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This beautifully rendered portrait of life in rural Ireland charms and delights with its authentic characters and gentle humor. This vivid portrayal of the universal search for love brings with it a darker tale, one that is heartbreaking in its poignancy.
How do you find a book when you can't recall the title...or the author? This homage to a common reader's dilemma is a gift the booklover in your life won't soon forget. Readers know all too well the comedy and tragedy of forgetting the name of a must-find book. Inspired by this torturous predicament, artist Marina Luz creates paintings of books based on the descriptions we use when we can't remember their titles—mining Internet book-search forums for the quirky, vague, and often hilarious language we come up with in these moments. This volume collects dozens of these imaginary books into a library all their own: Titles like "Cat, Possibly Named Henry," "It Was All a Dream," or "Something-Something, Beverly Hills" inspire dreaming up their contents, often as entertaining as trying to guess the real book behind them. A celebration of book love unlike any other, this petite book is a clever gift for bibliophiles that will spark knowing smiles. PERFECT GIFT FOR BOOKLOVERS: The collection will spark recognition for everyone who has encountered this phenomenon (so, virtually every reader) and especially those who have worked in a bookstore, who know intimately well how often this dilemma arises. This impulse-priced delight is an excellent way to make book-loving friends feel seen. A UNIQUE APPRECIATION OF BOOK LOVE: This is a loving tribute to the wonderful and bizarre ways that books leave impressions on our souls, if not always perfectly in our memories. It's a fun and fresh appreciation of bibliophilia that still delivers long after the first read. Perfect for: • Bibliophiles • Booksellers • People seeking gifts for the booklovers in their life
A sprawling, complex tale of magic and destiny that won't disappoint its readers. This auspicious beginning for author Peter Orullian will have you looking forward to more.--Terry Brooks.
Ireland’s Haunted Women tells the chilling tales of nine modern Irishwomen, and one young girl, who have experienced hauntings. This is not just another ghost book – no rehashing of old tales or stories borrowed from other collections. These cases are told here for the first time, collected from women the length and breadth of Ireland – women who are vulnerable to seeing ghosts, to house-hauntings and to demonic possession. We have come a long way from headless horsemen, pookas, banshees and the like. The modern ghost has to be more sophisticated than that. On the other hand, poltergeist activity has remained virtually unchanged down the centuries; scenes of past wickedness continue to haunt the living; the spirits of the deceased stubbornly insist on returning. Riveting, suspenseful, these tales of the paranormal will draw you in and leave you petrified! Whether you accept them as truth or reject them as delusion or false memory, we guarantee that they will leave you shaken and slow to switch off your bedside lamp for many nights to come.
The Devil Is Alive and Well In The Dark Sacrament, coauthors David M. Kiely and Christina McKenna faithfully recount ten contemporary cases of demon possession, haunted houses, and exorcisms, and profile the work of two living, active exorcists. The authors serve as trustworthy guides on this suspense-filled journey into the bizarre, offering concrete advice on how to avoid falling prey to the dark side.
It's 1981 and Belfast is burning. So, too, is freshly widowed Bessie Halstone: she burns with a desire to break with her troubled past. With her feckless husband gone, she leaves home hurriedly with her naughty nine-year-old son, Herkie, and not much else. The Dentist, an IRA enforcer, is on her tail. He's convinced that Bessie, with her "yella hair all puffed up like Merlin Monroe's," has absconded with the takings from a bank heist. But car trouble strands mother and son in Tailorstown, a sleepy Ulster village. Bessie finds temporary work as housekeeper for the handsome and mysterious parish priest. In the meantime, Lorcan Strong, an artist and a native of the village, is summoned home. He's been shanghaied into forging paintings for the IRA. It's work he cannot refuse; his mother and their business are under threat. Yet things are not what they seem in quirky Tailorstown. There is a "sleeper" in the village. But who? Bizarrely, it is young Herkie, due to his childish curiosity, who unravels the mystery and saves the day.
In The Fatal Englishman, his first work of nonfiction, Sebastian Faulks explores the lives of three remarkable men. Each had the seeds of greatness; each was a beacon to his generation and left something of value behind; yet each one died tragically young. Christopher Wood, only twenty-nine when he killed himself, was a painter who lived most of his short life in the beau monde of 1920s Paris, where his charm, good looks, and the dissolute life that followed them sometimes frustrated his ambition and achievement as an artist. Richard Hillary was a WWII fighter pilot who wrote a classic account of his experiences, The Last Enemy, but died in a mysterious training accident while defying doctor’s orders to stay grounded after horrific burn injuries; he was twenty-three. Jeremy Wolfenden, hailed by his contemporaries as the brightest Englishman of his generation, rejected the call of academia to become a hack journalist in Cold War Moscow. A spy, alcoholic, and open homosexual at a time when such activity was still illegal, he died at the age of thirty-one, a victim of his own recklessness and of the peculiar pressures of his time. Through the lives of these doomed young men, Faulks paints an oblique portrait of English society as it changed in the twentieth century, from the Victorian era to the modern world.
“Courageous and inspiring.”—Karen Armstrong, author of The Case for God “James Carroll takes us to the heart of one of the great crises of our times.”—Stephen Greenblatt, author of The Swerve An eloquent memoir by a former priest and National Book Award–winning writer who traces the roots of the Catholic sexual abuse scandal back to the power structure of the Church itself, as he explores his own crisis of faith and journey to renewal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY James Carroll weaves together the story of his quest to understand his personal beliefs and his relationship to the Catholic Church with the history of the Church itself. From his first awakening of faith as a boy to his gradual disillusionment as a Catholic, Carroll offers a razor-sharp examination both of himself and of how the Church became an institution that places power and dominance over people through an all-male clergy. Carroll argues that a male-supremacist clericalism is both the root cause and the ongoing enabler of the sexual abuse crisis. The power structure of clericalism poses an existential threat to the Church and compromises the ability of even a progressive pope like Pope Francis to advance change in an institution accountable only to itself. Carroll traces this dilemma back to the Roman Empire and the Middle Ages, when Scripture, Jesus Christ, and His teachings were reinterpreted as the Church became an empire. In a deeply personal re-examination of self, Carroll grapples with his own feelings of being chosen, his experiences as a priest, and the moments of doubt that made him leave the priesthood and embark on a long personal journey toward renewal—including his tenure as an op-ed columnist at The Boston Globe writing about sexual abuse in the Church. Ultimately, Carroll calls on the Church and all reform-minded Catholics to revive the culture from within by embracing anti-clerical, anti-misogynist resistance and staying grounded in the spirit of love that is the essential truth at the heart of Christian belief and Christian life.
'I learned about conflict from my parents.' So begins Christina McKenna's haunting memoir of her lonely early life. Recounting scenes from her childhood in Ulster, she paints a memorable and poignant picture of violence and oppression with her brutal father and protective mother, whose retalliation to her husband's meaness came in the form of a secret yellow dress. This is a rite-of-passage account of two generations of Irish women, told with great humour and compassion. On the one hand is the writer; on the other the heroic mother who showed her love as best she could. McKenna concludes that our past, no matter how painful, need not keep us bound - once we choose love over hate. That choice, she suggests, will set us free.
Authors determine that The Book of Mormon is an adaptation of an obscure historical novel. Read about their findings.