop a unique modern literary aesthetic to express their world, a tradition of experimentation and fragmentation that still characterizes the work of contemporary Algerian francophone writers.
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From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.
Through the tangled love life of one Alexander Blackman, Orlando Patterson offers up a devastating critique of middle-class pretension, turning instead to the vibrant realities of the Jamaican working class. Full of sardonic humour and social commentary, the novel looks into the dark heart of social hierarchy, colonial education and the impact both have on the individual and the many.
Despite Florida's current reputation as a swing state, there was a time when its Republicans were the underdogs against a Democratic powerhouse. This book tells the story of how the Republican Party of Florida became the influential force it is today. Republicans briefly came to power in Florida after the Civil War but were called "carpetbaggers" and "scalawags" by residents who resented pro-Union leadership. They were so unpopular that they didn't earn official party status in the state until 1928. Peter Dunbar and Mike Haridopolos show how, due largely to a population boom in the state and a schism in the Democratic Party, Republicans slowly started to see their ranks swell. This book chronicles the paths that led to a Republican majority in both the state Senate and House in the second half of the twentieth century and highlights successful campaigns of Florida Republicans for national positions. It explores the platforms and impact of Republican governors from Claude Kirk to Ron DeSantis. It also looks at how a robust two-party system opened up political opportunities for women and minorities and how Republicans affected pressing issues such as public education, environmental preservation, and criminal justice. As the Sunshine State enters its third decade under GOP control and partisan tensions continue to mount across the country, this book provides a timely history of the modern political era in Florida and a careful analysis of challenges the Republican Party faces in a state situated at the epicenter of the nation's politics.