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Where Is the Hope in Grief for a Young Amish Widow? Sylvia has been nearly paralyzed with grief and anxiety since the tragic death of her husband, father, and brother in a traffic accident. She tries to help in the family’s greenhouse while caring for her two young children, but she prefers not to have to deal with customers. Her mother’s own grief causes her to hover over her children and grandchildren, and Sylvia seeks a diversion. She takes up birdwatching and soon meets an Amish man who teaches her about local birds. But Sylvia’s mother doesn’t trust Dennis Weaver, and as the relationship sours, mysterious attacks on the greenhouse start up again.
"I didn't touch the book. It was Ellen who ruined it," Anne Randolph's words echoed through the president's library. Thomas Jefferson's New Testament has been cut to ribbons, and his granddaughter, nine-year-old Ellen Randolph, is blamed by her older sister, Anne. Just after Ellen clears her name, a skeleton model is smashed, and Ellen is in trouble again. As Ellen and her older brother Jeff search the President's house for clues about the skeleton, they only find more mysteries. What happened to the president's pet mockingbird? And who has been printing Anne's private mail in the newspaper? But the question most dear to Ellen is How can I get along with Anne? As she searches the New Testament for an answer, she uncovers a wonderful secret that will change her life. Marianne Hering was on the staff of Clubhouse magazine for eight years. She has written the Lights, Camera, Action Mysteries and articles for many Christian magazines. Marianne lives in Colorado with her husband, Doug, and daughter, Danielle. Ages: 7-10 Value: Love
Identify and understand the wildlife most commonly found living near humans--and how they've adapted to thrive in cities and suburbs.
Empirical knowledge is only one side of "reality." Empirical knowledge is all about the "outside," the surfaces of objects, the matter we can see and touch. It does not speak to the "insides," the unconscious inner reality, subjectivity, feelings, and meaning that humans contribute to the world of objects we experience in our day-to-day lives. The New Enlightenment looks at the inside from that place phenomenologist Edmund Husserl termed "the great world of the interiority of consciousness." Using the insights of Owen Barfield (1898-1997) as his starting point, Linderman investigates the nature of consciousness, the Enlightenment, scientific thinking, belief, and the power of imagination. This book is for those who appreciate the insights of alternative thinkers, but feel at the mercy of an engineer neighbor, an amateur "science buff" friend, or skeptical relatives. They confidently present clear, reasoned, scientific arguments to discredit, or, at least, bring considerable doubt to the veracity of the claims of the alternative thinkers you find compelling. For you to explain why you find some alternative writers so helpful, you need to be able to articulate succinctly the theory of knowledge that undergirds them. Likely, you struggle to do so now. You should find help in this book.
Brimming with stories, wisdom, and expert knowledge, this delightful book gives enthusiasts a peek into the private worlds of eleven North American birds: swallows, blue jays, chickadees, song sparrows, house sparrows, phoebes, mockingbirds, crows, red-winged blackbirds, robins, and hummingbirds. Calvin Simonds shows you how to really observe these birds -- how to interpret the caws of crows, recognize blue jays from their facial markings, understand the flight patterns of swallows. You'll be enthralled as you eavesdrop on a group of sparrows trading songs in a "hootenanny," feel the dry grip of a chickadee's claws on your fingers, tramp through a summer meadow to visit a phoebe, and much more.
Herman Melville in Context provides the fullest introduction in one volume to the multifaceted life and times of Herman Melville, a towering figure in nineteenth-century American and world literature. The book grounds the study of Herman Melville's writings to the world that influenced their composition, publication and recognition, making it a valuable resource to scholars, teachers, students and general readers. Bringing together contributions covering a wide range of topics, the collection of essays covers the geographical, social, cultural and literary contexts of Melville's life and works, as well as its literary reception. Herman Melville in Context will enable readers to approach Melville's writings with fuller insight, and to read and understand them in a way that approximates the way they were read and understood in his time.
Contemplative or “noetic” knowledge has traditionally been seen as the highest mode of understanding, a view that persists both in many non-Western cultures and in Eastern Christianity, where “theoria physike,” or the illumined understanding of creation that follows the purification of the heart, is seen to provide deeper insights into nature than the discursive rationality modernity has used to dominate and conquer it. Working from texts in Eastern Orthodox philosophy and theology not widely known in the West, as well as a variety of sources including mystics such as the Sufi Ibn ‘Arabi, poets such as Basho, Traherne, Blake, Hölderlin, and Hopkins, and nature writers such as Muir, Thoreau, and Dillard, The Noetics of Nature challenges both the primacy of the natural sciences in environmental thought and the conventional view, first advanced by Lynn White, Jr., that Christian theology is somehow responsible for the environmental crisis. Instead, Foltz concludes that the ancient Christian view of creation as iconic—its “holy beauty” manifesting the divine energies and constituting a primal mode of divine revelation—offers the best prospect for the radical reversal that is needed in our relation to the natural environment.
The power of mockingbirds and the enduring significance of indigenous ceremonial speeches are deftly revealed in this brilliant analysis of ritual orations created and delivered by the O'odham people (also known as the Pima-Papago). Making their homes along the Akimel rivers and across the arid expanses and mountains of the desert of southern Arizona and northern Sonora, the O'odham people traditionally lived in small villages with scattered brush-walled round houses. Public ceremonies involved many villages and centered around small brush-walled "rainhouses." One hundred years ago, two very different versions of a speech delivered during rain ceremonies were heard at these rainhouses. The Pimas (Akimel O'odham) told of nearly silent and stately events—the calming of a heaving earth, the building of a house on the stilled land, the breathing out of smoke, and the coming of gentle rain. In marked contrast, the Papagos (Tohono O'odham) told of how raucous, drunken people caused clouds to rise and explode with rain like vomiting drunks. Both stories featured mockingbirds and both involved the coming of rain. Today, the gentler, Pima version is extinct while the wilder Papago story endures. Why? Drawing upon a rich reservoir of O'odham oral traditions and ceremonial performances, a meticulous deciphering of particular texts, and an insightful assessment of the impact of Christianity upon the O'odham people, Donald Bahr offers a brilliant analysis of why some indigenous stories cease to be relevant and told. The clues lie in the very different trajectories of the Pima and Papago communities in the late nineteenth and twentieth centuries, trajectories resulting in part with how Christianity fared in the respective communities.
The world loves Lucy. And now, here is the ultimate tribute to the most popular show in television history. Readers will have a behind-the -scenes look at the show's creation and its unbelievable meteoric success as it reinvented the rules and business of television. Over 35 classic episodes are celebrated with detailed plot synopses and photo montages from exclusive production skills - and a complete 'TV-ography' offers a look at every one of 179 episodes and 13 one-hour specials featuring the Ricardos and Mertzes.
The poems selected for this volume are politically incorrect, spiritual, whimsical, clever, and charming. What else would one expect from the youngest of ten siblings who lived in holey-roofed houses, picked spinach and cotton, and rode stick horses; or from a man who jumped out of airplanes wanting to be a hero, survived a car wreck which rearranged his face and body, quit drinking at age fifty, divorced and remarried, learned to play the piano, took up drawing and oil painting, and delved into the works of Carl Jung, resulting in an acute psychotic episode and an early retirement. He is currently dealing with memory loss and autumn leaves. Jerrel has written thousands of poems that reflect the disparity of his nature and interests. In arranging this book for him an assortment of topics and moods fell naturally into place. As it says in his poem, The Writer: Words tumbled from his pen like rocks in an avalanche, The only obvious meaning is something came loose higher up