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Sadistic Aliens... ...Man is an endangered species. Is it the end of the world or the rebirth of a new one? In the year A.D. 3000, Earth is a dystopian wasteland. The great cities stand crumbling as a brutal reminder of what we once were. When the Psychlos invaded, all the world’s armies mustered little resistance against the advanced alien weapons. Now, the man animals serve one purpose. Do the Psychlos’ bidding or face extinction. One man, Jonnie Goodboy Tyler, has a plan. They must learn about the Psychlos and their weapons. He needs the other humans to follow him. And that may not be enough. Can he outwit his Psychlo captor, Terl? The fate of the Galaxy lies on the Battlefield of Earth. Get it now. “Pulse-pounding mile-a-minute sci-fi action-adventure that does not stop. It is a masterpiece of popular adventure science fiction.” —Brandon Sanderson “Battlefield Earth is like a 12-hour ‘Indiana Jones’ marathon. Non-stop and fast-paced. Every chapter has a big bang-up adventure.” —Kevin J. Anderson (co-author of the Dune Sagas) “Over 1,000 pages of thrills, spills, vicious aliens and noble humans. I found Battlefield Earth un-put-downable.” —Neil Gaiman
Volume 7 of a 10 volume series. Contents: V. 1 The invaders plan--v. 2 Black genesis--v. 3 The enemy within-v. 4 An alien affair--v. 5 Fortune of fear--v. 6 Death quest--v. 7 Voyage of vengeance--v. 8 Disaster--v. 9 Villainy victorious--v. 10 The doomed planet.
Volume 5 of a 10 volume series. Contents: V. 1 The invaders plan--v. 2 Black genesis--v. 3 The enemy within-v. 4 An alien affair--v. 5 Fortune of fear--v. 6 Death quest--v. 7 Voyage of vengeance--v. 8 Disaster--v. 9 Villainy victorious--v. 10 The doomed planet.
Jettero Heller faces the final show-down with villain Lombar Hisst while he races against time to save the Earth from total distruction.
When FINAL BLACKOUT was written there was still a Maginot Line, Dunkirk was just another French coastal town and the Battle of Britain, the Bulge, Saipan, Iwo, V2s and Nagasaki were things unknown and far ahead in history. While it concerns these things, its action will not take place for many years yet to come and it is, therefore, still a story of the future though some of the "future" it embraced (about one fifth) has already transpired. When published in magazine form before the war it created a little skirmish of its own and, I am told, as time has gone by and some of it has unreeled, interest in it has if anything increased. So far its career has been most adventurous as a story. The "battle of FINAL BLACKOUT" has included loud wails from the Communists—who said it was pro-fascist (while at least one fascist has held it to be pro-Communist). Its premises have been called wild and unfounded on the one hand while poems (some of them very good) have been written about or dedicated to the Lieutenant. Meetings have been held to nominate it to greatness while others have been called to hang the author in effigy (and it is a matter of record that the last at least was successfully accomplished). The British would not hear of its being published there at the time it appeared in America, though Boston, I am told, remained neutral—for there is nothing but innocent slaughter in it and no sign of rape. There are those who insist that it is all very bad and those who claim for it the status of immortality. And while it probably is not the worst tale ever written, I cannot bring myself to believe that FINAL BLACKOUT, as so many polls and such insist, is one of the ten greatest stories ever published. Back in those mild days when Pearl Harbor was a place you toured while vacationing at Waikiki and when every drawing room had its business man who wondered disinterestedly whether or not it was not possible to do business with Hitler, the anti-FINAL BLACKOUTISTS (many of whom, I fear, were Communists) were particularly irked by some of the premises of the tale. Russia was, obviously, a peace-loving nation with no more thought than America of entering the war. England was a fine going concern without a thought, beyond a contemptuous aside, for the Socialist who, of course, could never come to power. One must understand this to see why FINAL BLACKOUT slashed about and wounded people. True enough, some of its premises were far off the mark. It supposed, for instance, that the politicians of the great countries, particularly the United States, would push rather than hinder the entrance of the whole world into the war. In fact, it supposed, for its author was very young, that politicians were entirely incompetent and would not prevent for one instant the bloodiest conflict the country had ever known. Further, for the author was no critic, it supposed that the general staffs of most great nations were composed of stupid bunglers who would be looking up their friends on the selection board when they should be looking to their posts and that the general world wide strategy of war would go off in a manner utterly unadroit to the sacrifice of efficiency. It surmised that if general staffs went right on bungling along, military organization would cease to exist, and it further—and more to the point—advanced the thought that the junior combat officer, the noncom and, primarily the enlisted men would have to prosecute the war. These, it believed, would finally be boiled down, by staff "stupidity," to a handful of unkillables who would thereafter shift for themselves. FINAL BLACKOUT declared rather summarily—and very harshly, for the author was inexperienced in international affairs—that the anarchy of nations was an unhealthy arrangement maintained by the greed of a few for the privileges of a few and that the "common people" (which is to say those uncommon people who wish only to be let go about their affairs of getting enough to eat and begetting their next generation) would be knocked flat, silly and completely out of existence by these brand new "defensive" weapons which would, of course, be turned only against soldiers. Bombs, atomics, germs and, in short, science, it maintained, were being used unhealthily and that, soon enough, a person here and there who was no party to the front line sortie was liable to get injured or dusty; it also spoke of populations being affected boomerang fashion by weapons devised for own governments to use. Certainly all this was heresy enough in that quiet world of 1939, and since that time, it is only fair to state, the author has served here and there and has gained enough experience to see the error of his judgment. There have been two or three stories modeled on FINAL BLACKOUT. I am flattered. It is just a story. And as the past few years have fortunately proven, it cannot possibly happen.
Alien assassin Soltan Gris will stop at nothing to destroy Fleet Officer Jettero Heller and sabotage his mission to save Earth from drowning in its own environmental problems, while, at the same time, he's forced to play husband to two wives and keep up with a teenage nymph. To add to his troubles, Heller has unearthed the long-lost son of Delbert John Rockecenter on a pig farm! A rip-roaring motorboat chase tops off this sixth action-filled installment of intergalactic espionage.
The Voltarian invaders are getting down and dirty . . . in the deadliest of games. The price: Planet Earth. Voltarian Royal Officer Jettero Heller has heart, nerve and a quick mind on his side. His archenemy Soltan Gris has cunning, ruthlessness and a devious plan on his. But what neither of them has is money—and without that they may as well pack up and go back to Voltar. Because as every earthling knows—no pay, no play. Heller’s solution is a weekend in Atlantic City, where he puts a new spin on gambling. He’s got a foolproof system, guaranteeing that he’ll win every bet he makes. Into this world of dirty money, dirty tricks and dirty games, the wildest of wild cards is about to change everything. Countess Krak is back—and this voluptuous Voltarian, condemned murderess and love of Heller’s life could prove to be the key player in coming to grips with a FORTUNE OF FEAR. “The adventure, colored by broad strokes of satire, is written with a vigor.” —Publishers Weekly
In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times
Collects Invaders (2019) #1-6. The greatest generation of Marvel heroes is back — to stop one of their own! Captain America. The Human Torch. The Winter Soldier. Namor the Sub-Mariner. They fought together in World War II as the Invaders. But now Namor is the enemy — a global threat more powerful than ever! His deadly plans are as deep and far-reaching as the ocean, and revelations about his past could threaten the Marvel Universe! It’s up to Namor’s old allies to stop him, but what chance do they have against a man who knows their every move? As the Torch digs deep into Namor’s past and Bucky takes on a dangerous mission, Cap takes the direct route — to Atlantis! But the clock is ticking as a new world war looms — one that will reveal the Sub-Mariner’s secret history!
“Fans of hard sf will enjoy this space adventure” that follows Farside in the Grand Tour series from the six-time Hugo Award winner (Library Journal). The entire world is thrilled by the discovery of a new Earthlike planet. Advance imaging shows that the planet has oceans of liquid water and a breathable oxygen-rich atmosphere. Eager to gain more information, a human exploration team is soon dispatched to explore the planet, now nicknamed New Earth. All of the explorers understand that they are essentially on a one-way mission. The trip takes eighty years each way, so even if they are able to get back to Earth, nearly 200 years will have elapsed. They will have aged only a dozen years thanks to cryonic suspension, but their friends and family will be gone and the very society that they once knew will have changed beyond recognition. The explorers are going into exile, and they know it. They are on this mission not because they were the best available, but because they were expendable. Upon landing on the planet they discover something unexpected: New Earth is inhabited by a small group of intelligent creatures who look very much like human beings. Who are these people? Are they native to this world, or invaders from elsewhere? While they may seem inordinately friendly to the human explorers, what are their real motivations? What do they want? Moreover, the scientists begin to realize that this planet cannot possibly be natural. They face a startling and nearly unthinkable question: Could New Earth be an artifact?