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Naked Armor's Guide to Wet Shaving with a Straight Razor. For the longest time, wet shaving has always been the preferred method of grooming men's beard. And the shaving tool of choice? A straight razor. It is the ultimate tool for creating your individual masculine style. The modern man is all about self-expression and when it comes to curating one's own facial hair, nothing beats a straight razor.But handling a straight razor when shaving is no walk in the park-it takes practice, patience, and determination to wield a straight razor but once you get the hang of it, there's no way you'll shave using anything else. In this book, you get to learn more about the modern art of wet shaving plus some of the best tips on how you can master the use of a straight razor Naked Armor style. At Naked Armor, straight razor shaving is a luxurious art form. Our razors and shaving products are of the finest quality to give you great comfort and the closest shave. Take it from us, nothing beats a Naked Armor Wet Shave.
A guide to straight razor shaving.The object of this little book is to furnish clear and full information about the art of shaving. There are few men who do not experience more or less difficulty in shaving themselves with the straight razor, and many who, after a few unsuccessful attempts, give it up in despair and go to the barber shop. We believe most of these would much prefer to shave themselves if only they could do as well as a barber. The advantages, indeed, seem to be wholly with the man who shaves himself. In the first place the shaving is done in the privacy if his own room. He has his own razor, cup, soap, brush and towels, which can be kept scrupulously clean and sanitary, thus avoiding the constant danger of infection. There is no long wait for the call of "next". After the first cost of the outfit there is nothing to pay, either for services or "tips." Thus in point of time, money and health the man who shaves himself is a decided gainer."These early years of the 21st century have seen a resurgence in the use of the straight razor, the dreaded "cut-throat". Where once lathering up in front of a mirror with a brush of badger was seen as something "old guys do", appreciation of the straight razor shave has come full circle. Almost universally known to give a far better shave than the modern cassette style safety razors, and resharpenable to boot, the straight is seen by many not just as a nostalgic piece of personal grooming equipment, but as an integral part of the daily morning ritual. This book, first penned in 1905 by an unknown writer for an obscure correspondence course company in the United States, has finally found its place. It has found itself to be the Great Manifesto of the Shaving Renaissance. Get back to basics, learn the manly art of shaving.
Published on the occasion of Julien Nguyen's solo exhibition at Stuart Shave/Modern Art, London (18 May - 30 June 2018), this catalogue illustrates the 10 works in the exhibition in addition to twelve further paintings produced between 2013 and 2017.The setting for Julien Nguyen's new body of work is Biblical; each painting is composed through readymade scenes in which archetypal characters pose in some of the most archetypical scriptural tableaux.Mary's annunciation, or the flagellation, baptism, and resurrection of Christ; these are some of the narrated events that seamlessly merge with an art-historical framework of 15th century painting's perspectival studies of figures in space.But despite the fact that scenes of Nguyen's paintings are often traceable to these canonical references, his subjects themselves are distinctively of their own time. The relationship between these images and their objects is one of incarnation over iconography.Their spectators attentive, rather than absorbed. Perhaps most distinctively, included in his subjects, are the faces of the artist's own passions -- social inhabitants in a contemporary Los Angeles and loved ones playing God.
Offers complete instructions for shaving with a straight razor.
The average man will shave approximately 20,000 times over the course of his life, spending the equivalent of 139 full days doing it. He will shave off 27 feet of hair, from a total of 30,000 whiskers on his face. And he will probably be doing something wrong. So he’ll suffer nicks and cuts, ingrown hairs, and rashes; his five-o’clock shadow will arrive before lunch, his neck will be irritated and red, and he’ll get razor burn. Instead of reaping the benefits of a daily grooming regimen, he’ll only suffer. Needlessly. The Art of Shaving will solve his problems (as well as the related problems of anybody whose cheek gets burned by his razor stubble). He’ll choose the correct brush and razor and blade; he’ll take more time lathering up properly and less time tending to bloody shirt collars. He’ll feel better and look better. And he’ll adjust his perception of this morning ritual, bringing art and passion to a daily routine.
Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.
"The fifth and final volume of essays by Leo Steinberg is devoted to modern and contemporary art. Expertly edited by Steinberg's longtime assistant Sheila Schwartz, this collection includes essays on Cézanne, Monet, Matisse, Ernst, Hans Haacke, Jasper Johns, Jeff Koons, and, in some ways the centerpiece of the collection, Steinberg's landmark essay "Encounters with Rauschenberg." It concludes with a selection of Steinberg's lesser-known occasional humorous pieces. The collection features an introductory essay by noted scholar and curator James Meyer. As with all volumes in the Essays by Leo Steinberg series, it is lavishly illustrated throughout with works by each of the artists Steinberg analyzes"--
Taking cues from works by Andy Warhol, Frida Kahlo, and Matisse, pastry chef Caitlin Freeman, of Miette bakery and Blue Bottle Coffee fame, creates a collection of uniquely delicious dessert recipes (with step-by-step assembly guides) that give readers all they need to make their own edible masterpieces. From a fudge pop based on an Ellsworth Kelly sculpture to a pristinely segmented cake fashioned after Mondrian’s well-known composition, this collection of uniquely delicious recipes for cookies, parfait, gelées, ice pops, ice cream, cakes, and inventive drinks has everything you need to astound friends, family, and guests with your own edible masterpieces. Taking cues from modern art’s most revered artists, these twenty-seven showstopping desserts exhibit the charm and sophistication of works by Andy Warhol, Cindy Sherman, Henri Matisse, Jeff Koons, Roy Lichtenstein, Richard Avedon, Wayne Thiebaud, and more. Featuring an image of the original artwork alongside a museum curator’s perspective on the original piece and detailed, easy-to-follow directions (with step-by-step assembly guides adapted for home bakers), Modern Art Desserts will inspire a kitchen gallery of stunning treats.