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In this unique guide to Britain's megalithic culture, rock n' roller Julian Cope provides an inspired fusion of travel, history, poetry, maps, field notes, and pure passion.
Julian Cope's long-awaited follow up to The Modern Antiquarian, his bestselling and critically acclaimed guide to ancient Britain. The Megalithic European takes us on a breathtaking journey around prehistoric Europe's first temples.
Julian Cope's highly acclaimed autobiography and its long-awaited sequel in one extraordinary volume. Contents: * Julian Cope shot to fame with eighties band 'Teardrop Explodes' during the Punk era. Hailed as a visionary by those people who recognise his genius and a madman by those who find him perplexing, he has become a cult figure in the music world. * Head-On has previously only been available via 'Head Heritage' Julian's own company. Repossesed picks up in 1983 where Head On ends and continues up until 1989. Written in Cope's inimitable style it is set to provoke the same kind of media excitement. * When Julian Cope published 'Head On' in 1994 he received astounding reviews: Visceral, ballsy, bitchy, brutal, beautifully written. Book of the year. Made my heart burst. -- The Observer ...an enthralling saga of bitchiness, betrayal and unrepentent debauchery. -- The Sunday Times (Books of the Year) As a glimpse of the essentially pathetic but amusing whims and eccentricities that lie behind the screwed down hairdos of rock musicians, it's equally essential reading. And as a genital -warts-and -all diary of madmen, it is simply supreme entertainment. -- N.M.E Cope never portrays himself as anything less than a self-serving, childish, whinging half-assed failure. He's wrong, of course, but it makes for insanely funny reading. -- Select
A unique account of the Japanese rock phenomenon from a legendary rock musician with an army of fans 'The most obscenely enjoyable book of the year ... enlightening, thrilling and occasionally hilarious ... Cope is a supremely engaging writer whose aim is to entertain, educate and freak out' Telegraph 'This book's astonishing blend of seriousness and hilariousness is testament to perhaps the most remarkable mind in rock today' Word Julian Cope, eccentric and visionary rock musician, follows the runaway underground success of his book Krautrocksampler with Japrocksampler, a cult deconstruction of Japanese rock music, and reveals what really happened when East met West after World War Two. It explores the clash between traditional, conservative Japanese values and the wild rock 'n' roll renegades of the 1960s and 70s, and tells of the seminal artists in Japanese post-war culture, from itinerant art-house poets to violent refusenik rock groups with a penchant for plane hijacking.
In the tradition of commonplacing, the recording of extracts from favorite texts, the author has selected sixteen pieces of poetry, prose and legal ephemera for the enjoyment of his friends-and he considers anyone who reads this volume a friend. xii, 38 pp.
This gracefully written and well thought-out study deals with a neglected collection of poems by Spenser, which was issued in 1591 at the height of his career. While there has been a good deal written in recent years on two of the poems in the collection, ‘Mother Hubberd’s Tale’ and ‘Muiopotmos’, Brown innovatively addresses the collection in its entirety. He urges us to see it as a planned whole with a consistent design on the reader: he fully acknowledges, and even brings out further, the heterogeneity of the collection, but he examines it nevertheless as a sustained reflection on the nature of poetry and the auspices for writing in a modern world, distancing itself from the traditions of the immediate past. The strength of this work lies both in the originality of its project and in the precision and enterprise of the close reading that informs its argument. Interest in the concern of Spenser’s poetry with the nature of poetry is in the current critical mainstream, but here the attentiveness is both unusually focused and unusually sustained. Brown garners more than would be expected from the translations in the Complaints, while at the same time including striking and individual chapters on the better known ‘Mother Hubberd’s Tale’ and ‘Muiopotmos’; he advances understanding of these extremely subtle texts and fully justifies his wider approach to the collection as a whole. Arguing that Spenser’s relationship to literary tradition is more complex than is often thought, Brown suggests that Spenser was a self-conscious innovator whose gradual move away from traditional poetics is exhibited by the different texts in the Complaints. He further suggests that the Complaints are a ‘poetics in practice’, which progress from traditional ideas of poetry to a new poetry that emerges through Spenser’s transformation of traditional complaint.
Between 1815 and 1890, the German book market experienced phenomenal growth, driven by German publishers’ dynamic entrepreneurial attitude towards developing and distributing books. Embracing aggressive marketing on a large scale, they developed a growing sense of what their markets wanted. This study, based almost entirely upon primary sources including over seventy years of trade newspapers, is an in depth account of how and why this market developed—decades before there was any written theory about marketing. This book is therefore about both marketing practice and marketing theory. It provides a uniquely well-researched account of how markets were developed in very sophisticated ways long before there was a formal discipline of marketing: for example, German publishers used segmentation at least 150 years before the first US articles on the subject appeared. Much of their experience was also shared by the UK and US book markets through international interactions between booksellers and other businessmen. All scholars of marketing will find this historical account a fascinating insight into markets and marketing, This will also be of interest to social historians, scholars of German history, book trade and book trade historians.
Introduces undergraduates to the key debates regarding space and culture and the key theoretical arguments which guide cultural geographical work. This book addresses the impact, significance, and characteristics of the 'cultural turn' in contemporary geography. It focuses on the development of the cultural geography subdiscipline and on what has made it a peculiar and unique realm of study. It demonstrates the importance of culture in the development of debates in other subdisciplines within geography and beyond. In line with these previous themes, the significance of space in the production of cultural values and expressions is also developed. Along with its timely examination of the health of the cultural geographical subdiscipline, this book is to be valued for its analysis of the impact of cultural theory on studies elsewhere in geography and of ideas of space and spatiality elsewhere in the social sciences.
In the retrofuturistic metropolis of Radiant City, its mysterious creator, Mister X, must protect the city and its residents from the architecture of the city itself, which poses a danger to all those within it! Collecting every Mister X comic published by Dark Horse Comics, this trade includes Condemned, Excavations, and Razed, along with never-before-seen behind-the-scenes material! * All of Dark Horses Mister X material collected in an affordable paperback! * A great jumping-on point to the classic series!