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A new fast-paced, psychological thriller from the author of Just What Kind of Mother Are You? and Keep Your Friends Close. We all think we know who we are. What we're capable of. Roz is a single mother, a physiotherapist, a sister, a friend. She's also desperate. Her business has gone under, she's crippled by debt and she's just had to explain to her son why someone's taken all their furniture away. But now a stranger has made her an offer. For one night with her, he'll pay enough to bring her back from the edge. Roz has a choice to make.
IT STARTED WITH A KISS... AND ENDED WITH MURDER. The darkly addictive new novel from the Sunday Times bestselling author of I Looked Away, Blood Sisters and My Husband's Wife. -------------------------------------------------------- In Poppy Page's mind, there are two types of women in this world: those who are faithful to their husbands, and those who are not. Until now, Poppy has never questioned which she was. But when handsome, charming Matthew Gordon walks back into her life after almost two decades, that changes. Poppy makes a single mistake - and that mistake will be far more dangerous than she could imagine. Someone is going to pay for it with their life . . . -------------------------------------------------------- WHAT PEOPLE ARE SAYING ABOUT I MADE A MISTAKE 'Absolutely brilliant...full of twists and turns that left me positively breathless' Angela Marsons 'A python of a book; it draws you in gently at first and then the coils of tension begin to tighten and refuse to let you go...' Jane Shemilt 'A chilling maze of twists and turns, bestseller Jane Corry's latest thriller will have you hooked from page one' OK 'Readers you are in for a tremendous treat - a roller-coaster of a ride that will leave you screaming, 'No!' on more than one occasion' Carol Wyer 'What an addictive read! Extremely clever storytelling with terrific pace and real emotional depth too. I loved it' Teresa Driscoll 'Corry often explores darker themes, and those living on the fringes of society and this book is no exception: gritty, real, interesting and clever. Highly recommended' Gillian McAllister 'Jane Corry's psychological thrillers have sold more than a million copies so far, and this is the most gripping yet' Sunday Express 'I Made a Mistake is an absorbing and gripping masterpiece, skilfully plotted with superbly drawn characters who will stay with you long after you've finished reading' Kathryn Croft 'I love all Jane Corry's books but this is her best yet. So clever, compulsive and twisty with a reveal I never saw coming. Superb' Claire Douglas 'Fans of Louise Doughty and Clare Mackintosh will love I Made a Mistake. Exhilarating and heartbreaking in equal measure, this story will stay with me for a long time' Nuala Ellwood
From the New York Times bestselling author of the Hello Sunshine Book Club pick The Other Woman, comes an addictively readable new domestic suspense about a wife, her husband, and the woman who is supposedly her best friend. THE WIFE: For Alice, life has never been better. With her second husband, she has a successful business, two children, and a beautiful house. HER HUSBAND: Alice knows that life could have been different if her first husband had lived, but Nathan’s arrival into her life gave her back the happiness she craved. HER BEST FRIEND: Through the ups and downs of life, from celebratory nights out to comforting each other through loss, Alice knows that with her best friend Beth by her side, they can survive anything together. So when Nathan starts acting strangely, Alice turns to Beth for help. But soon, Alice begins to wonder whether her trust has been misplaced . . . The first mistake could be her last. Praise for The Other Woman: "One of the most twisted and entertaining plots."—Reese Witherspoon "A perfect beach read."—Kristin Hannah "Whiplash-inducing."—New York Times Book Review "Such fun you'll cheer [Emily's] chutzpah."—PEOPLE "This thriller will hit close to home."—Refinery29
Zoom meets Beautiful Oops! in this memorable picture book debut about the creative process, and the way in which "mistakes" can blossom into inspiration One eye was bigger than the other. That was a mistake. The weird frog-cat-cow thing? It made an excellent bush. And the inky smudges… they look as if they were always meant to be leaves floating gently across the sky. As one artist incorporates accidental splotches, spots, and misshapen things into her art, she transforms her piece in quirky and unexpected ways, taking readers on a journey through her process. Told in minimal, playful text, this story shows readers that even the biggest “mistakes” can be the source of the brightest ideas—and that, at the end of the day, we are all works in progress, too. Fans of Peter Reynolds’s Ish and Patrick McDonnell’s A Perfectly Messed-Up Story will love the funny, poignant, completely unique storytelling of The Book of Mistakes. And, like Oh, The Places You’ll Go!, it makes the perfect graduation gift, encouraging readers to have a positive outlook as they learn to face life’s obstacles.
"Beatrice offers a lesson we could all benefit from: learn from your mistakes, let go, laugh, and enjoy the ride." --JENNIFER FOSBERRY, New York Times bestselling author of My Name Is Not Isabella Being perfect is overrated. Beatrice Bottomwell has NEVER (not once ) made a mistake. She never forgets her math homework, she never wears mismatched socks, and she ALWAYS wins the yearly talent show at school. In fact, the entire town calls her The Girl Who Never Makes Mistakes One day, the inevitable happens: Beatrice makes a huge mistake in front of everyone But in the end, readers (and perfectionists) will realize that life is more fun when you enjoy everything--even the mistakes. Additional praise for The Girl Who Never Made Mistakes: "This funny and heartfelt book conveys a powerful message about how putting too much pressure on yourself to be perfect can suck the joy out of everything. Beatrice's discovery that you can laugh off even a very public mistake shows the importance of resiliency and helps perfectionist kids keep things in perspective. Most importantly, Beatrice reminds the reader that it's more important to enjoy the things that you do than worry about doing them perfectly." --A Mighty Girl "The Girl Who Never Made Mistakes is a must-read for any young (or old ) perfectionist. Beatrice Bottomwell is perfectly imperfect " --Stephanie Oppenheim, Oppenheim Toy Portfolio "It's fun and instructive without feeling overly didactic and the illustrations are darling." --Parenting "This book will help little perfectionists see that making mistakes is okay, and it can be a lot of fun too " --Kids Book Blog
New York Times columnist Alina Tugend delivers an eye-opening big idea: Embracing mistakes can make us smarter, healthier, and happier in every facet of our lives. In this persuasive book, journalist Alina Tugend examines the delicate tension between what we’re told—we must make mistakes in order to learn—and the reality—we often get punished for them. She shows us that mistakes are everywhere, and when we acknowledge and identify them correctly, we can improve not only ourselves, but our families, our work, and the world around us as well. Bold and dynamic, insightful and provocative, Better by Mistake turns our cultural wisdom on its head to illustrate the downside of striving for perfection and the rewards of acknowledging and accepting mistakes and embracing the imperfection in all of us.
In medicine, a single mistake in an otherwise spotless career can determine the rest of your life—even if the mistake was not your own Elizabeth Taylor is a gifted surgeon—the only female consultant at her hospital. But while operating on a young woman with life–threatening blood poisoning, something goes horribly wrong. In the midst of a new scheme to publicly report surgeons' performance, her colleagues begin to close ranks, and Elizabeth's life is thrown into disarray. Tough and abrasive, Elizabeth has survived and succeeded in this most demanding, palpably sexist field. But can she survive a single mistake? A Mistake is a page–turning procedural thriller about powerful women working in challenging spheres. The novel examines how a survivor who has successfully navigated years of a culture of casual sexism and machismo finds herself suddenly in the fight of her life. When a mistake is life–threatening, who should ultimately be held responsible? Carl Shuker has produced some of the finest writing on the physicality of medical intervention, where life–changing surgery is detailed moment by moment in a building emergency. A Mistake daringly illustrates the startling mix of the coolly intellectual and deeply personal inherent in the life and work of a surgeon.
Why do people dodge responsibility when things fall apart? Why the parade of public figures unable to own up when they make mistakes? Why the endless marital quarrels over who is right? Why can we see hypocrisy in others but not in ourselves? Are we all liars? Or do we really believe the stories we tell? Renowned social psychologists Carol Tavris and Elliot Aronson take a compelling look into how the brain is wired for self-justification. When we make mistakes, we must calm the cognitive dissonance that jars our feelings of self-worth. And so we create fictions that absolve us of responsibil.
What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we read Keats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems. Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read.
'A masterful introduction to the state of the art in managerial decision-making. Surprisingly, it is also a pleasure to read' – Daniel Kahneman, author of Thinking, Fast and Slow A lively, research-based tour of nine common decision-making traps – and practical tools for avoiding them – from a professor of strategic thinking We make decisions all the time. It's so natural that we hardly stop to think about it. Yet even the smartest and most experienced among us make frequent and predictable errors. So, what makes a good decision? Should we trust our intuitions, and if so, when? How can we avoid being tripped up by cognitive biases when we are not even aware of them? You're About to Make a Terrible Mistake! offers clear and practical advice that distils the latest developments in behavioural economics and cognitive psychology into actionable tools for making clever, effective decisions in business and beyond.