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Excerpt from The Modern History of Universalism: From the Era of the Reformation to the Present Time The event of the Reformation is connected with the History of Universalism, inasmuch as it was the means of setting the human mind at liberty, of en couraging the love of truth and free inquiry, and thereby of bringing many to believe in the eventual salvation of the whole world. It taught men that they possessed the right of private judgment, and exhorted them most earnestly to exercise it. It pointed out the fallibility of the Pope and the Cath olic Church, exposed their errors and contradictions, and thereby destroyed, in many minds, the rever ence which had been long entertained for their de cisions. It gave to the people the Bible, which, by authority, they had been forbidden to use and having translated it into the vernacular tongues of many nations, it urged them to study it in consid eration of their duty, their happiness, and their sal vation. These advantages and this advice, sec onded by the desires and the rising zeal of the peo ple, gave a new face to religion in Europe. With the authority of the Catholic Church the Reform ers renounced many of her doctrinal errors. New communities of Christians arose, distinct from her in their doctrine and discipline. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Volk's impressive study rethinks the East-West binary often reiterated in discussions of Japanese modernism by reinserting local aspects into the universalizing tendencies of modernism itself. The book makes an important contribution to the growing literature on modern Japanese art history by providing an alternative comparative framework for understanding the global development of modernism that decenters Euro-America. Rigorously historical in her critique, Volk destabilizes our understanding of the Japanese experience of modernity through the prism of Yorozu's singular vision of the self, leaving us questioning conventional wisdom and contented to wobble."--Gennifer Weisenfeld, Duke University "In Volk's affectingly stunning and deeply reflective study of the Japanese artist Yorozu Tetsugorō's work between 1910-1930, we have a profoundly historical reminder of how modernism everywhere struggled to meet the demands of the new with the readymades of received artistic practices. In this study of Yorozu's utopian universalist project, Volk has imaginatively broadened our understanding of the modernist moment and perceptively captured its global program to unify art and life, contemporary culture and history."--Harry Harootunian, author of Overcome by Modernity: History, Culture and Community in Interwar Japan
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