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Her nickname amongst the English, who loathed her and found her scrawny, was 'The Maypole'.
The story of George IV's relationships with five women - the actress Mary Robinson, the Catholic Maria Fitzherbert, Lady Jersey, the arch-Tory Lady Hertford, and Lady Conyngham, the companion of his final years
When George I arrived in England he found a kingdom in turmoil. Mistrustful of the new monarch from Hanover, his subjects met his coronation with riots. At George’s side was his mistress, Melusine von der Schulenberg, whilst his ex-wife languished in prison. Known as the Maypole thanks to her eye-catching figure, Melusine was the king’s confidante for decades. She was a mother to his children and a queen without a crown. George II never forgave his father for tearing him from his mother's arms and he was determined to marry for love, not duty. Though his wife, Caroline of Ansbach, proved to be a politically gifted queen, George II turned to another for affection. She was Henrietta Howard, the impoverished Countess of Suffolk, and she was desperate to escape her brutish husband. As the years passed, the royal affair became a powerplay between king and queen and the woman who was mistress to one and servant to another. Melusine and Henrietta's privileged position made them the envy of every courtier. It also made them a target of jealousy, plotting and ambition. In the tumultuous Georgian court, the bedroom and the throne room weren't so far apart.
An intensely moving account of George III's doomed attempt to create a happy, harmonious family, written with astonishing emotional force by a stunning new history writer. George III came to the throne in 1760 as a man with a mission. He was determined to break with the extraordinarily dysfunctional home lives of his Hanoverian predecessors. He was sure that as a faithful husband and a loving father, he would be not just a happier man but a better ruler as well. During the early part of his reign it seemed as if, against all the odds, his great family project was succeeding. His wife, Queen Charlotte, shared his sense of moral purpose, and together they raised their fifteen children in a climate of loving attention. But as the children grew older, and their wishes and desires developed away from those of their father, it became harder to maintain the illusion of domestic harmony. 'The Strangest Family' is an epic, sprawling family drama, filled with intensely realised characters who leap off the page as we are led deep inside the private lives of the Hanoverians. Written with astonishing emotional force by a stunning new voice in history writing, it is both a window on another world and a universal story that will resonate powerfully with modern readers.
An 18th-century portrait of the palace most recognized as an official home of several British royal family members focuses on the Hanover family during the reigns of George I and II, describing the intrigue, ostentatious fashions and politicking that marked court life. By the author of Cavalier.
A funny, raucous, and delightfully dirty history of 1,000 years of bedroom-hopping secrets and scandals of Britain's royals. Insatiable kings, lecherous queens, kissing cousins, and wanton consorts-history has never been so much fun. Royal unions have always been the stuff of scintillating gossip, from the passionate Plantagenets to Henry VIII's alarming head count of wives and mistresses, to the Sapphic crushes of Mary and Anne Stuart right on up through the scandal-blighted coupling of Prince Charles and Princess Diana. Thrown into loveless, arranged marriages for political and economic gain, many royals were driven to indulge their pleasures outside the marital bed, engaging in delicious flirtations, lurid love letters, and rampant sex with voluptuous and willing partners. This nearly pathological lust made for some of the most titillating scandals in Great Britain's history. Hardly harmless, these affairs have disrupted dynastic alliances, endangered lives, and most of all, fed the salacious curiosity of the public for centuries. Royal Affairs will satiate that curiosity by bringing this arousing history alive.
An account of four royal women that’s “as inherently fascinating as it is exceptionally informative . . . an extraordinary read from beginning to end” (Midwest Book Review). Once upon a time there were four kings called George who, thanks to a quirk of fate, ruled Great Britain for over a century. Hailing from Germany, these occasionally mad, bad, and infamous sovereigns presided over a land in turmoil. Yet what of the remarkable women who were crowned alongside them? From the forgotten princess locked in a tower to an illustrious regent, a devoted consort, and a notorious party girl, the queens of Georgian Britain lived lives of scandal, romance, and turbulent drama. Whether dipping into politics or carousing on the shores of Italy, Caroline of Ansbach, Charlotte of Mecklenburg-Strelitz, and Caroline of Brunswick refused to fade into the background. Queens of Georgian Britain offers a chance to step back in time and meet the women who ruled alongside the Georgian monarchs, not forgetting Sophia Dorothea of Celle, the passionate princess who never made it as far as the throne. From lonely childhoods to glittering palaces, via family feuds, smallpox, strapping soldiers, and plenty of scheming, these are the queens who shaped an era. “A lively deep dive into the lives of four women regularly overshadowed by their husbands . . . Curzon is a captivating writer and this book is an impressive addition to her existing Georgian books.” —The Lazy Historian “Curzon has a breezy, colloquial style . . . an easy and informative read.” —Historical Novels Review
Nell Gwyn, the most infamous mistress of Charles II, was a commoner raised from the dingy back alleys of London to the stage and into a king’s arms. Hers was a true rags to riches story that saw a young girl rise from selling oranges to capturing the heart of a king. The Restoration period was one of change. After the troubled years of the English Civil War, it was time for pleasure, debauchery and entertainment with the ‘Merry Monarch’ restored to the throne. Nell was one of the first actresses on stage; a loveable comedienne who wowed audiences with her wit and charm. She fell in love with Charles Hart (one of the leading actors of the time), had a torrid affair with Lord Buckhurst and ultimately ended up in the king’s bed. She stayed on the stage for six years, but she stayed in the king’s heart for seventeen – his only mistress who was faithful to him. Set against the backdrop of Restoration London, this book charts Nell’s life and that of her family and friends – from her drunken mother and troublesome sister to the most notorious wits of the age John Wilmot, 2nd Earl of Rochester and George Villiers, 2nd Duke of Buckingham. Nell had a generous heart and a mischievous spirit, and was friends with people from all walks of life. The only woman she really detested was another of the king’s mistresses, Louise de Kerouaille, known as the French Spy. This highly entertaining book will tell the story of Nell’s life – the good and the bad – and show why Nell truly embodies the spirit of the Restoration.
Featuring a range of large-scale, public and more intimate portraits of actresses, The First Actresses provides a vivid spectacle of femininity, fashion and theatricality from Nell Gwyn to Sarah Siddons. Ranging from oil paint to porcelain, these portraits illustrate the enduring popularity of portraits of women performers. Crucially the book seeks to reassess the traditional association between actress and'prostitute', and the moral ambiguity of women playing male roles. Portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender and celebrity. The authors also chart the commercialisation of the spectacle of the actress, as well as the connections between the eighteenth-century 'star system' and modern celebrity culture. Organised thematically, sections include: 'Painting Acresses' Lives', 'Nell Gwyn and Covent Garden Goddesses', 'Divas, Dancing and the Rage for Music: Painting Women in Musical Performance', 'Beauty, Ageing and the Body Politic of the Eighteenth-Century Actress' and 'Star Systems'. Illustrated with remarkable paintings by major artists of the period, a fascinating and lucid text reveals the many ways in which women performers enabled artistic innovation and creativity, provoked intellectual debate and contributed to the popularity and visibility of the theatre. Accompanies an exhibition at the National Portrait Gallery, London, 20 October 2011 - 8 January 2012